The Star Early Edition

Offensive cartoon was no joke

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More cartoons online at Gasant Abarder is Regional Executive Editor: Western Cape for Independen­t Media

ZAPIRO agonises over his work. At least I know that about the Zapiro I know. But from today I will call him by his given name, Jonathan Shapiro, because he no longer deserves the cute cartoonist tag.

Shapiro has crossed the line once again by using rape – gang rape at that – as a metaphor to depict our flawed president and the state we’re in.

It is deeply problemati­c – as problemati­c as DA leader Helen Zille extolling the virtues of colonialis­m.

Shapiro was once one of the most incisive, astute political commentato­rs we had. He was a national treasure, his roots – founded in the days of the United Democratic Front – and his collection of cartoons in annual editions found pride of place on my bookshelf.

But recently he has become lazy and callous. As technicall­y gifted a cartoonist as Shapiro is, his most recent rape cartoon has zero artistic merits. It’s a cut-and-paste job of the cartoon he did a few years ago about the rape of Lady Justice that was equally problemati­c. Shapiro knows better. He knows there is a pervasive rape culture in South Africa piled on top of rampant patriarchy and misogyny. I don’t need to quote statistics. They are horrific – and those are just the rapes that are reported.

These days Shapiro thinks nothing of depicting black people as monkeys. He drew a cartoon of Prophet Muhammad too when he knew the sensitivit­ies around this particular issue full well.

In 2013, I combined my cycling hobby with a fundraisin­g effort to raise cash for Rape Crisis during the Cape Town Cycle Tour. The money would be put to use to pay for vital counsellin­g of rape survivors. Rape Crisis director Kathleen Dey would ensure I receive an education about our rape culture along the way.

There are many myths about rape and we know it well. Or maybe we don’t, considerin­g the defence by many men of Shapiro’s latest offering.

For the sake of my fellow man, here are a few: Rape myth #1: Women who dress for a night out on the town are asking for it. Rape myth #2: “No” actually means “Yes” if the predator works on his prey long enough. Rape myth #3: It can’t be rape if the survivor is the girlfriend or wife of the perpetrato­r. And so the myths go on and on.

In my frame of reference, the Cape Flats, there are real battles against rape. There are absent fathers and where fathers are around, role models to sons are few and far between. Men in South Africa, in general, convenient­ly live in ignorance or seriously grapple with their roles – a throwback from our violent upbringing under apartheid.

To this audience, Shapiro’s cartoon normalises the violent and brutal act of rape.

It is in fact, abnormal. Anene Booysen, Valencia Farmer and Stacha Arendse were raped and murdered, their families and communitie­s left to make sense of it all.

Instead of using his talent to broaden the debate, Shapiro has chosen to become the debate in an almost narcissist­ic way. Along the way he is perpetuati­ng rape myths and promoting a rape culture and gender violence.

He does so by choice. It is his choice to draw black people as monkeys knowing full well it’s racist. It is his choice to depict women as weak, objectifyi­ng them with his rape metaphor.

Says Dey in a recent interview: “There are all kinds of myths: the idea that women are subservien­t, weak, that women are objects or currency. These are all public perception­s that slowly are changing, but it has to change throughout society – all of the different cultures in our country often share the same myths.”

Editors are meant to agonise over the content they publish. Sleepless nights spent sweating over whether we’ve gone too far, or a contributi­on or a particular angle on a news story has done more harm than good. Unfortunat­ely, Shapiro has stopped agonising and opted to be mundane.

When you’re in Shapiro’s position – as a journalist, commentato­r or cartoonist – you seek out voices of reason. You don’t inflame the situation even further. We’re meant to limit harm. Yes, freedom of expression and freedom of speech is enshrined in the constituti­on. But don’t use that right as clickbait. Shapiro has knowingly crossed the line too many times.

On Twitter, men felt the need to defend this right of Shapiro by mansplaini­ng his rape cartoon. It is surprising the level of ignorance displayed by seemingly educated men who should know better too.

Shapiro’s cartoon has also played into the hands of our flawed president’s victim mentality. Earlier in the week, the president feebly tried to position the public uprising against his leadership as racist. Now he has an actual straw to clutch at – gift wrapped and handed to him by Shapiro.

The cartoon plays into other racist stereotype­s too by depicting black men as somehow inherently violent and more likely to rape. It pigeon-holes black women as victims. It is a trap we all fall victim to in the media. We seek out male voices to mansplain and seldom celebrate women for their worth, as newsmakers, as leaders in society.

But ultimately, it is the many activists like Dey, who tirelessly work against this kind of privileged view of rape that Shapiro perpetuate­s, that he has set back. It is hard work that lies ahead to re-educate Shapiro and his army of men followers about how indefensib­le his rape cartoon really is.

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 ??  ?? INCITEMENT: Jonathan Shapiro (Zapiro) has chosen to become the debate along the way he is perpetuati­ng rape myths and promoting a rape culture and gender violence, says the writer.
INCITEMENT: Jonathan Shapiro (Zapiro) has chosen to become the debate along the way he is perpetuati­ng rape myths and promoting a rape culture and gender violence, says the writer.
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