GREEN POINT HOTEL

A ROOFTOP

POOL SUSPENDED 25 METRES ABOVE GROUND IS BUT ONE OF MANY STRIKING ELEMENTS

OF THE RECENTLY COMPLETED VīB BOUTIQUE HOTEL IN CAPE TOWN.

otels are tricky things to design; trickier still to design beautifully.” It’s one of the first things Robert Silke of Robert Silke & Partners says when talking about his latest creation. “When you build a hotel, you’re essentially making it out of Lego blocks – and those blocks are rectangular rooms.”

In the case of Vīb, a brand extension of the international hotel group Best Western aimed at young, urban travellers, Robert lucked out. The parameters were set, but because Vīb was still a relatively new brand, there was a bit of give. It also didn’t hurt that

Robert’s clients Muslim and Shafina Jaffer,a property-development power couple from Tanzania, had a sense of adventure – not to mention a flair for the dramatic.

For Vīb, which also has hotels in Bangkok, Antalya, and Springfield in Missouri, the hardwired design DNA includes a rectilinear format, a white façade and a signature red “scarf ” emblazoned with the hotel’s logo. Each six-by-threemetre room accommodates a full-size bathroom, king-sized bed and study area – always in the same configuration.

In the hands of Robert and fellow architect Alex Geh, this template was continuously finessed over the five years it took to bring the hotel to completion. Rigid seams softened into curves, unimaginative fixtures were injected with a sense of playfulness, and the one-size-fits-all ethos became undeniably localised. “There’s an exuberant Durban-MiamiHonolulu kind of tropical modernism about it,” says Robert. “Think Bauhaus meets Tropical Heat.”

The most obvious expression of the hotel’s vibe is the glass rooftop pool, which cantilevers five metres over Somerset Road below. If passersby were to time it right and look up, they might see the dangling legs of hotel guests through its three glass portholes. “The client wanted the hotel pool to be visible for miles around, and we just amped it up,” says Robert. As dusk descends, the pool turns pink and then blood-red, casting a fiery glow through the half-moon of glass that Robert fondly calls the building’s smile.

Inside, a more feverish New Orleans-slash-East African interpretation of modernism awaits. The lobby’s reception desk is framed by a jagged, geometric mirrorscape reflecting a refreshingly uncluttered white space that’s accented by graphic black lines and pops of high-gloss red. Guests are shuttled upstairs in an undeniably sexy, red-lit lift that reads like something straight out of 2001: A Space Odyssey. Equally Kubrick-esque – although leaning more towards The Shining – are the moody, narrow hallways that lead guests to their rooms.

While the original brief was for an 84-room hotel, Vīb Cape Town houses only 76. The answer to the missingroom mystery lies on the top floor where, right towards the end of the build, Shafina – an artist herself – decided that the hotel needed an African art gallery. Oh, and there was one more specification: the walls couldn’t touch the floor. The execution is nothing short of spectacular. Walls were built in front of the existing windows, curving voluptuously downwards from a bulkhead in the ceiling, which allowed them to stop short half a metre above ground. “When the sun comes through those hidden windows, it creates this indirect, ethereal light, even in the deepest parts of the gallery,” says Robert. “I mean, it’s a dream. Every architect wants to do a cathedral and a museum, so it’s a tick off the bucket list. Again, how many clients are going to commission a bespoke, purpose-built art gallery?” Lucky for some, hey Robert… vibcapetown.com | robertsilke.com

Designed by Robert Silke & Partners and constructed by JLK Construction, Vīb Cape Town boasts a captivating façade, featuring a cantilevered rooftop pool with glass portholes by Shaluza Projects, and curved glass curtainwalls by Eurostyle.

ABOVE At night, Vīb Cape Town’s red “scarf” lights up, along with its rooftop pool. LEFT Robert Silke in the hotel’s lift, customised by JV Lift Interiors and framed by granite architraves by Sangengalo. OPPOSITE, CLOCKWISE FROM TOP The lobby features granite floors by Mazista, ceilings by Ceil Wall Interiors, specialist lighting design by QDP, an arched bar by Kitchen City, highback chairs by Supreme Upholstery, dining chairs by Woodbender, tables by Tabletops and planters by Styler and Vorster & Braye, with greenery curated by The Green Zone; a Styler planter is offset by Cara Saven’s Missing The Point wallpaper; the lobby’s reception pods pop against a geometric mirrorscape by C&G Fine Art.

THIS PAGE Robert and the team localised the hotel rooms by creating feature walls adorned with a hand-drawn map of Green Point by Wayne Muller, turned into wallpaper by Cara Saven. The bed-and-desk units are by Kitchen City, the vinyl flooring is by MacNeil, and the office chair is a collab between Herman Miller and Yves Béhar. OPPOSITE Ceramic pendant lights by Mood Lighting & Decor, Paul Smith-inspired feature blinds (designed by the architects and sourced from Hotel Pro) and light switches by Lumen8 complete the bedroom mood, while bathroom highlights include a vanity unit by Hammonds and aluminium-framed shower screens by Showerline.

THIS PAGE The roomy suite includes a dining area, furnished courtesy of Woodbender and Tabletops, as well as a sleeper couch by Sofaworx, vintage red Kartell stacking chairs sourced from Ride A White Swan, a glossy red storage canister by Chair Crazy, and original artworks by Shafina Jaffer. OPPOSITE, CLOCKWISE FROM TOP LEFT In the narrow hallways, stony-grey carpet tiles by Interface were sourced from KBAC Flooring; all bathroom mirrors are by C&G Fine Art, with signage by Ultra Signs; the pool area is kitted out in Garapa decking by Freestyle Decking; additional accessories were procured for the rooms by Hotel Pro.

THIS PAGE Polished granite floors by Mazista and mirrored ceilings by C&G Fine Art create the illusion of height, while hanging walls and feature bulkheads by Ceil Wall Interiors let the art shine. Artworks (from left) are by Peter Clarke, Parker Laird, Cecil Skotnes, Daniel Matshidiso and Broderick Somana. OPPOSITE, CLOCKWISE FROM TOP LEFT Jaffer Modern keeps external embellishment to a minimum, starting with clean-lined signage by Ultra Signs and a glass pivot door by Eurostyle; one bit of whimsy is this mustard viewing bench by Block & Chisel, here looking onto work by (from top left) Clare Menck, Lauren Shantall, Kaloki Nyamai and Dominic Tshabangu; the windows in the gallery flood the space with natural light, illuminating a self-portrait by Shafina Jaffer and a work by Thando Ntombela.