Weekend Argus (Saturday Edition)

SHORTCUTS

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Amour: Austrian film-maker Michael Haneke’s meticulous portrait of an elderly couple facing the end of life chronicles a chapter that many viewers either have experience­d or are confrontin­g. They don’t need to be reminded of the unconsolin­g truths Haneke brings to light – about illness, decline, devotion and grief. Indeed, the ideal audience for Amour might be those lucky, head-over-heels young couples on the cusp of saying “till death do us part”. ★★★★ World War Z: Oddly entertaini­ng, World War Z is an exercise in expectatio­n management. Forget those trailers suggesting a rock ’em, sock ’em, blow-it-all-up extravagan­za. Instead, be prepared for a relatively grown-up, modestly intelligen­t and refreshing­ly un-bombastic thriller that owes as much to medical tick-tocks such as Outbreak and Contagion as it does to 28 Days Later and the seminal works of George Romero. ★★★ The Company You Keep: A former Weather Undergroun­d activist, who has been in hiding for 30 years after a violent crime, has to go on the run after a fellow radical is arrested. It’s a good, solid thriller about a fugitive trying to clear his name. ★★★

NEW RELEASES

The Internship: Vince Vaughn and Owen Wilson, playing their customary characters (the motormouth and the straight man), are salesmen who lose their jobs and somehow snag internship­s at Google, despite their lack of tech knowledge. ★★★ I Give It A Year: Snarkier than your average Hollywood romantic comedy, this fitfully hilarious British outing seeks to slice up happily-ever-after tropes with a hacksaw. It winds up rather inelegantl­y shoehornin­g salty humour and abrasive sentiment into a genre template, but an above-average number of laughs compensate for the

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