OF ‘ WONDER’

IT’S HARD for cynical souls to walk into a movie advertised with the tagline “Choose kindness” and not shudder in trepidation. What sentimental hooey is this? What new hellish circle of cheese awaits now?

And yet Stephen Chbosky’s Wonder, despite its Hallmark Card appearance, is far from the Clockwork Orange- like exercise in emotional manipulation some might fear. Even the most pessimistic of us may actually find it charming.

Based on R.J. Palacio’s 2012 YA novel, Wonder is about a 10-year-old boy, Auggie Pullman (Jacob Tremblay, with heavy makeup), with mandibulofacial dysostosis or Treacher Collins Syndrome. His parents (Julia Roberts, Owen Wilson) have homeschooled him up until now but believe it’s time for him to enter 5th grade and middle school — a lion’s den if ever there was one, especially for a gentle, socially isolated boy with facial deformities.

They, along with his older sister Via (an excellent Izabela Vidovic), live in brownstone Brooklyn. Auggie is comfortable around the neighbourhood in his astronaut helmet, but the prospect of school petrifies him. His first experiences aren’t reassuring, either. A legitimate science whiz and self-declared

Star Wars fan, he’s nicknamed “Barf Hideous”. Later, rumours spread that just touching him will spread the plague.

Movies, a superficial medium by nature, often put irregular appearances under a harsh microscope. Seldom do we see stories like Auggie’s given a close-up. But when they have, the results have often been moving and memorable — like David Lynch’s The Elephant Man and Peter Bogdanovich’s Mask.

Wonder adds to that lineage but it’s not entirely focused on Auggie’s tribulations. As the film progresses, it begins to abruptly shift perspectives, reconsidering the point of view of various characters in Auggie’s orbit.

After we first experience Auggie’s joys and hardships at school, we see the encounters from the other side. After Auggie’s first friend (Noah Jupe) betrays him when he thinks Auggie is out of earshot, we get his story. After Via feels overshadowed by her brother, we follow her own struggles in losing a now too-cool friend. She joins the drama club. And we get the backstory of the school bully (Bryce Gheisar), too, revealing parents from whom he learned his behaviour.

The result is a clear and straightforward message movie, soaked it empathy. It tenderly evokes both the crushing pain of being shunned and the saving grace of a much-needed friend — for Auggie and for everyone. It’s a sincere and valuable lesson in putting yourself in someone else’s shoes.

It’s not that a tear-jerker like Wonder isn’t shot through with sentiment, but it kind of miraculously avoids becoming mawkish.

There are plenty of movies in which the fate of the world hangs in the balance, but Wonder sticks close to the daily problems of childhood, working through them with sensitivity. – AP