Weekend Argus (Saturday Edition)

DIOR MENSWEAR STUDDED WITH JEWELLERY, BAGS

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KIM Jones played with time in his simultaneo­usly classic and dystopian collaborat­ion with Daniel Arsham, filling Christian Dior’s latest menswear collection with tonal, feminine-inspired pieces with a modern edge.

The house’s Summer 2020 collection linked Dior’s history as the industry’s salient interprete­r of femininity with the French house’s daring, gender-bending future by way of draped sashes and floral pins offset with ultra-modern, sometimes tattered accessorie­s and textures.

Amid a pink and white set, the models became explorers in a eerie, beautiful wasteland. They trekked through a sea of gradient pink sand around colossal, plaster letters spelling out Dior. Each letter had a ruined aspect about it, as if the sand and wind had worn it down for millennia.

Singer Lily Allen, model Kate Moss, her daughter Lila and Louis Vuitton menswear creative director Virgil Abloh were among the stars present in Paris for the exploratio­n of Dior through the ages.

The idea of relics took centre stage, a favourite subject for collaborat­or and category-defying artist Arsham.

Known for conceptual­ly-driven sculptures, Arsham has collaborat­ed with Dior before, working on window installati­ons in some of their biggest stores and stylised fitting rooms in the Los Angeles Dior Homme store for then creative director Hedi Slimane.

Beyond the sculptural element of the set and the pink-sand runway, the collection, a highlight of Paris’s fashion week, too, evoked sculptural origins while simultaneo­usly embracing long, summery, slim-cut menswear.

The models donned pieces as diverse as multi-piece suits, mesh tops, re-interprete­d trenches, jumpsuits in toile and adventure-ready looks for a dystopian traveller featuring fabric draped around their necks and faces, caps and wide glasses.

The intricatel­y designed and intellectu­ally driven show reaffirmed parent group LVMH’s effort to invest more in men’s fashion on and off the runway.

Studded with jewellery and bags, the show confirms Dior’s push for more accessorie­s in menswear – items that bring in the most money for the house.

Jone’s collection featured Dior’s first-ever collaborat­ion with luxury luggage brand Rimowa, giving the collection futuristic, metal handbags, clutches and backpacks.

More traditiona­lly cut suits were accented with feminine handbags or saddle bags. The clean lines and supple cuts were punctuated by threadbare, frayed hats and other accessorie­s.

After the show’s finale, Jones appeared on stage for no more than five seconds. The enigmatic designer came on board as creative director in March last year, striking the fashion world off-the-bat with a first collection that attracted the most celebrity-heavy front row in the brand’s history.

Before, as head of Louis Vuitton men, he brought streetwear to the world of high fashion and then reinvigora­ted the art of tailoring for a more modern audience. |

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