Ileana Mulet
Cursó estudios de artes plásticas en la Academia de Bellas Artes San Alejandro. Graduada en las especialidades de Diseño de Interiores y Diseño de Vestuario. Miembro de la Unión de Escritores y Artistas de Cuba (Uneac).
Sus obras forman parte de colecciones privadas y de museos en España, Estados Unidos, México, Colombia, Suecia, Guatemala, Alemania, Reino Unido, Francia, Italia, Japón, Nigeria, Jamaica, Argentina, entre otros países.
Se desempeña como artista colaboradora del proyecto cultural de la agencia Paradiso, impartiendo clases magistrales y talleres.
Fue nominada en 2018 al Premio Nacional de Artes Plásticas.
Tomó parte en 1994 en la IX Bienal Iberoamericana de Arte, Museo de Bellas Artes, Distrito Federal, México. En ese mismo año fue finalista del Premio Casa de las Américas en la categoría de Poesía.
Entre sus exposiciones más importantes se encuentran: Raíces de Mallorca en la Cuba de hoy, Sala Art Calviat, Casino de Mallorca, Palma de Mallorca, España, 1991; Entre columnas y arcadas, Embajada de Cuba en México, 1993; Desde mi Habana, escuelas de bellas artes de Barranquilla y Cartagena de Indias, Colombia, 1997; Al fuego
de la espátula, gira por varias ciudades de Estados Unidos, 2001; El beso de la salamandra, Art Marbella, 2008; Bodies, Art
Basel Miami, 2009.
Participó, entre otras, en las muestras colectivas Cuba, hasta la pintura siempre,
París, Drouot, Richelieu, Saller, Francia, 1996; Cubanías de la isla caribeña (52 años después), Museo de Bellas Artes Bonaerenses, Buenos Aires, Argentina, 1998; y
Arte Cuba oggi, Museo Rocca Sanvitalle, Fontanellato, Parma, Italia, 2013.
ILEANA MULET
She studied plastic arts at the Academy of Fine Arts “San Alejandro”. She is a member of the Unión de Escritores y Artistas de Cuba (Uneac: Union of Writers and Artists of Cuba.)
Her works are part of private collections and museums in Spain, United States, Mexico, Colombia, Sweden, Guatemala, Germany, United Kingdom, France, Italy, Japan, Nigeria, Jamaica, Argentina, among other countries.
In 1994, she was one of the final nominees for the “Premio Casa de las Américas” in the Poetry category.
Some of her most important exhibitions are: “Raíces de Mallorca en la Cuba de hoy,” Art Calviat Hall, Casino de Mallorca, Palma de Mallorca, Spain, 1991; “Entre columnas y arcadas,” Cuban Embassy in Mexico, 1993; “Desde mi Habana,” Fine Art Schools in Barranquilla and Cartagena de Indias, Colombia, 1997; “Al fuego de la espátula,” a tour around different cities of the United States, 2001; and “El beso de la salamandra,” Seu Dürgell, Lleida, Spain, 2008.
She participated, among others, in the following collective exhibitions: “Cuba, hasta la pintura siempre,” Paris, Drouot, Richelieu, Saller, France, 1996; “Cubanías de la isla caribeña” (52 years later), Museum of Fine Arts, Buenos Aires, Argentina, 1998; and “Arte Cuba oggi, Museum Rocca Sanvitalle, Fontanellato, Parma, Italy, 2013.
About the endearing affection and the deep admiration we have for the capital of all Cubans, innumerable essays and chronicles have been written in which our feelings are captured in exciting stories about neighborhoods, streets and corners
of our beloved Havana. However, it is music the one that assumes the prodigy of that idyll that can appear to us even from hearing nothing more than just a chord.
For those who visit us from other lands, we recommend them to continue to
delve into the dozens and dozens of pieces dedicated to Havana, presented in the most diverse genres of Cuban music and performed by diverse creators: an admirable treasure of the cultural heritage of our nation.
In Santo Domingo, the first city in the New World, there is a theater group that for twenty-eight years has defended the ties between tradition and modernity. Its name is Guloya, because his director, a young actor graduated from the Higher Institute of Art of Havana, under the mentorship of professor Flora Lauten decided to create the group to retake a
dance-theater-musical expression of his country, practiced by the guloyas of San Pedro de Macorís, and try to interpret it from the present.
With the same impetus, he resolved to overcome the lack of systematic context to establish and maintain stable groups in the conditions of the country, without regular subsidy or other guarantees.
He learned from the efforts of Gayumba, the group founded by Manuel Chapuseaux and Nives Santana, of Brechtian roots, and took the best of another as Nuevo Teatro, of Stanislavskian orientation, founded by Rafael Villalona, an independent theater paladin, and with the rigorous teaching of María Castillo, actress, director and professor.
Want it or not, the story of The Conveyor is simple: a messenger who "transports packages" for a living and does this on his own terms; number one, a deal can never be modified; two, no names; and three, you never have to see inside the package.
The imagination of Luc Besson and his unquestionable talent have created with
“The Conveyor” one of the most famous characters in the early 21st century cinema for the good of actor Jason Stathm, who plays the character Frank Martin, in a series of films (the three first) of action and truly fantastic car scenes.
The Conveyor I was premiered in October 2002, scripted by Luc Benson. The plot
is recurring: Frank Martin is the good guy who will save unhappy characters involved in very dangerous matters. The Conveyor III came in 2008. Without Jason Stathm, The Reloaded Conveyor (2015) is not the same. History repeats itself: trafficking in persons (women for prostitution). Is The Conveyor running out of gas? We will see…