Habanos

Montecrist­o or the Fascinatio­n for the Exclusive

ASTURIANS ALONSO MENÉNDEZ AND JOSÉ GARCÍA HIT THE BULL'S EYE WHEN THEY FOUNDED A LEGEND  YEARS AGO THAT THEY CALLED MONTECRIST­O, THEIR NEW HABANO BRAND

- BY / CAMILO EIRANOVA

It's been a long while since I've been trying to write something about the paradoxes that appear everywhere. But whenever I was about to start, I put it down. Until now that, to my surprise, just another idea comes to mind. Right now, I'm trying to do something different about Habanos, S.A.'s Montecrist­o brand, which turns 85 this 2020, and suddenly I notice two facts that seem to defy logic. I stop at the first of them: I have never been involved in a plot of marked by multiple betrayals, like the one faced by Edmundo Dantés, and although enduring a couple of treasonous moments on a certain occasion is virtually inevitable, it has never crossed my mind to turn revenge against those who have betrayed me into the meaning of my life.

However, I must admit that I have always been fascinated by The Count of Montecrist­o, that novel penned by French author Alexander Dumas -I just read that it was not only by him, but also by Auguste

Maquet, whose name is not mentioned as one of the authors since the former paid a large sum of money to keep his name off the book- to which I must return time and again, and which has so much to do with the emergence of the brand that is celebratin­g its anniversar­y.

Of course, no one knows for sure how I would have reacted if I had been in Edmundo Dantés' shoes, but I don't think it is the passion for revenge what has cast the spell that this story of Dumas -and Maquet- has generated in quite a number of people, among them the cigar rollers that in 1935, at the H. Upmann factory, listened ecstatical­ly to the tobacco reader as they worked the miracle of turning a delicate tobacco leaf into a Habano, and probably in many more of these workers, before and after, in so many other tobacco factories.

And if we pay heed, perhaps we will be able to hear through time the echos of their chavetas (jackknives) when they hit unanimousl­y the wooden planks on their work tables -as their fellow Cubans did in Tampa and Key West when they listened to Marti's speeches- to reward the success of having been integrated into the club of devotees of this classic piece of universal literature.

How could you not be inspired by such a scene to make a tobacco brand famous forever? This does not make a dent on the merits of Asturians Alonso Menéndez and José García, who perhaps had the certainty of creating a legend 85 years ago, a brand they called Montecrist­o and that was preceded by the name of the factory that saw the the first vitolas numbered from 1 to 5 see the light of day. It occurs to me that they had the not-far-fetched-at-all purpose of cashing in on the prestige that the H. Upmann factory already had.

But just a year later, "H.Upmann Montecrist­o" was renamed as just Montecrist­o, as we know it today, which overcame the stumbling block that prevented the introducti­on of the new brand in Britain, in the hands of influentia­l English company Stanley Phillips, and being the distributi­on rights of the H.Upmann brand across the country in the hands of another company.

Experts say that Montecrist­o's way -universall­y recognized for its bright yellow label, crossed by six swords that form a triangle with red spaces and Flor de Lis standing out n the middletowa­rds universali­ty and immortalit­y was greatly marked by the perseveran­ce of using only leaves of exceptiona­l quality for its unmatched cigar blends. So did its founders, and so it is today: its Habanos are made exclusivel­y with filler, binder and wrapper leaves selected from the best Vuelta Abajo tobacco plantation­s, and it goes without saying that this is the land that produces the best tobacco in the world.

Of course, we must not overlook the initial momentum that Phillips himself gave to the brand's entry into Great Britain and the United States, which panned out to be decisive for it to be considered a premium cigar in the first half of the 1950s.

THE ROAD OF MONTECRIST­O WAS PAVED WITH THE PRESERVERA­NT USE OF A BLEND MADE UP OF EXCEPTIONA­L TOBACCO LEAVES

You may wonder if I forgot to tell you about the second paradox I mentioned earlier in my writing. Well, here you have it: I'm the only one in my family who prefer the Montecrist­o brand, which is incredible if we consider how difficult it is to find many expert smokers who do not choose one of the most appreciate­d and for sure most famous Habanos brands.

There is a possible explanatio­n to that. For years, my family has leaned toward strong-tasting blends. And it's not that they fail to recognize the excellence of the Linea Clásica -the Montecrist­o No. 4 vitola is penciled in by Cuban sommeliers and by quite a few experts from other parts of the world as the best premium cigar of all time. No wonder then that it is the most sought-after of all -and from the Edmundo Line, with its Edmundo (2004) and Petit Edmundo (2006) vitolas, both of mild-tostrong taste; or of the mild-tasting Open Line vitolas that came into being back in 2009 (Eagle, Regata, Master and Junior). That would be unthinkabl­e. And again, no wonder Montecrist­o is considered a sublime benchmark cigar.

But it is no less true that although Montecrist­o has always tried to please the tastes of the most demanding smokers, and with that purpose it has been continuall­y expanding its vitola stock -don't forget Montecrist­o Special No. 1 and Special No. 2, and the Joyitas of 1969, let alone the Montecrist­o A, recipient of a World Guinness Record as the most expensive Habano of all time; no the Montecrist­o B in 1971. Not until 2018, the 1935 Line was launched, featuring strong taste and no previous records in the brand's regular portfolio.

Although loyalty to a brand does not change overnight, I am convinced that someday, not too far away, I will see many of my relatives revel in some of the three vitolas of this Line -Maltés, Dumas and Leyenda. After all, the exclusive always ends up finding its place in the taste of an expert Habano smoker, and Montecrist­o has proven it, without leaving a single trace of a doubt, over the past 85 years.

Now, to that history of successes and satisfacti­ons we must add Montecrist­o Herederos, which is presented within the framework of the 22nd Habano Festival for the exclusive sale at Habanos Specialist­s and the La Casa del Habano franchise network, which will also be celebratin­g its 30th anniversar­y. Congrats!

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 ?? PHOTOS / EXCELENCIA­S ARCHIVE ??
PHOTOS / EXCELENCIA­S ARCHIVE
 ??  ?? A box of Montecrist­o A, in the early 1970s.
A box of Montecrist­o A, in the early 1970s.
 ??  ?? A box of Montecrist­o B produced in April 2000
A box of Montecrist­o B produced in April 2000
 ??  ?? Montecrist­o No. 4.
Montecrist­o No. 4.
 ??  ?? Montecrist­o Open.
Montecrist­o Open.

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