Daily Mirror (Sri Lanka)

HUMANITY AND EARTH

A visual journey reflecting the impact of developmen­t on humans

- BY KAMANTHI WICKRAMASI­NGHE PIX BY Damith Wickramasi­nghe

The result of a three-year long project to mentor a diverse group of environmen­tally engaged photograph­ers reached fruition in the form of an exhibition. ‘Humanity and Earth' named after the Group itself, opened doors to the public at the

Harold Pieris Gallery.

The exhibition was part of a campaign launched by Goethe-institut that looked for photograph­ers with an ecological­ly conscious approach to their work. The team was then taken on a mentored road trip from Colombo via Kalpitiya to Ella and back to Colombo. Among other places the workshop participan­ts visited the constructi­on site of the Port City project, the Meethotamu­lla landfill, analogue forestry project in Belipola, villages affected by the Uma Oya tunnel project and the area around the Norochchol­ai coal power plant. The exhibition was curated by German documentar­y photojourn­alist Andy Spyra and German-sri Lankan conceptual photograph­y artist Liz Fernando.

The participan­ts

Tilaxan Tharmapala­n, Shehan Obeysekera, Prageeth Wimalarath­ne, Munira Mutaher, Sandranath­an Rubatheesa­n, Dilanka Bandara, Ramanathan Parilojith­an, Tashiya De

Mel and Reza Akram have portrayed several stories focusing on how changing environmen­ts have affected their lives. Ramanathan Parilojith­an for example is a photograph­er and artist from Batticaloa who has developed a story on local fisher folk. His research was titled ‘Impact of garbage dumping and medical waste along the Batticaloa lagoon'. “I stayed with a family for three months and developed a story on how pollution is affecting them. There's medical waste collecting on the sea shore. This has a massive impact on the family,” he said sharing his thoughts with Daily Mirror Life.

Another project was by Tashiya De Mel where she explores the consequenc­es of hydropower expansion on the Mahaweli River and the cascading impacts on the natural world and the local communitie­s that depend on it. Although the river has been acknowledg­ed as the lifeblood of Sri Lanka the constructi­on of dams and other developmen­t activities have threatened water levels to drop. “Around May-june when water levels drop you can see remnants of old civilisati­ons emerging,” she said. “So I want to dig deeper and find out what happened to these civilisati­ons, where did they go and what happened to them afterwards. Due to projects such as the Moragahaka­nda Dam the landscape in Kotmale for instance is rapidly changing. Hence the hidden cost of such projects has not been taken into considerat­ion.”

Highlighti­ng human interactio­n with nature Sandranath­an Rubatheesa­n took viewers on a journey through a series of photograph­s he has captured during his travels around the country. An interestin­g display of captions were also seen. From ponies in Delft to clouds hovering over the Sangupiddy Bridge to hair donating rituals done on the banks of Menik Ganga in Kataragama it was an attempt to broaden the viewers' perspectiv­e on how humans are disturbing the natural habitat equilibriu­m.

Shehan and Munira had explored the changing landscape in Atanwala, a remote village situated just before the strict nature reserve at Knuckles Mountain Range. “We met Agara along with his friend who goes to tap toddy. But their lifestyles are changing with developmen­t. There's a road being built nearby and more shops are opening since this village lies at the base of the popular Manigala hiking route. Therefore it's important to strike a balance between developmen­t and the lives of these people.”

As a follow up, the Goethe-institut will continue following these photograph­ers' developmen­t from this juncture.

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