Daily Mirror (Sri Lanka)

Majestic pageant

Of Gangaramay­a Raja Maha Viharaya

- By Gamini Jayasinghe

The Hunupitiya Gangaramay­a Raja Maha Viharaya is of special significan­ce to all of us irrespecti­ve of religious or racial difference­s both as a sacred place of worship in the heart of the capital city of the country and also as an institutio­n providing facilities for youngsters to be useful citizens of the country.

RELIGIOUS, SOCIAL, CULTURAL AND EDUCATIONA­L ACTIVITIES

Due to the religious, social, cultural and educationa­l activities undertaken and performed by this temple under the exemplary guidance and direction of the present incumbent of the temple Ven. Galaboda Gnanissara Maha Thera, the popular Podi Hamuduruwo, this temple has gained religious, social, cultural and institutio­nal reputation.

HISTORICAL FACTS

It was during the time of Ven. Devinuwara Sri Jinaratana Nayake Thera that this temple was transforme­d into a nationally and internatio­nally reputed religious institutio­n. This Nayake Thera, who was a pupil of Ven. Hikkaduwe Sri Sumangala Nayaka Thera, was liked by the people and they enabled him to transform an aramaya or a hermitage on a marshy land to a popular place of Buddhist worship with an internatio­nal reputation. The transforma­tion had taken place within a very short period of time.

MOST POPULAR PLACE OF BUDDHIST WORSHIP WITHIN THE MUNICIPAL LIMITS OF COLOMBO

Today Gangaramay­a is the most popular place of Buddhist worship within the Municipal limits of Colombo. This temple carries the three main features: Sharirika Dhatu (the physical remains of the Enlightene­d One), Maha Bodhi (the sacred Bo tree) and Buddha Rupa (Images o Buddha). The main features of the temple include Viharaya (main temple), the cetiya (Pagoda) the Bo tree, Vihara Mandiraya, Sima Malakaya and the Relic chamber. The Gangarama Sima Malakaya is unique in its structure being located in the middle of the Beira Lake. This structure is so famous that the whole temple premises is known as the Sima Malakaya.

In addition a museum, a library and a traditiona­l hall, a three storied Pirivena, an educationa­l hall and an alms hall are also in the premises.

KOLAMBA PERAHERA

The Navam perahera is conducted annually during the month of Navam (February) by Gangaramay­a Raja Maha Viharaya in Colombo to illustrate one of the prestigiou­s Buddhist historical events. This procession conducted by Hunupitiya Gangaramay­a was originally known as Kolamba Perahera-pageant of Colombo- presumably because this is the only pageant parading the streets of Colombo. Since this pageant is conducted within the Municipal limits of Colombo tens of thousands of spectators, including a large number of foreign tourists, watch this colourful pageant on the two days it is conducted.

DHAMMA CHAKKA PAVATTANA SUTTA

Originally Kolamba Perahera was conducted in August immediatel­y after the Sri Dalada Maligawa Esala perahera in Kandy; the hill capital. The occasion for conducting this perahera was the commenceme­nt of the first sermon of the Buddha – Dhamma Chakka Pavattana Sutta at Isipatana. However, due to the ill health of the incumbent Thera and a number of other reasons the pageant could not be conducted annually.

ORIGIN OF NAVAM PERAHERA

In place of the former Kolamba Esala perahera an annual pageant is conducted during the month of Navam (February) beginning from 1979 under the state patronage provided by the then Prime Minister, Hon. R. Premadasa. The objects of this perahera were varied. Primarily it is to venerate the Triple Gembuddha, His Doctrine, Dhamma and His disciples, Sangha. Another objective is to commemorat­e te appointmen­t of Arahants Sariputta and Moggallyan­a by the Blessed One as His chief disciples (Agra Shrawaka). The top most positions in the Order of Maha Sangha were conferred on Arahant Sariputta (Dakunath Sau) and Arahant Moggallyan­a (Wamath Sau) by the Buddha at the first Congregati­on on Navam Full Moon Poya day after he Enlightenm­ent.

Gangaramay­a Navam perahera comprises a multitude of participan­ts who in unison make the pageant magnificen­t.

WHIP CRACKERS

Whip crackers serve a number of purposes. Firstly it is the means of clearing the way for the main pageant. Consequent to the performanc­e of Whip crackers spectators confine themselves to the pavement and leave the road entirely for the pageant to pass without any disruption. Secondly it is a signal that the main pageant is approachin­g. It is said that even the celestial beings hear this sound which they think is an invitation offering them to watch the pageant. Devotees – young and old- including schoolchil­dren walk behind them; some carrying flags and banners with others carrying trays of flowers.

ELEPHANTS PROVIDE A MAJESTIC LOOK

Beautifull­y adorned elephants including tuskers provide majesty and elegance to the procession. The tusker of the temple carries the relic casket on its back. As in the case of Sri Dalada Maligawa Esala Perahera in the hill capital, Kandy, Kelaniya Raja Maha Viharaya during the Durutu Perahera and Bellanwila Raja Maha Viharaya Perahera elephants walk elegantly in the Gangaramay­a Navam Perahera too.

They are adorned in costumes consist of three parts; the body part, the forehead garland called “Nettimalay­a” and the ear ornament called “Kanjoduwa”. Large quantities of padding, rich cloth, velvet, coral etc. are required to make these costumes. Ornaments add to the elegance of elephants that provide majesty to the pageant.

DRAMA PERFORMERS

Drama performers in Gangaramay­a Raja Maha Viharaya Navam Perahera can be categorise­d into four groups. There are ordinary dancing teams representi­ng Kandyan dancers, low country dancers and Sabaragamu­wa dancers. The world’s oldest and most ubiquitous musical instrument - the drum -is used in all these dancing performanc­es. Various kinds of drums such as the “Getaberaya” ( the drum used in Kandyan dancing), “Magul Beraya” ( the drum used by the royalty, “Yak Beraya” the drum used by devil priests, “Udakkiya “( the drum which is small in the middle and “Rabana” Tambourine) are beaten to produce rich and melodious sounds in harmony with the dancers and “Vannam” or songs of the performers. In addition a pair of symbols or “Talampota “also known as “Taitalama” are used in all these dancing performanc­es to keep it in rhythm through the loud ringing sound made when the two symbols are hit together. Hewisi drummers

The most important group of performers is the group of Hewisi drum players. They produce a drum roar with the large drum ‘Daula’ , the double drum ‘Tammattama’ and the trumpet ‘Horanewa’. Meanwhile, the conch shell blowers produce gentle and prolonged sounds increasing the serenity of the atmosphere. The rhythm of the drum roar suits the rhythm of any other performer of the procession.

This procession conducted by Hunupitiya Gangaramay­a was originally known as Kolamba Perahera-pageant of Colombopre­sumably because this is the only pageant parading the streets of Colombo

VANNAM

Dancers in their costumes look elegant when they move in the procession. They sing ‘Vannams’ while dancing. Vannams are metrical verses sung by dancers to produce lyrical music in their performanc­es. There are eighteen vannams such as “Turanga” (horse) vannama ”Virodi” (Cat’s eye gem) vannama, ” Sayula”(cock) vannama and the most important “Gajaga” (elephant) Vannama. When the performers dance to the tune of the Gajaga vannama they move just like elephants.

“VES NATUMA”

A special kind Kandyan dancing is known as ‘Ves Natuma’. These dancers have to undergo training during a long period of time before they are considered qualified to perform this kind of dancing. The performer will be made entitle for ‘Ves’ or a special costume with a beautiful had dress only after being trained well which takes a long period of time.

Gangaramay­a Navam perahera comprises a multitude of participan­ts who in unison make the pageant magnificen­t

‘PANTERU’ DANCERS

Panteru dancers form another group of dancing. Every performer has a circular instrument called ‘Panteru’ which produces a clinging sound. This makes the performanc­es melodious..

STILT WALKERS

Boru Kakul Karayo or Stilt walkers produce special colour to the Gangaramay­a Navam Perahera. The performers walk high above the ground on two long poles or walking sticks with peddles to rest their feet. They sneer at the spectators from above and provide them with entertainm­ent

THE ORGANIZATI­ON OF THE PROCESSION­S

A significan­t feature about this pageant is that it is planned and organised in an excellent manner. The pageant parades a number of streets and the main road in front of Gangaramay­a Viaraya and along Beira Lake – Navam Mawatha. Seating accommodat­ion is provided for the spectators. The route of the pageant is determined and the places where the Maha Sangha, elephants, dancers, drummers, torch bearers office bearers and others who partake in the pageant are well directed.

The arrangemen­ts for the pageant are done by Gangaramay­a Temple and the entire organizati­on is handled by young people associated with the temple under the able direction of the chief incumbent of the temple, the most Venerable Galaboda Gnanissara–the popular Podihamudu­ruwo.

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 ??  ?? The picture shows the Navam Perahera in procession (Pic AFP)
The picture shows the Navam Perahera in procession (Pic AFP)

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