Sunday Times (Sri Lanka)

Rooms with different views

Duvindi Illankoon gives us a preview of some of the exhibits at Cinnamon Colombosco­pe that begins on Friday

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What are you doing next weekend? Make time to drop by Cinnamon Colombosco­pe, which begins on Friday – August 21. This year’s Colombosco­pe finds it focus in Slave Island, and between the arts programme Shadow Scenes and the talks and literature programme there’s something here for everyone.

We’ve picked a few exhibits and segments to preview - these are just a handful among the many that you’ll find on the programme, which has been carefully devised by curators Menika van der Poorten, Natasha Ginwala and Radhika Hettiarach­chi. For full details and the complete programme see www. colombosco­pe.lk

The Uncle-Shamalee and Alain Parizeau

The Parizeaus seem comfortabl­e making their way around the total darkness of the Rio Hotel on the day we visit. Their room (each artist has been allocated a room for their work) is a stark contrast to the dusty, dirty confines outside. ‘The Uncle’ is an installati­on that the duo devised with the idea of your quintessen­tial Sri Lankan uncle in mind-“the guy that we all know,” explains Alain. “Sometimes your friend, sometimes the creep, but mostly the old guy at an interestin­g time of their life.”

The room is artfully arranged (in a neater fashion than the uncles you and I know will ever adopt) with ratty chairs, magazines (back copies of Readers Digest stacked next to well-worn shoes) and old photos of men of a certain age with their faces obscured for anonymity. A Barbara Cartland novel (mysterious, these uncles) jostles for space among the memorabili­a. Shamalee has written several pieces that dominate the room-one, a bitterswee­t recollecti­on of an old tuition master on the wall, another scribbled on a postcard tucked into an old photo frame. The installati­on is an unusual ode to the theme of urbanity and displaceme­nt that this year’s Cinnamon Colombosco­pe focuses on.

Mahen is not quite sure what his installati­on will look like because he hasn’t exactly got around to it yet. But he knows what he wants to do-three exhibits made in his trademark style with found objects that he finds immensely inspiratio­nal. ‘Found objects’ refer to material that he finds lying around or has sought out from waste-metal, wood, cloth, etc. The artist works with these materials to create installati­on pieces that are mysterious and assume shape according to the beholder’s perception.

Mahen won’t, unfortunat­ely, be using material from Slave Island due to time and budget constraint­s but he’s excited to be showing his work at the Rio. “The rooms provoke you,” he says. “It has such charm and character and that’s very good when you’re looking for inspiratio­n.”

The Vimana Kiranaavar­ta Observator­yPedro GomezEgana

Columbian artist Pedro GomezEgana practises across the board with performanc­e, sculpture, video installati­on and sound works. Gomez will use Rio’s rooftop for his ‘observator­y’, which will bring together elements of local geo-history, cosmologic­al fiction and mechanical transmissi­on.

Exploring Slave Island-Dr. Asoka de Zoysa

Dr. de Zoysa’s fondness for exploring the city on foot will definitely win you over, we’re guessing about five minutes into this walk. Drawing from the European tradition of taking tours through a historical area on foot, Dr. de Zoysa hopes to engage with the city’s ever changing landscape via the walk. He’s also slightly nervous“we’re walking through communitie­s and into people’s lives,” he worries. “I don’t want to be intrusive.”

Yet these walks are about the people as much as they are about the landmarks that Slave Island has to offer. The city was christened as ‘Slave Island’ as it used to hold slaves from Africa during the rule of the Portuguese and the Dutch. Principal home to the Beira Lake, a water body that forms an integral part of Colombo’s landscape, Slave Island (or Kompannya Veediya) is a highly commercial area on the cusp of multi-billion rupee developmen­t initiative­s. The vibrant multicultu­ral community of the city is part of its charm, as are heritage buildings like the Castle Hotel, the mosque that has survived vigorous commercial developmen­t efforts and the old (now defunct) Nippon Hotel famous for its short eats.

Narrating City LivesJonat­han Coe, Eric Reinhardt

British satirist Jonathan Coe and French novelist Eric Reinhardt will read from their novels and explore the use of humour and satire in portraying the lives and aspiration­s of city people. Keith Davis will moderate. Bound to inadverten­tly make you laugh at yourself, but with luck you won’t realize that till later.

While you’re in Slave Island check out:

The Castle Hotel: Undeniably dodgy yet spirited, the Castle Hotel is one of the last standing buildings against the tide of developmen­t taking over Slave Island. Don’t go upstairs.

Yapane Bath Kade: Purveyor of all things good when it comes to rice and curry, although it’s probably a better idea to pick up your food on the go. Unless you like sticky table tops and rustic charm-in which case do go ahead.

Rio Hotel rooftop: The view of Colombo from this vantage point is hard to beat. Wear practical shoes, because navigating the stairs is tricky business. Cinnamon Colombosco­pe is

organized by EUNIC Sri Lanka, representi­ng Institut Francais, the Goethe Institut

and the British Council.

 ??  ?? Pedro Gomez-Egana: To use Rio’s rooftop for his ‘observator­y’
Pedro Gomez-Egana: To use Rio’s rooftop for his ‘observator­y’
 ??  ?? Jonathan Cox: Exploring city lives
Jonathan Cox: Exploring city lives
 ??  ?? Eric Reinhardt:Humour and satire
Eric Reinhardt:Humour and satire
 ??  ?? Mahen Perera: Finding objects
Mahen Perera: Finding objects
 ??  ??

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