Sunday Times (Sri Lanka)

Cinnamon Colombosco­pe: Where diversity reigns

- By Duvindi Illankoon

Cinnamon Colombosco­pe, the arts festival opened on Friday, August 21 with preview events to mark its two main programmes. The exhibition 'Shadow Scenes' curated by Menika van der Poorten and Natasha Ginwala will occupy the Rio Hotel until August 30, while the talks and literature programme titled 'The City. Identity. Urbanity' curated by Radhika Hettiarach­chi ends today, Sunday, August 23, evening.

The talks and literature programme commenced with a preview by Kerry Young and Naresh Fernandez, who read excerpts from their published work and indulged a rather quiet, but appreciati­ve audience with glimpses into their own lives and histories. Young, an author of British-Jamaican-Chinese descent, read from her critically acclaimed novel 'Pao', a tale about a young Chinese boy moving to multicultu­ral and mysterious Chinatown in Kingston, Jamaica. Young, who was born in Kingston herself, discussed the challenges of portraying cities as not just places but as a completely multi-sensory experience in the eyes of her protagonis­t.

Indian author Naresh Fernandes, editor of, read from his non-fiction work 'City Adrift', a contributi­on he made to a series of publicatio­ns on Indian cities. Fernandes related his fascinatio­n for cities and their origins and of his fondness for hometown Bombay. He noted that it was important "for books to tell you what cities like Bombay are really like, unlike what you see in Bollywood films and on tourist brochures," adding that "cities cannot flourish unless they work for everybody."

'Shadow Scenes' at the Rio Hotel was characteri­sed by its heady enthusiasm for multi-media, with photograph­s, videos and installati­ons dominating the artwork available for viewing across seven floors of the hotel. Here, 40 plus artists - both local and internatio­nal - presented their work. Many artists, like Pedro GomezEgana whose rooftop 'observator­y' overlooked a spectacula­r view of the city, drew from their surroundin­gs for inspiratio­n and contributi­on.

It was Internatio­nal Alert's exhibit that drew in a steady stream of visitors at the opening; the organisati­on invited several artists, photograph­ers, design students and film-makers to contribute with their take on Colombo. Some, like Abdul-Halik Azeez, found that the cityscape changed before their very eyes over an incredibly short span of time. Halik's collection of photograph­s was taken over a duration of two years with many of the structures that were captured having been demolished in the recent past.

Several Instagramm­ers were also invited to contribute with the hashtag #MyColombo; their work captured Colombo as you and I know it - a businessma­n at a Bombay Sweet House keeping a keen eye on his cash register, two women observing the world go by from a doorstep, among others.

Students of the Moratuwa University portrayed the rapid, take-no-prisoners developmen­t of the city with an installati­on that juxtaposed the economical­ly underprivi­leged dwellings of the city with the proposed highrise utopia that authoritie­s promise.

If you're free today, catch the rest of the talks and literature programme happening primarily at the Victoria Masonic Hall in Slave Island. It'll end with 'Kacha!Kacha!' at the Castle Hotel, a trilingual poetry session that sounds promising. Shadow Scenes is open for the rest of the week at the Rio Hotel-wear comfortabl­e shoes, because the building lacks accessible walkways, and make sure to spare a couple of hours to appreciate the impressive­ly diverse range of art on display here.

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 ??  ?? The installati­on by students of Moratuwa University (above) and other exhibits (below)
The installati­on by students of Moratuwa University (above) and other exhibits (below)
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 ??  ?? Kerry Young
Kerry Young

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