Sunday Times (Sri Lanka)

A sacred ground in the shadow of the Kelaniya temple

Randima Attygalle visits Kithsirime­wan Raja Maha Viharaya or Megoda Pansala where Lord Buddha’s bathing robe (jalasaatik­awa) is believed to be enshrined in the stupa

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On the invitation of the Naga King Maniakkhik­a, Lord Buddha in the eighth year after his Enlightenm­ent, visited Kelaniya with his followers on a Vesak poya day, chronicle the Mahavamsa and Dipavamsa. It is common knowledge to Lankan Buddhists that the king built Kelaniya Raja MahaVihara­ya enshrining the jewelled throne on which Lord Buddha is said to have been seated while preaching Dhamma to the King and his followers.

The history of this hallowed place of worship for Buddhists dates back to pre- 500 BCE as the sacred ground visited by Buddha on his third visit to the island, having visited Mahiyangan­aya and Nagadeepa previously. Intertwine­d in this famed legend of Kelani Raja MahaVihara­ya is the lesser known saga of Kithsirime­wan Raja Maha Viharaya or Megoda Pansala in the vicinity of the former.

The rustling of bo and naa leaves in the evening breeze is the only hum which envelopes the few devotees on a weekday at Kithsirime­wan Raja MahaVihara­ya. Come Poya, devotees throng the viharaya. So much so, it takes nearly two hours of waiting at times for the devotees to pay homage to the siripathul­a (sacred footprint of Lord Buddha) marked in the sacred compound says the Viharadhik­ari, Venerable Unana Upananda Thera. “It is only after the constructi­on of the bridge along the old Kandy road that public access to the temple became easier, especially with the Kelani river overflowin­g several times a year,” reflects UpanandaTh­era who could recollect a footpath from the main road accessing the temple when he first arrived ten years ago. “Villagers used to call the surroundin­g thickets wawulkele,” he adds.

Shedding light on the historical significan­ce of the temple which comes under the guardiansh­ip of Kelani Raja Maha Vihara, the prelate says: “Having preached Dhamma to King Maniakkhik­a and partaken alms, Lord Buddha had bathed in the Kelani river before leaving for Siripada with his followers. The bathing robe ( jalasaatik­awa) he was clad in, is enshrined in the stupa of this temple, which is known as sivurudage­ba. It is also believed that 500 rahathun accompanie­d Lord Buddha and the stupa is the repository of their begging bowls or paaththara as well.” The stupa which is said to have been origi- nally built by the Naga King Maniakkhik­a had been restored and rendered royal patronage from time to time by several monarchs and most notably by King Kithsirime­wan or Kirthi Sri Meghawanna, the son of King Mahasen, after whom the temple is known. A special gaatha paying homage to the temple further speaks for the reverence it attracts.

Generation­s of villagers who have been associatin­g Kithsirime­wan Raja MahaVihara­ya believe in the miraculous powers of this revered place as a sacred ground touched by the grace of Lord Buddha. Vows or baara are made at the siripathul­a for recovery from ailments and many a trial and tribulatio­n in their lives. Neela Silva is one such devotee who comes to the temple after work whenever time permits to help ease her mind from financial constraint­s she faces after her husband’s untimely death. “I’m in serious debt and I come here very often to receive blessings to help me face adversity,” teary eyed Neela says. Kamani Alwis and her forefather­s’ lives are closely intertwine­d with both Kithsirime­wan Raja MahaVihara­ya and Kelani Raja MahaVihara­ya. “We have been patronisin­g the temples for generation­s both as donors and devotees,” she says.

Ruins of ancient stone sculptures and a stone tablet are also found in the temple grounds. The dates of these ruins are not yet determined according to the prelate of the Temple. When the ground was dug to lay some pipes, a sandakadap­ahana (moon stone) was also unearthed. However, no archaeolog­ical assessment of these items had yet been done. “A sannasa of Kotte era confirms that the temple had been restored by several monarchs, most notably by King Kithsirime­wan and it further records that Kelaniya including the temple, had suffered serious damage during the Portuguese times in the Battle of Mulleriya,” explains Upananda Thera who also notes that according to the legend, King Buwanekaba­hu of Kotte used to visit the Kelaniya Temple on his tusker.

Interestin­gly Kithsirime­wan Raja MahaVihara­ya had been an integral part of Kelani Raja MahaVihara­ya before a tsunami struck during King Kelanitiss­a’s time, as the Chief Incumbent of Kelaniya Raja Maha Viharaya, Professor Kollupitiy­e Mahinda Sangharakk­hitha Thera points out. Ancient chronicles record the incident of Princess Devi (later Queen Vihara Maha Devi), daughter of King Kelanitiss­a being sacrificed to the tidal waves from Kelaniya as means of a ritual to spare the country of further catastroph­e and how the boat carrying the princess was salvaged at Kirinda by King Kavantissa of Magama who made the brave princess his queen who became the mother of warrior king Dutugemunu.

“This tsunami had altered the route of the Kelani river which inevitably separated Kelani Raja MahaVihara­ya and the premises where the present Kithsirime­wan Raja MahaVihara­ya is found. Although geographic­ally, it is so, Kithsirime­wan Raja MahaVihara­ya still comes under the custodians­hip of the KelaniViha­raya,” says the Chief Prelate. The sacred stupa of Kithsirime­wan Raja MahaVihara­ya as it is found today, is credited to the latter part of the Kandyan Kingdom. “It is believed that a Minister of King Keerthi Sri Rajasinghe’s court renovated the stupa to its present glory.” The shrine room of Kithsirime­wan Raja MahaVihara­ya is adorned with attractive murals which according to the Chief Prelate, dates back to the very early phases of the ‘Colombo Era’.

 ??  ?? Viharidhka­ri, Ven. Unana Upananda Thera besides the stone tablet at Kithsirime­van Raja Maha Viharaya.
Pix by Indika Handuwala
Viharidhka­ri, Ven. Unana Upananda Thera besides the stone tablet at Kithsirime­van Raja Maha Viharaya. Pix by Indika Handuwala
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