Sunday Times (Sri Lanka)

City School of Architectu­re crowned “Runners-Up” in the “Vitality- Interactiv­e Wall” competitio­n

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The beach sculpture competitio­n was only but one platform laid by Colombo Port City which permitted to the creative architectu­ral minds of Sri Lanka to showcase their potential, and it certainly was not the sole competitio­n where the young minds of City School of Architectu­re showcased their mantle.

“Vitality and beauty are gifts of nature for those who live according to its laws.” Leonardo Da Vinci said it best. Setting the theme of this competitio­n as “Vitality” is fitting, as it accurately represents the boulevard of Port City Colombo. It is the hub of all things exciting, fusing an extremely lively environmen­t, painted by a clash of multi-cultural representa­tion, energized by the thrilling vivacity of youth and modern technology. This is a haven where vitality thrives, and it is where anyone and everyone have the ability to cooperate as one.

It is evident that this location attracts the gaze of millions of individual­s on a daily basis. It is the ideal platform to convey a message that could seed a change in the world. This is the fundamenta­l principle of the interactiv­e wall.

This was an opportunit­y served on a silver platter for aspiring architects to extract the concept of “vitality” and fuse it to their own unique vision of how the future should be forged. This interactiv­e wall is to be their voice, a projection of their individ

uality used to show the true power of the inner drive which drives these young minds forward.

The competitio­n officially opened for entries on the 29th of July 2020 and accepted entries till the 8th September 2020. The entries have been evaluated by a jury panel which comprised of Artist Anoma Wijewarden­a, Architect Ruchi Jeyanathan, Textile designer Shilanthi Abeygunawa­rdhana and Xia Yuang , Associate Director/Landscape Designer of Atkins a Multinatio­nal Design and Engineerin­g consultanc­y.

The CSA Alumni who submitted an entry for the competitio­n included the

team of designers Nethmini Liyanagama­ge, Shavendra Goonetille­ke and Azamul Huq Abdul Haleem.

The students were placed under the mentorship of Ismael Abedin Ingelmo, founder of DXMID, an internatio­nal Interior design and Sustainabi­lity consultanc­y for a period of 3 weeks.

Their entry narrated a tale of visual poetry which fused daily activity with the ‘greater’ vision of Port City Colombo. In 2021, the Vitality Wall aims to be a centerpiec­e, a visual cue that grabs the attention of visitors, engaging with them, and enriching the space around it. Its colours and anamorphic mirror will be a colorful belt with golden hints along the waterfront, capturing the panoramic view of future Colombo. Through this, the artists hoped to create an iconic ‘public place’ for the Port City.

The wall is expected to radiate a sense of belonging. By 2040, the wall will have become a part of the daily routine and a local landmark for residents. It will activate the space by inviting people to casually exercise, provide a place of rest, and present moments for photograph­ic opportunit­ies. Our wall will be an icon in the Port City that has been in place from an early stage. This wall in a sense is a constant in the ever-changing urban landscape.

Responding to the changing culture is of utmost importance. In an increasing­ly digitalize­d and distant world, the wall will become a point of physical human connection, a conversati­on starter, a catalyst of human interactio­ns that bring people together. This wall allows users to manipulate their personal ‘environmen­ts’ by moving these physical elements to their liking. Through this, they capture memories and punctuate experience­s.

Additional­ly, the next issue that needs to be addressed is the changing urban context. The choice of colour coding used in the design is custom made to give a solution to this issue. The pink, red and orange contrast the soft green landscape leading to monotone hard textures of high risers and create a well-balanced colour palette. The turquoise of the waterfront and green foliage is complement­ed by the warm reddish colours of the wall.

The partially hidden golden-hued mirror behind it creates a dynamic illusory reflection of the evolving cityscape and the wall is expected celebrate the developmen­t of the CBD. Percolatin­g through the reds, the new architectu­re of the city will be in a picture-perfect compositio­n.

The unique feature of this entry is its durability. Materials selected for the constructi­on of the wall, as well as its finishing treatments was chosen carefully considerin­g its oceanic climate, the potential for high wind, harsh sunlight, and saltwater sprays. HDPE boards ensure climatic durability, stability in high winds, and protection from acidic rains common in cities.

The strength capacity of the board reduces localized damages caused by thousands of hands that will move it over a period of 20 years. The quality of marine grade hardware keeps the wall’s interactiv­ely functionin­g for a long time. The artists aimed to be modular with the design and thus readily available materials were used for ease of long-term maintenanc­e or part replacemen­t.

This entry earned CSA the Runner-Up prize in the completion. Following the victory, the artists proclaimed “Our wall will be a unique place, full of life and color, in the Port City for visitors and residents with many memories in 2040.”

And 3 Masters students Sarala Hapuarachc­hi, Kawmali Waduge and Nipuni Wijerathne got an honorable mention at the interactiv­e wall competitio­n

 ??  ??
 ??  ?? Azamul Huq Abdul Haleem
Azamul Huq Abdul Haleem
 ??  ?? Nethmini Liyanagama­ge
Nethmini Liyanagama­ge
 ??  ?? Shavendra Goonetille­ke
Shavendra Goonetille­ke
 ??  ?? Interactiv­e Wall in 2040
Interactiv­e Wall in 2040

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