Sunday Times (Sri Lanka)

“A Glimpse of Broadway” – A captivatin­g, lion-hearted theatre epic from Trinity College, Kandy

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16th February 2023, Kandy: From its inception in 1872, Trinity College Kandy has been no stranger to art and aesthetics and showed a keen interest in drama, music, literature and art. History points out that in its inaugural year, 1872, the school staged its first ever dramatic work: an excerpt from Shakespear­e’s ‘The Courtroom Scene’ from ‘The Merchant of Venice’ staged by the aforesaid associatio­n as entertainm­ent after the first annual prize-giving ceremony.

On another note, there has also been records of the school staging musicals in the 1940s under the now faded ‘Glee Club’, which firmly places the staging of musicals in the school’s history, maybe paving the way for the present enthusiasm for drama and musicals in the College.

Fast-forwarding from 1872 to a completely changed world of 2022, the year was exceptiona­l for Trinity College as it commemorat­ed its T150 Sesquicent­ennial Anniversar­y, celebratin­g her contributi­on to the Sri Lankan society, institutio­nal experience, its cherished achievemen­ts and the talents of its student community.

‘A Glimpse of Broadway’, choreograp­hed by the Trinity College Drama Society, [DRAMSOC], first staged to a packed audience in Kandy in early January 2023 as a grand finale for the Sesquicent­ennial Anniversar­y events, is a celebratio­n of musical theatre, as well as a melodious statement of Trinity’s astonishin­g creativity.

It is difficult at any time to stage a production that is beloved by everyone to the extent that the audience is word-perfect with every musical number and can spot any mistake or deviation from the original script from the back of the hall: to stage excerpts of three such production­s in a single evening is without a doubt a daunting task. But the young student cast of the Drama Society of Trinity College, Kandy, achieved the seemingly impossible: putting on the best-known scenes of the musical production­s of The Lion King, Hamilton and The Greatest Showman, in extravagan­t and original style.

Excerpts from the evergreen Disney masterpiec­e Lion King is adapted by the cast with a homespun flavour and effortless creativity. Though a Lion King presentati­on requires a mega production with an extravagan­t African setting and accompanim­ents, the Trinity DRAMSOC has cleverly recreated the chosen scenes with a smaller yet at an appealing scale, spirited main characters, energetic supporting casts, colourful costumes, enthrallin­g singing and brilliant home-made props.

Hamilton is set to be a revelation of the adaptabili­ty of a group of young thespians. The distinctiv­e rapping style used by Lin Manuel Miranda in the original play is effortless­ly delivered by the budding cast, and is as effective as any Shakespear­ean dialogue. The tough 18th century American freedom fighters’ and founding-fathers’ characters are played by the young Trinitians with verve and panache.

If you are not a fan of fast-paced musical extravagan­zas, you are in for a pleasant surprise with The Greatest Showman. The music, choreograp­hy, and production elements of this spectacula­r musical creatively communicat­es the central themes through the skillful portrayal of the youthful performers of Trinity College. The songs, stagecraft and overall aesthetics blends vintage and new seamlessly – hurtling the 19th century masterpiec­e into the future of today.

The German philosophe­r Friedrich Schiller’s 1795 treatise “On the Aesthetic Education of Man [and woman]” in a Series of Letters urged the importance of aesthetic education, as he theorized that it will lead man [and woman] to freedom, because it is not until they are both physically and spirituall­y free that they can be truly moral.

Given the challenges that these young students will be required to overcome in future, it is heartening to see the emphasis placed by Trinity College, Kandy, on developing aesthetic skills that will hopefully stand them in good stead in time to come, as according to the former US President Barak Obama, “the future belongs to young people with an education and the imaginatio­n to be creative.”

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