Suston

Durability

- BY JONATHAN FRAENKEL-EIDSE

The sustainabi­lity holy grail we already possess.

Doubling the lifespan of a product reduces its impact by 50% – a sustainabi­lity silver bullet if there ever was one. Repair and re-commerce, sure, but why are so few talking about durability?

When it comes to product durability and potential for longevity, the outdoor industry starts at a pretty sweet spot. This is especially true when one compares to its embarrassi­ng cousin, the apparel industry and its fast fashion.

“The outdoor industry is built on longevity and durability as a matter of course,” explains Katy Stevens, Head of CSR and Sustainabi­lity at the European Outdoor Group.

“Many outdoor brands were started by ‘users’, climbers, mountainee­rs who were not happy with the gear that was available and so decided to make their own. This user-centered design approach results in products that fit better, perform better and are innately more durable.”

Today, other product longevity efforts like repair and second-hand marketplac­es are rampant in the outdoor industry. For either of these to work, the product must first be made to last. Yet Katy Stevens and other observers are concerned that durability is in decline and as a sustainabi­lity strategy, it is far eclipsed by a focus on production stage impacts.

The same believe there’s a strong case for why this ought to be the other way around.

The case for durability

“We know that about 80% of the climate impact, and in principle 100% of the water and toxicity impacts of a garment is caused by the production,” explains Sandra Roos, apparel LCA researcher from Mistra Future Fashion, a research program by the The Foundation for Strategic Environmen­tal Research in Sweden.

At first glance, these figures can be seen to justify why many industry actors are fixated on chipping off a percentage point here and a ton of carbon there during the production phase – this represents the vast majority of a product’s impact.

But Sandra Roos is quick to point out that there’s another way of looking at this: “use” only accounts for 2.9% of a product’s impact, making the sustainabi­lity implicatio­ns of product longevity crystal clear:

“This means that a garment will have a lower ‘environmen­tal cost per use’ per time it is used. Therefore, a doubled lifetime of garments would in theory mean that only half the amount of garments would need to be produced, and the impacts in the production phase would be reduced by half.”

A strategic choice

If this is the case, product longevity beats many other sustainabi­lity efforts in orders of magnitude. Two outdoor brands in particular, Arc’teryx and Norrøna, have banked their sustainabi­lity strategies on just this.

Perhaps no other North American outdoor company has managed to make its label as synonymous with durability as the Canadian brand Arc’teryx. Katie Wilson, Product Compliance and Sustainabi­lity Manager at Arc’teryx, explains how they’ve earned this reputation thanks to their focus on the user:

“At the heart of our designs is the desire to build products that our users can depend on – tough enough to endure relentless mountain environmen­ts and the rigors of the activities they pursue there. The constructi­on and materials are specifical­ly chosen to last, which means our users don’t need to go find a replacemen­t every season or two.”

Aside from user implicatio­ns, product durability is also tantamount to product sustainabi­lity at Arc’teryx. Indeed, “durability” is the very first word on their CSR landing page titled Sustainabi­lity: Designed for the Long Run.

Keep it in-house

On the other side of the Atlantic, the Norwegian brand Norrøna has also placed product durability at the forefront for nearly a century to become somewhat of a national icon. Indeed, it’s not uncommon to see people sporting their grandmothe­r’s Norrøna coat on the ski slopes and city streets.

Norrøna operates its own, fully-equipped in-house production facility at its headquarte­rs just outside of Oslo. When Suston visits the company in December, Brad Boren, Director of Innovation and Sustainabi­lity, provides a tour of their production, testing and repair facilities.

When asked what part of the tour the average brand lacks that results in Norrøna’s superior durability, Brad Boren replied:

“Well…” he pauses briefly, “all of it.”

He then continues to explain that while it used to be the industry norm, most brands no longer

have their own in-house production department for prototypin­g products, but instead outsource this to other, out of country facilities. Nor do they have long product developmen­t times or significan­t field testing. In his view, these were critical mistakes in terms of product durability:

“Without these steps, you don’t really know what’s going into your product and how it will do in real-world conditions.”

Supporting this explanatio­n, Arc’teryx is also one of a shrinking number of brands that still has its own local production facilities, ARC’One in Vancouver, whose designers thoroughly test their creations in the rugged Coastal Mountains.

But if this type of product developmen­t and testing used to be the norm – what happened?

It’s the economy, stupid

Katy Stevens believes part of the explanatio­n lies in that as many small brands grew up from selling products to climbing buddies and stepped into a fiercely competitiv­e global marketplac­e, the forces here incrementa­lly changed the way many of them operated:

“Ultimately, business is about making money, and not many businesses are driven with a ‘buy less’ attitude.”

It’s axiomatic that the most sustainabl­e product is the one never made – unfortunat­ely, this is a complete non-starter in today’s business context. But Sandra Roos notes that the financial arguments are overwhelmi­ngly in favor of long-lived products. For the customer, that is:

“A garment that costs 100 euro and is used 10 times will have a cost per use of 10 euro, while the same garment if used 100 times will have a cost per use of 1 euro.”

And speaking of the customer: A product can be made to survive until the next ice age, but this has no sustainabi­lity gains if it isn’t used. As Sandra Roos explains:

“People discard clothes because they change size, they happen to stain the garments, they get tired of the design, they wash and dry the garment the wrong way… etc. So, the relation between lifetime and sustainabi­lity is 1:1, while the relation between durability and sustainabi­lity also depends on other factors.”

Can’t we have it all?

So, while durability has great impact reduction potential, much of its potential rests on a factor – the consumer - that cannot be controlled. How then it ought to be prioritize­d amongst other sustainabi­lity efforts remains an open question.

Arc’teryx is committed to improving the environmen­tal performanc­e along its production. But when it comes to sustainabl­e materials, Katie Wilson says that they take a cautious approach, using them only if they strike a balance with durability requiremen­ts.

Back at Norrøna HQ, Brad Boren acknowledg­es how a bumpy start with sustainabl­e materials also led them to put more resources into testing:

“We’ve had a few tough lessons along the way, and learned that when dealing with each new fiber…full testing is necessary to determine how it will hold up once it leaves the store. This has been especially true for sustainabl­e fibers.”

To facilitate product developmen­t dilemmas, Norrøna requires all products meet four criteria – Quality (aka Durability), Function, Design and Sustainabi­lity – in that order. When Suston points out that not having a fifth criteria makes sustainabi­lity their last priority, Brad counters by explaining how this order actually makes logical sense from a sustainabi­lity perspectiv­e:

“Imagine we focused primarily on sustainabi­lity and reduced quality, functional­ity and attractive­ness. This would result in a short-lived product. No matter how sustainabl­y produced, the short use stage would negate any savings in the production phase. The way I see it, sustainabl­e fibers only make sense if they meet these other criteria.”

Despite its measured approach, today Norrøna’s collection is packed with preferred fibers. Brad Boren is convinced it’s possible to have both a durable product with a sustainabl­e production, but his conviction comes with a caveat:

“This only works after you’ve done your research.”

 ??  ??
 ??  ??
 ??  ?? Below: As more and more brands choose to outsource product developmen­t, Arc’teryx believes having their own in-house production facilities enables them to create superior product durability.
Below: As more and more brands choose to outsource product developmen­t, Arc’teryx believes having their own in-house production facilities enables them to create superior product durability.
 ??  ?? Source: G. Sandin et. al. (2019). “Environmen­tal Assessment of Swedish Clothing Consumptio­n”. Mistra Future Fashion.
Source: G. Sandin et. al. (2019). “Environmen­tal Assessment of Swedish Clothing Consumptio­n”. Mistra Future Fashion.

Newspapers in Swedish

Newspapers from Sweden