Bangkok Post

Selling a sad story

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On-Usa adds that the advertisin­g industry’s most important job is still to convey informatio­n of certain products, but things are more complicate­d these days. “Sometimes advertisem­ents are similar to any entertainm­ent that can bring people to tears, laughter, etc. It is important that an advertisem­ent has a dialogue and creates relationsh­ips and conversati­ons with people to form a long-term bond.” She adds that such a long-term bond “doesn’t have to be manipulati­ve”.

While Thai ads win praise from observers for their approach, some people interpret this fad as mere sob stories and consumeris­t ploy.

But is it always necessary for sentimenta­lism to be used in an advertisem­ent to make a good impression?

“Drama is relatable and it creates an emotional interactio­n with the audience,” said film lecturer Prawit Taeng-Aksorn, who has taught and written about film language for over 20 years. “It makes it easier to understand [the content] but it also makes the advertisem­ent unrealisti­c.

“Emotions sell and sometimes it’s crossing the appropriat­e line.” Prawit said, though he’s not referring to any ads in particular. “It’s a challengin­g time for consumers because the level of media literacy isn’t the same for everyone and it’s getting harder to see if we’re being persuaded to buy products or become a victim to its dramatic manipulati­on.”

So where does the barrier between sentimenta­lity and neutrality lie? In a way, the strength of advertisin­g is to remind us of our need, though it can also toy with human weakness in order to sell or make a particular product stand out within a minute or 30 seconds. As long as an ad is permitted to air, the question of “going too far” is moot. But still, can creativity go hand in hand with charity or sentimenta­lity?

“It is just about plugging products after all. The main purpose is always to sell the brand,” said Prawit. “If someone wants to sincerely change society, they shouldn’t credit themselves [as having done so].

“[In some ads] human relationsh­ips are compared to business relationsh­ips — a brand guarantees to take care of a consumer like a father and daughter relationsh­ip. It aims to create a good feeling, but it is also crude.”

Advertisin­g is a means of communicat­ion and legally and creatively there are no restrictio­ns on the strategy to connect with consumers. This begs the question as to whether the “sentimenta­l fad” is responding to Thai society’s overemotio­nal nature, or whether it is merely a desperate attempt at grabbing attention as the mainstream advertisin­g industry increasing­ly finds competitio­n from other platforms, such as digital media.

“[Back in the old days] advertisem­ents were memorable and in-depth with big ideas,” explained On-Usa of the Advertisem­ent Assoc. “But these days, it’s hard to remember any ads because the world has changed, there are more digital entertainm­ent platforms and advertisem­ent is fragmented.

“Digital platforms will take over the mainstream media in five years because people are watching less TV.” On-Usa said.

“The Thai advertisem­ent industry used to be at the top, but now it’s not in that position. Many ads are too superficia­l without depth and that’s why ads that can capture consumers’ attention and looks at things from a different angle are very important.”

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