Bangkok Post

Exit the dragon? Kung fu, once central to Hong Kong life, is no longer cool

- CHARLOTTE YANG

Bruce Lee was 14 years old, and on the losing end of several street fights with local gang members, when he took up kung fu.

It was 1955 and Hong Kong was bustling with schools teaching a range of kung fu styles, including close-combat techniques and a method using a daunting weapon known as the nine-dragon trident.

Lee’s decision paid off. After perfecting moves like his one-inch punch and leaping kick under the tutelage of a grand master, he became an internatio­nal star, introducin­g kung fu to the world in films such as Enter the Dragon in 1973.

Decades later, cue the dragon’s exit. The kung fu culture that Lee helped popularise — and that gave the city a gritty, exotic image in the eyes of foreigners — is in decline. Hong Kong’s streets are safer, with fewer murders by the fierce crime organisati­ons known as triads that figured in so many kung fu films. And its property is among the world’s most expensive, making it difficult for training studios to afford soaring rents.

Gone are the days when kung fu was a big part of people’s cultural and leisure life, said Mak King Sang Ricardo, the author of a history of martial arts in Hong Kong.

“After work, people would go to martial arts schools, where they would cook dinner together and practise kung fu until 11 at night,” he said.

With a shift in martial arts preference­s, the rise of video games — more teenagers play Pokémon Go in parks here than practise a roundhouse kick — and a perception among young people that kung fu just isn’t cool, longtime martial artists worry that kung fu’s future is bleak.

“When I was growing up, so many people learned kung fu, but that’s no longer the case,” said Leung Ting, 69, who has been teaching wing chun, a close-combat technique, for 50 years. “Sadly, I think Chinese martial arts are more popular overseas than in their home now.”

According to his organisati­on, the Internatio­nal WingTsun Associatio­n, former apprentice­s have opened 4,000 branches in more than 65 countries, but only five in Hong Kong.

Few kung fu schools remain in Yau Ma Tei, a district of Kowloon that was once the centre for martial arts. Nathan Road, where the young Bruce Lee learned his craft from Ip Man, is now lined with cosmetic shops and pharmacies that cater to tourists.

Though he lives in Yau Ma Tei, Tony Choi, 22, a recent college graduate, has never been tempted to check out the remaining schools. “Kung fu just never came to mind. It is more for retired uncles and grandpas.”

When they do train in martial arts, younger people in Hong Kong tend to pick Thai boxing and judo.

In English, kung fu is often used as an umbrella term for all Chinese martial arts. But in Chinese, it refers to any discipline or skill that is achieved through hard work.

Kung fu traces its history to ancient China, with hundreds of fighting styles developing over the centuries. But it soared in popularity at the beginning of the 20th century as revolution swept the nation.

After the fall of the Qing dynasty a century ago, the Chinese Nationalis­t party, or the Kuomintang, used martial arts to promote national pride, setting up competitio­ns and sending an exhibition team to the Olympics. But the government also tried to suppress wuxia, a martial arts genre of literature and film, as superstiti­ous and potentiall­y subversive.

When the Nationalis­ts fell in 1949, the new Communist government in Beijing sought to control martial arts from the Chinese mainland. The Shaolin Temple, said to be the home of Asian martial arts in central China, was ransacked during the Cultural Revolution of 1966-76 and its Buddhist monks jailed.

Throughout those decades, martial artists from mainland China sought refuge in what was then the British colony of Hong Kong.

By the 1970s, kung fu fever had spread around the world. In addition to Bruce Lee’s films, the television series Kung Fu, starring David Carradine, became one of the most popular programs in the United States.

Though Hong Kong’s kung fu films do not draw the attention they once did, the genre has influenced a generation of directors, including Quentin Tarantino and Ang Lee, and the actor Jackie Chan and others have kept it alive as comedy.

In a twist, kung fu has enjoyed a renaissanc­e in mainland China, where the government has standardis­ed it and promoted it in secondary schools as a sport known as wushu to foster national pride.

 ??  ?? GETTING HIS KICKS: A youngster mimics a larger-than-life statue of Bruce Lee at an exhibit about the kung fu icon and movie star at the Hong Kong Heritage Museum.
GETTING HIS KICKS: A youngster mimics a larger-than-life statue of Bruce Lee at an exhibit about the kung fu icon and movie star at the Hong Kong Heritage Museum.
 ??  ?? KEEPING THE FAITH: Students train at one of the few kung fu schools remaining in Yau Ma Tei, once a centre for martial arts.
KEEPING THE FAITH: Students train at one of the few kung fu schools remaining in Yau Ma Tei, once a centre for martial arts.

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