ZINK’S TALE KEEPS ZIPPING ALONG AS THE PLOT GOES UP IN SMOKE
With signature wit and deadpan style, the American novelist writes about youth and political activism
Nell Zink’s surname, which seems to combine the words “zing” and “sink”, happens to be a nice distillation of her prose style. She’s a deadpan comedian, her sentences funny yet plump with existential dread. Her novels give you that zinking feeling.
Her new one is called Nicotine, and like her previous books, it’s a mess: anarchic in its plot machinations, scrambled in its themes, mostly shallow in its emotions. You want her novels to be so much finer than they are. They’re like meals someone fussed over but forgot to put in the oven.
The strange thing is that you’re never tempted to put Zink’s novels aside. They contain so much backspin and topspin that you’re kept alert by the leaping motion. “If you can make the reader laugh,” the novelist Henry Green said, “he is apt to get careless and go on reading.” When I am reading Zink, my carelessness gets the better of me.
Her books are sexy. Each reader gets a little gift bag of concupiscence. Her brainy and frazzled women are at the ends of their wits. They need a bit of shallowness to cool the heat of their engines, and why else were cute boys put here? They want to silence the self-critical patter in their own heads. “You don’t need a narrative,” one character in Nicotine says, “when you’re making love.”
Plot doesn’t matter overly much in Zink’s novels. It is there when she needs it, like a small fleet of dependable Vespas, to shuttle her characters around.
This book’s title, Nicotine, refers to a house in a rundown section of New Jersey that’s been occupied by friendly anarchist squatters. They’re all smokers, or chewers, or (God help us) vampers. They’ve banded together because they’re sick of being ostracised at climate-change rallies. It turns out that protest marches, like European airports, have smoking sections.
The house has a demented odour. This is because of the American Spirit cigarettes. It’s also because one of Nicotine’s core walls comprises fermenting excrement in large, sealed plastic buckets. (There is no room in this review to explain how it came into being.) Unlike the walls of Jericho, it will not need ram horns to bring it down.
Zink has a confident feel for the dynamics of a group house, and for the lives of young, earnest, befuddled, middle-class kids who will sacrifice a good situation to believe in something. They’re mostly kind and gentle. Some are, the author notes, “college-girl cannon fodder” for the someday revolution.
The milieu of Nicotine put me in mind of novels like TC Boyle’s Drop City (2003), about communal life; Jonathan Miles’ Want
Not (2013), with its dumpster-diving freegans; and Robert Newman’s lesser-known
The Fountain at the Centre of the World (2003), about the 1999 Seattle World Trade Organisation protests.
It is a flaw of Zink’s novel that it contains little to no good writing about the consoling negative pleasure of smoking. Nicotine never once made me want to light up. (I quit 10 years ago.) The reader waits to catch an elegy that never pulls into the station.
Into Nicotine, the house, arrives Penny Baker, a recent college graduate at loose ends. She’s here not for political reasons but because this is the house her grandparents once lived in. (They perished, naturally, in a fire caused by smoking in bed.) Now that Penny’s father has died, the house is hers. But she doesn’t have the heart to throw out the kind, stinky squatters.
There’s no room for Penny at Nicotine, so she moves into another communal house not far away. The observations about politics, race, sex and mouldy food begin to fly freely.
In a recent interview, Zink was asked why she was satirising young political activists. (Her first published novel, The Wallcreeper, contained this observation: “Why exactly 20-somethings are considered so vital to protest movements, I never figured out, seeing as how they never vote and have no money.”
She replied: “I don’t think of it as satire because I like those people. I think of politically active, politically involved people as the salt of the earth. They’re my favourite people.”
In Nicotine, she does not wear her heart so fully on her sleeve. Zink’s voice is naturally satirical and subversive; she can’t help seeing that her characters are comic and sublime at the same time.
Her novel is set mostly in 2016. Donald Trump, mentioned in the novel, has begun to make his presence felt in America. When Penny is arrested at a rally, she’s concerned that she won’t be able to find a job. Another character says: “Don’t worry. Half the jobs out there, they want a criminal record, so they can pay you less than minimum wage.”
Nicotine follows what happens to its young men and women when they are forced out of their house and disperse across the country. They’re butterflies, you sense, about to be broken on wheel after wheel.
I think of politically active, politically involved people as the salt of the earth
NELL ZINK