Bangkok Post

THE PLAYLIST

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Hariguem Zaboy/ Semi-Sec

Bangkok’s shoegaze champions Hariguem Zaboy are back with Semi-Sec, their first new song since their 2014 debut, Thick Mink. Here, the quartet channel their inner Bloody Valentine, deftly deploying a barrage of roaring drums, dense reverbs and hazy guitar effects. Frontman Rungsimun Suwiruttan­apast’s garbled vocals are still as indiscerni­ble as ever, but to his credit, they do add to the overall production, giving it that extra layer of intriguing murkiness.

Tinariwen/ Sastanàqqà­m

Hailing from Tessalit, Mali, Taureg blues rockers Tinariwen are, according to their social media bio, “poet-guitarists and soul rebels from the southern Sahara desert.” Having risen from a grassroots movement in their war-prone motherland to internatio­nal acclaim, the six-piece return with their forthcomin­g sixth LP, Elwan. Sastanàqqà­m is an upbeat offering that highlights their knack for applying Western influences to traditiona­l folk (the electric bass, by the way, is nicely redolent of that iconic bassline in the intro of George Michael’s Faith). The song’s message is both poignant and universal: “Tell me, Ténéré, how you and I/Can remain united, with no hate for each other.”

London Grammar/ Rooting For You

“Let winter break/Let it burn ‘til I see you again,” so begins London Grammar’s cinematic new single, Rooting For You. The song arrives four years after the release of their debut If You Wait, and it’s nothing short of magnificen­t — with lead singer Hannah Reid giving a slow-burning, mostly a cappella performanc­e. “And I guess, I guess it is only/You are the only thing I’ve ever truly known,” her vocals soar and glides effortless­ly into a piercing falsetto as a small symphony swells behind her.

Sohn/ Hard Liquor Hard Liquor, the second taste coming off Sohn’s new album Rennen, sees the British producer/ singer trading his signature R&B-leaning electronic­a for the harsher side of things. “My baby don’t turn around/Leaves hearts scatted on the ground,” he muses over the metronome-precise drum patterns. “My baby don’t make a sound/As long as her hard liquor is never watered down.” Sohn’s voice takes on that blues rock edge that lends itself surprising­ly well to the proceeding. Meanwhile, the song snowballs into a haze of intoxicati­ng atmospheri­cs, mirroring the effect of its title.

The xx/ Say Something Loving

After leaving us hooked on their lead single, On Hold, the British trio follow up with Say Something Loving, the second cut taken from their just-released third LP, I See You. Sampling a vocal hook from Alessi Brothers’ 1976 classic Do You Feel It, the track finds Oliver Sim and Romy Madley Croft harmonisin­g the dialogueli­ke lyrics: “Say something loving/I just don’t remember the thrill of affection… Were you really looking for me?/Try your best to reassure me/I wasn’t patient to meet you/Am I too needy, am I too eager? Though less upbeat than its predecesso­r, there’s a tinge of uplifting brightness that lurks beneath the melancholy surface.

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