Kevin Hart’s The Upside unseats DC’s Aquaman as top film
Kevin Hart isn’t hosting the Oscars, but he’s got a No.1 movie. The Upside, starring Hart and Bryan Cranston, surpassed expectations to open with US$19.6 million (626 million baht) in ticket sales, according to studio estimates on Sunday. The strong performance of The Upside pushed Aquaman to second after the aquatic superhero’s threeweek reign atop the North American box office. Warner Bros’ Aquaman still passed $1 billion worldwide over the weekend, becoming the first DC Comics release to reach that mark since 2012’s The Dark Knight Rises. The Upside opened on the heels of several weeks of Oscar drama surrounding Hart. The comedian last month withdrew from hosting the Academy Awards, just days after being named emcee, when he initially refused to apologize for years-old homophobic tweets. On the publicity trail for The Upside, Hart repeatedly dismissed the Oscar controversy, saying he was “over it”, while flirting with the possibility of returning as Oscar host — something for which talk-show host Ellen DeGeneres, in particular, advocated. Whether all that attention helped raise the profile of The Upside, a remake of the 2012 French comedy The Intouchables, was difficult to extrapolate, though it surely didn’t hurt. Ticket sales were almost twice industry forecasts. The film received poor reviews (40% fresh on Rotten Tomatoes) and was slammed by some critics for trading on the kind of gay panic humor that Hart was forced to apologize for. Neil Burger’s film, which cost about $35 million to make, stars Hart as an ex-con who becomes a caretaker for a physically disabled author (Cranston). It was originally to be distributed by the Weinstein Co. Harvey Weinstein premiered the film at the 2017 Toronto International Film Festival just weeks before the many allegations of sexual harassment surfaced against t he movie mogul. STX Entertainment picked up the movie, which on Sunday handed the five-year-old startup studio its first No.1 release at the box office. Launched in 2014 with a mission to make the kind of mid-budgeted, star-driven films the studios have increasingly abandoned, STX has had some successes ( Bad Moms, The Foreigner, the critically acclaimed The Edge Of Seventeen) but has often struggled to find breakout hits. Last year’s The Happytime Murders, with Melissa McCarthy, was one of the 2017’s most glaring flops. STX’s Motion Picture Group Chairman Adam Fogelson pointed to strong audience reaction (an A CinemaScore) and downplayed any effect of the Oscar chatter on The Upside, noting that Hart “is in the culture constantly for tons of stuff ”. The two biggest winners at last Sunday’s Golden Globe Awards — Bohemian Rhapsody and Green Book — both saw a bump. Fox’s Freddie Mercury biopic, which increased its theater count with hundreds of sing-along screenings, was up 35% with $3.2 million. The best comedy/musical winner Green Book went up 16% with $2 million in its ninth week of release. A couple of awards contenders also expanded nationwide. Focus Features’ Ruth Bader Ginsberg tale On The Basis Of Sex grossed $6.2 million on its third weekend. Barry Jenkins’ James Baldwin adaptation If Beale Street Could Talk took in $2.3 million in 1,018 theaters for Annapurna Pictures. Next week will see the release of M. Night Shyamalan’s Glass, which is expected to open with $50-70 million. Advance reviews, however, have been poor, ranking 38% percent fresh on Rotten Tomatoes.