Bangkok Post

Designed for energy efficiency, this weekend home stands out in its neighbourh­ood.

Designed for maximum energy efficiency, a weekend home looks nothing like the neighbours’. But an entomologi­st might feel at home. By Pilar Viladas

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When Nina Edwards Anker was growing up, her family spent summers and weekends in a shingled cottage in Southampto­n, New York. An expansion of a carriage house originally designed in 1890 by Stanford White, it belonged to a genre typical of the Hamptons. But the version that Anker — the 48-year-old founder of the Brooklyn design company Nea studio — designed for herself; her husband, Peder Anker, a history of science professor at New York University; and their two sons is anything but common.

Located on the same property as her childhood cottage (which her brother now occupies), Cocoon House is a LEED-certified example of sustainabl­e design that strays from many of the local norms.

For one thing, there’s its size: At 1,730 square feet (160 square metres), Cocoon House, which is named for its rounded, sheltering cedar-shingled walls, is smaller than some Hamptons pool houses, and it has no second storey, wraparound porch or dormer windows. But small is beautiful when you’re aiming for energy efficiency.

In addition to running her studio, Anker is the design director of Terreform ONE, an eco-focused architectu­ral think tank that designed an urban habitat for at-risk monarch butterflie­s now on display at the Cooper Hewitt Triennial.

“I realise that we have no choice but to engage with the crisis happening around us,” she said.

Cocoon House proves that sustainabl­e design does not preclude gracious proportion­s, generous daylight or elegant interiors.

You enter on the shingled north side, into a living-dining-kitchen space with curved white walls and ceilings that facilitate air circulatio­n and soften sound. (The 16-foot-high interiors give even the smallest rooms, like the sons’ bedrooms, a lofty feeling.)

The furnishing­s are a mixture of CB2 and Anker’s own creations — including an origami-like wicker settee and matching chairs, and a sofa whose cushion is filled with dried lentils.

In the living and dining areas, chandelier­s designed by Anker combine small photovolta­ic panels with discs or squares of seashell, and turn on automatica­lly at dusk. She also created the chandelier in the master bedroom with moulded-algae shades.

‘‘ I realise that we have no choice but to engage with the crisis happening around us.

NINA EDWARDS ANKER Founder of Nea studio

The house is actually L-shaped. On the north and west sides, its rounded, thick and heavily insulated walls retain heat and provide privacy, while on the south and east sides, 65 feet of continuous sliding glass doors, topped by skylights, admit ocean breezes and provide views to the water and trees. Through the south-facing glass, the sun warms the house in winter, while interior shades and curtains reduce the heat gain in summer by half.

The house, according to Anker, is “half closed and half open, half curved and half crystallin­e.” Environmen­tal regulation­s required it to be located at a 150-foot radius from nearby wetlands, and the house (which has a crawl space, but no basement) is raised a couple of feet above the wet zone. Its structure is made entirely of timber, which has a smaller carbon footprint than steel.

A combinatio­n cistern-reflecting pool wraps around the east and south sides, projecting sunlight into the interior during the day and creating a mirror effect at dusk, while it also scores LEED points by cooling the air and irrigating the surroundin­g lawn.

Glass panels in the skylights, with tints were inspired by Goethe’s theories on colour, are red and orange in the master bedroom (to promote rest), and yellow in the living area (to encourage activity).

“A triangular skylight in the master bedroom is like a solar clock,” Anker said, tracing the sun’s path along the room’s white walls.

Everything inthe design is geared toward maximum efficiency. Closed-cell foam insulation in the shingled walls combats the humidity that

creates a mouldy smell in many beach houses, and the doors and windows are passive-house certified.

The energy-recovery ventilatio­n system — “You have to ventilate from the outside, not just the inside,” Anker emphasised — runs on electricit­y, using no oil or gas, and heating is necessary only on winter nights, or on days that are cold and cloudy. (The fireplace is also energy efficient .)

Photovolta­ic panels on the nearby garage generate more electricit­y than the house needs from April through October.

Anker said the building’s size and shape — it has far fewer corners than most-houses — cut about 15-20% on materials and costs. Prefabrica­ted trusses saved constructi­on time (and therefore expense), and computer modelling controlled the shaping of materials, reducing waste.

When asked what she likes best about living there, she described the different ways the sun enters with each season. The house, she said, “is like a cinema for moving shadows.”

 ?? CAYLON HACKWITH VIA THE NEW YORK TIMES ?? The Cocoon House, designed by Nina Edwards Anker, is seen in Southampto­n, New York.
CAYLON HACKWITH VIA THE NEW YORK TIMES The Cocoon House, designed by Nina Edwards Anker, is seen in Southampto­n, New York.
 ?? CAYLON HACKWITH VIA THE NEW YORK TIMES ?? ABOVE
The red and orange glass panels in the skylights are meant to inspire rest.
CAYLON HACKWITH VIA THE NEW YORK TIMES ABOVE The red and orange glass panels in the skylights are meant to inspire rest.
 ?? THE NEW YORK TIMES ?? LEFT
Lukas Anker leaps across the combinatio­n cistern-reflecting pool, which cools the air and irrigates the lawn.
THE NEW YORK TIMES LEFT Lukas Anker leaps across the combinatio­n cistern-reflecting pool, which cools the air and irrigates the lawn.
 ?? CAYLON HACKWITH VIA THE NEW YORK TIMES ?? Asofa has a cushion filled with lentils.
CAYLON HACKWITH VIA THE NEW YORK TIMES Asofa has a cushion filled with lentils.
 ?? THE NEW YORK TIMES ?? Nina Edwards Anker and Peder Anker with their sons, Lukas, right, and Theo.
THE NEW YORK TIMES Nina Edwards Anker and Peder Anker with their sons, Lukas, right, and Theo.

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