THE GRAND PALAIS AS PLAYGROUND
Equine Chanel rides Lagerfeld’s follies out of town
Chanel designer Virginie Viard on Tuesday signalled she may put an end to the brand’s themed Paris fashion week spectaculars, a year after the death of her legendary predecessor Karl Lagerfeld. The German showman spent millions turning the vast Grand Palais into his playground, building a Chanel space rocket, a near life-size ocean liner, the Eiffel Tower, a tropical beach and the Verdon gorges — complete with waterfalls — as a backdrop for his extravagant shows.
But the more understated Viard, his former righthand woman, strongly suggested on Tuesday that era may be over.
“There is no frame for the show,” she said. “I don’t like that which is framed.”
The French creator, who took over from Lagerfeld shortly after his death aged 85 last February, sent out a mostly black and white collection, thin on the traditional tweeds that Lagerfeld relied on.
They were also very few dresses, with jewellery riffing off a square cross reminiscent of Madonna’s glory days, making the big glamour statements.
Instead Viard returned to the roots of the Paris fashion house founded by the horse-mad Gabrielle Chanel, with slashed jodhpurs, folded-down calflength musketeer boots and billowing side-buttoned leather trousers that resembled riding chaps and black-suede jockey hats.
Skirts were also slashed, sometimes up to the hip with Viard saying she was after movement, “freedom, energy and absolute desire”.
Her big innovation was putting snap buttons on Chanel jackets for the first time, to free up the wearer and allow “a more lively gesture”, she said.
Viard said the equestrian theme was also partly inspired by a photo of Lagerfeld in a striped suit and riding boots.
But she also drew ideas from the Claude Chabrol’s French film classic, the 1968 chiller Les Biches, about a lesbian love triangle.
The show began with two typically chic Parisian friends walking arm-in-arm, “as feminine as they were Amazons”, Viard insisted, and closed with a trio of more pop looks based around crop tops and hotpants under long overcoats.
While The New York Times critic Vanessa Friedman sounded a note of scepticism about the latter — worn by the supermodel trio of Gigi Hadid, Mona Tougaard and Hyun Ji Shin with spotted tights — Viard insisted the collection was about “a very simple, very pure momentum. Romanticism but without any flourishes, emotions but without any frills”.
While fears of the coronavirus prompted one fashionista to wear a customised camelia face mask — the flower was Coco Chanel’s favourite — masks have been a rarer sight in Paris than during Milan fashion week, which preceded it.
Light relief was provided by striking French lawyers who, dressed for court, staged their own alternative runway show outside the Grand Palais carrying placards declaring “The Only Black Gown You Will Ever Need” — a cheeky reference to Chanel’s iconic little black dress.