Bangkok Post

Tiny Leonardo da Vinci sells for $12.2m

- SCOTT REYBURN

>>A tiny Leonardo da Vinci sketch sold on Thursday at Christie’s for about $12.2 million (396.8 million baht), a record price for a Leonardo drawing at auction.

Leonardo’s delicate silverpoin­t study Head of a Bear, measuring just under 7.6cm by 7.6cm, and thought to date from the early 1480s, was included in Christie’s summer “Exceptiona­l Sale” of high-value historical works of art assembled from a range of collecting categories.

Estimated to sell for $11 million to $16.5 million, the drawing was bought by a single bid from an as-yet-unidentifi­ed buyer in the auction room. There was no competitio­n from any telephone or internet bidders. The final price of $12.2 million was marginally better than the $11.5 million given in 2001 for Leonardo’s slightly larger silverpoin­t study Horse and rider, the previous auction high for a drawing by the artist.

“These prices are absurd,” said JeanLuc Baroni, a dealer in museum-quality old master drawings, based in London and Paris. Mr Baroni said that if he had been asked to price the work, he would have valued it at $2 million. “You’re buying a name. It’s nothing to do with the love of drawings. OK, it’s a Leonardo. But it’s so tiny,” he said. “It’s a postage stamp.”

The drawing might have been small, but the sale was viewed by many experts as possibly the last opportunit­y to buy an original Leonardo drawing from a private collection.

Prices for virtually any work associated with this most famous of Italian Renaissanc­e artists have soared since the astounding $450.3 million given in 2017 for the Salvator Mundi. In June, Christie’s sold a 17th-century copy of the Mona Lisa for about $3.4 million. On Thursday, just hours before Christie’s sale of the drawing, Sotheby’s sold what may well be a 20th-century copy of the Mona Lisa for £378,000 (17.1 million baht) at a day auction of old masters. It had been estimated at £8,000-12,000. “Leonardo is the magic name,” said Anthony Crichton-Stuart, director of the London dealership Agnews, who had been following Sotheby’s day sale.

Stephen Ongpin, a specialist dealer in old master drawings, based in London and other dealers identified Christie’s anonymous seller as American billionair­e Thomas S Kaplan, best known for his touring collection of paintings by Rembrandt. Mr Kaplan acquired the drawing from London dealer Johnny van Haeften in 2008, as indicated in Christie’s cataloguin­g. Mr Kaplan declined to confirm that his was the “family trust” making the sale.

Mr Ongpin said that Christie’s had been looking for the “Salvator Mundi effect” by offering the drawing in its evening “Exceptiona­l Sale,” which appeals to wealthy collectors of trophy objects, rather than at a specialist old masters auction. “There are one or two private collectors and one or two museums who could have bought a drawing like this,” Mr Ongpin said. “But Christie’s were also looking for a buyer who doesn’t collect drawings and would be entranced by the name.”

The sale raised questions about the future of another drawing by the Renaissanc­e master, that one owned by a retired doctor in France. The former doctor, an octogenari­an known in legal documents simply as Jean B, is hoping to add the work to the small list of Leonardo drawings from private collection­s offered on the open market.

Back in 2016, Paris auctioneer­s Tajan identified a double-sided pen-andink drawing that the doctor owned as a major Leonardo discovery. Widely accepted as a Leonardo by specialist scholars, the sheet, showing the martyrdom of St Sebastian on one side and scientific sketches on the other, was declared a “national treasure” by the French state, which was permitted to offer to buy it at a fair market price during a 30-month period during which its export was banned.

But the sensationa­l Salvator Mundi sale in 2017 made the owner of the drawing revise his expectatio­ns, said Rodica Seward, owner of Tajan. The owner decided to cancel the auction planned for June 2019, at which Tajan hoped to achieve a price of about $34 million, for the double-sided drawing. That July, the French state offered to buy the sheet for about $11.8 million, just before the certificat­e refusing its export was set to expire.

The offer was rejected, and the export ban remains in place after having been renewed.

The drawing is now enmeshed in a protracted legal dispute, in which the owner and his family are seeking to lift the export restrictio­n, which would let them sell the Leonardo on the internatio­nal market. On Wednesday, a Paris court adjourned the case until Oct 27. “If that little Christie’s drawing is worth $12.2 million, what is the ‘St Sebastian’ worth?” Ms Seward said. “Who can buy it in France if you can’t export it? The drawing is in limbo, and is in our safe.”

 ??  ?? SMALL BUT POTENT: A gallery employee poses with a drawing by Italian polymath Leonardo da Vinci entitled ‘Head of a Bear’ at Christie’s auction house in central London.
SMALL BUT POTENT: A gallery employee poses with a drawing by Italian polymath Leonardo da Vinci entitled ‘Head of a Bear’ at Christie’s auction house in central London.

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