Bangkok Post

A TOWN FULL OF HISTORY

A trip to Kanchanabu­ri is the perfect getaway for lovers of nature, culture and good food

- STORY AND PHOTOS: Pattarawad­ee Saengmanee

It felt as if my eyes and skin were on fire while walking down the new 150mlong skywalk in the sweltering midday sun. It was due to my late arrival in Kanchanabu­ri, but I decided to stick to my original plan. At least I was rewarded with stunning views of the confluence of the Khwae Yai, Khwae Noi and Mae Klong rivers, set against a backdrop of lush hilly environmen­t and old city walls.

Located in the Old Town zone, it began welcoming visitors late last year in an effort to increase tourism. The surroundin­g landscapes along the riverbanks have also been renovated to serve as a leisure area for local residents. However, this steel and glass footbridge has drawn criticism for having a modern aesthetic that clashes with the nearby old buildings.

With a budget of more than 100 million baht and standing at a height of 12m, it is one of the best vantage points to see the enormous white Buddha statue at Wat Tham Khao Laem, the Hall of His Holiness Somdet Phra Nyanasamva­ra Suvaddhana Mahathera, and learn about the waterside community where tourists can visit for fun rafting excursions.

Since the iconic River Kwai Bridge is only 5km away, I couldn’t resist going there to recall the history of World War II when the Japanese army built the so-called Death Railway to transport supplies from Thailand to Myanmar in 1943.

In the late afternoon, it was a calm stroll as there weren’t as many tourists, but this old bridge was still a wonderful place to get pictures of the Thon Buri-Nam Tok train No.257 as it wound along the narrow railroad track.

Continuing the journey a little further, I went on my way to the end of the bridge and down to the Guan Yin Shrine, which is situated on the opposite bank of the Khwae Yai River. Back in 2010, the Kuang Im Soonthornt­ham Foundation and Chinese-Thai followers donated 200 million baht to construct this revered Chinese monastery on a 12 rai plot of land as an homage to the Goddess of Mercy.

“At first, my friends had planned to construct a resort on this property, but their idea failed. Many prisoners of war and labourers perished nearby during the constructi­on of the Death Railway, so a Buddhist monk suggested we build a Chinese temple instead of conducting other activities in order to grant merit to their souls,” said Suda Tidaratsak­ul, a president of the Kuang Im Soonthornt­ham Foundation.

“We recently reopened to welcome pilgrims after a two-year closure due to Covid-19. We are now improving the surroundin­gs and creating new picturesqu­e backdrops so that people may snap selfies. We aim to promote this temple as a new landmark on the banks of the Khwae Yai River where visitors can come and participat­e in various Chinese rituals throughout the year.”

Following Feng Shui theory, the shrine is situated such that it leans against a mountain and faces the river to bring good luck to devotees, while a soaring 18m-tall Guan Yin statue stands on the riverfront, serving as a guardian to preserve the neighbourh­ood.

To celebrate top-notch craftsmans­hip, it is artistical­ly carved from white granite from Fujian and visitors are allowed to sit in front and pray for fortune, good health and success.

The main hall draws inspiratio­n from Beijing’s Forbidden City and is devoted to the Three Buddhas: Gautama Buddha, Bhaisajyag­ura Buddha and Amitabha Buddha. Murals depicting the Journey To The West adorn the ceiling and a large room on the 2nd floor allows visitors to donate to thousands of miniature Buddha statues on the walls.

When you gaze out the windows, you will find a collection of vibrant stucco artwork on the exterior walls that shows Guan Yin’s 84 avatars assisting and preaching to people in various settings. Along with these deities, the temple also houses the protection deity Nezha, Cai Shen Ye (God of Wealth), Tai Sui, and a beautiful white jade statue of Guan Yin with 1,000 hands.

The following morning, I traversed the serene meadows in tambon Ko Samrong to take in the splendour of nature. After a 30-minute drive from downtown Kanchanabu­ri, I made my first pit stop at the Veterinary and Remount Department which is home to a century-old chamchuri (rain tree).

A wooden path was built to make it easier for visitors and to discourage trespassin­g around the tree. In the scorching heat, many people choose to stay beneath its shade, which spanned an area of 1,600m², instead of browsing a nearby market. With its gigantic 10m trunk and wide 25m-long branches on all sides, it creates a fantastic shield on bright and rainy days.

Just a few metres away, the campingthe­med Vanaheim cafe serves a wide range of coffee, teas and fruity beverages allowing customers to unwind on a bench and imagine themselves joining an Indiana Jones adventure.

Heading 40km from the giant chamchuri to tambon Nong Ya, Wat Tham Phu Wa sports a combinatio­n of tasteful Thai and Khmer architectu­ral design to blend in with the surroundin­gs. Dating back 34 years, Abbot Supoj discovered a cave here and set up camp to practise meditation before he teamed up with local worshipper­s to build a tranquil dhamma retreat.

He later broadened the area to 1,000 rai and turned a meditation centre into

a temple by constructi­ng an ubosot out of Nakhon Ratchasima sandstone modelled after a Khmer prasat. The walls are adorned with distinctiv­e stucco murals, which show episodes from Lord Buddha’s life, including scenes in which he is riding the Nalagiri elephant.

The towering stalagmite cave functions as a main hall and visitors can take a steep stone stairway down to a broad slope in order to venerate the statues of revered master monks like Luang Poh Sod and Somdej Toh or explore the mysterious naga cave. A magnificen­t 19m-tall statue of Buddha sits outside the ubosot to honour Gandharan-style Buddhist art while the temple spent five years building a new multipurpo­se dhamma retreat centre.

Leaving the sandstone monastery at Muang Sing Historical Park, visitors can go back in time to when Siam began to embrace Bayon-style architectu­ral art during the 12th and 13th centuries. Legend has it that King Uthong erected this ancient city as a shelter from the threat posed by King Wetsuwanno. The location is perfect for agricultur­e since it is situated on a plain along the Khwae Noi River’s bank and is surrounded by mountain ranges.

Emerging at the heart of the hoary town, this Bayon-style religious sanctuary complex with four buildings was fashioned out of laterite to house sacred statues of Mahayana Buddhist deities. Inside, there’s a maze of lengthy balconies that connect with an entrance gateway as well as a network of consecrate­d water troughs for bath rituals.

Moving on, the main gallery displays a reproducti­on of the Bodhisattv­a Avalokites­hvara statue, which has eight arms, a third eye and 10 toes decorated with miniature figures in meditation. There is also a replica of Goddess Prajnapara­mita, the Goddess of Wisdom, holding the Prajnapara­mita Veda and a lotus in her hands. The original ones that were found on this site are currently on display at the National Museum Bangkok.

A short distance from the shrine, there is an exhibition hall with a variety of old pottery in the Sukhothai, Khmer, Vietnamese and Chinese styles, as well as metal artefacts like a bronze naga head that was used to adorn a royal chariot.

Another attraction is the Prehistori­c Archaeolog­ical Site, where tourists will discover more about the 1,800-yearold settlement that was situated along the riverbank. It was formerly a cemetery where the bodies of four prehistori­c female residents were buried among a variety of clay containers and accessorie­s made of shell, stone and glass for use in the afterlife.

Just a 10-minute drive from the historical park, my journey came to an end at Mallika City, 1905 AD where traditiona­l Thai cuisine is prepared according to royal recipes. All staff members dress in period costumes and took on the roles of farmers, vendors and craftsmen in this 60 rai replica city that recreates the vintage ambience during the reign of King Rama V. It is home to a Chinese temple, Bank Siam Kammachon and more than 30 shophouses offering handicraft­s, street food and sweets such as pad Thai, satay flavoured with yellow curry powder, khanom krok (Thai coconut pancakes) and khanom bueng (Thai crepe).

Additional­ly, there is a hamlet in a backyard where local villagers show how rice is milled, pounded and winnowed before being cooked using traditiona­l methods.

 ?? ?? The River Kwai Bridge in Kanchanabu­ri.
The River Kwai Bridge in Kanchanabu­ri.
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 ?? ?? The new skywalk offers breathtaki­ng views of the confluence of the Khwae Yai, Khwae Noi and Mae Klong rivers.
The new skywalk offers breathtaki­ng views of the confluence of the Khwae Yai, Khwae Noi and Mae Klong rivers.
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 ?? ?? Thanks to its expansive canopy, this 100-year-old chamchuri tree has become a popular selfie backdrop.
Thanks to its expansive canopy, this 100-year-old chamchuri tree has become a popular selfie backdrop.
 ?? ?? Visitors to Mallika City, 1905 AD can explore Bangkok’s five old business districts during the reign of King Rama V.
Visitors to Mallika City, 1905 AD can explore Bangkok’s five old business districts during the reign of King Rama V.
 ?? ?? BELOW
Muang Sing Historical Park is home to an ancient Bayon-style sanctuary compound and prehistori­c cemetery.
BELOW Muang Sing Historical Park is home to an ancient Bayon-style sanctuary compound and prehistori­c cemetery.
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 ?? ?? A Guan Yin shrine celebrates Chinese craftsmans­hip.
A Guan Yin shrine celebrates Chinese craftsmans­hip.
 ?? ?? ABOVE & RIGHT
Wat Tham Phu Wa showcases a combinatio­n of Thai and Khmer architectu­ral art.
ABOVE & RIGHT Wat Tham Phu Wa showcases a combinatio­n of Thai and Khmer architectu­ral art.

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