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Direct from the new Watches & Wonders digital exhibition in April are Hermès Horloger’s latest novelties linking the past to the present, as introduced to reena hallberg by the manufactur­e’s Chief Executive Officer, LAURENT DORDET.

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EARLIER THIS YEAR, in response to the unpreceden­ted challenges brought on by the coronaviru­s pandemic, Fondation de la Haute Horlogerie (FHH) cancelled their much-anticipate­d Watches & Wonders Geneva exhibition – formerly known as the Salon Internatio­nal de la Haute Horlogerie (SIHH) – and moved the event to an entirely new digital platform. In late April, on the day the event was originally slated to open, FHH unveiled its breakthrou­gh virtual fair, where watch enthusiast­s, journalist­s and retailers could come together to discover the year’s most innovative novelties, while engaging with participat­ing brands all in one place. And while nothing can replace the sensory experience that visiting a physical fair entails, watchmaker­s such as Hermès were able to create immersive online presentati­ons designed to replicate the actual fair experience.

The French maison, renowned for its larger-than-life, artinstall­ation-like booths at previous SIHH fairs, used the digital platform to showcase its 2020 novelties that pushed the bounds of creativity. The house revisited its past to reveal three new offerings: the Slim d’hermès, Cape Cod Martelée, and the Arceau L’heure collection­s, which included three timepieces with meteorite dials – undoubtedl­y its halo for the year. Here, CEO of Hermès Horloger Laurent Dordet discusses the success of the new releases.

How has Hermès adapted to the new challenges faced by retailers worldwide?

We are adapting to the situation by ensuring that our launches convey the right messages and are understood in a world that has become mainly digital over the last number of months. Therefore, it was important to show our novelties to the media and the public despite the [Watches & Wonders] show not being held physically. Our public is still very active online and eager to discover the 2020 novelties. As for the watches, I strongly believe the global customer experience mostly starts with a digital one, and that’s why we invest a lot into it. And of course, we look forward to meeting again with press and clients next year, and to presenting a new scenograph­y, which will highlight 2021 novelties.

Tell us about the watch that everyone seems to be talking about, the Arceau L’heure De La Lune.

Our highlight, the Arceau L’heure De La Lune, is a very good expression of the singular interpreta­tion running counter to industry trends. We presented it last year in a limited edition and we had the great pleasure to be awarded by the Foundation of the Grand Prix d’horlogerie de Genève (GPHG). We come back this year with new versions on a Lunar, Martian or Black Sahara meteorite dial. The new complicati­on evokes a sense of dreams and emotions, a useful function with a graphic and mysterious side. Its display is playful, with counters gravitatin­g around the moons and topsy-turvy moons, because Hermès loves to dream with its head upside down. We also present on Arceau a new skeleton version subtly revealing the mechanism and paying tribute to the equestrian line, which was introduced in 1978 when Hermès establishe­d watchmakin­g in Switzerlan­d.

We see the revival of Henri d’origny’s original 1978 design in Arceau Cheval Cosmique. How has this classic been reimagined for 2020?

Henri d’origny created the Arceau watch in 1978: a round watch that he combined with asymmetric­al stirrup-shaped lugs along with a distinctiv­e and singular font. Since then, the line has always been animated either with complicati­ons, singular creations or métiers d’art dials. What makes an exceptiona­l piece so compelling is the unique design of the dial. Our métiers d’art tell a story of collaborat­ion between the maison and the skilled craftsmen with whom we work. We look for partners eager to embrace new challenges, such as working with crystal for the Arceau Millefiori, or translatin­g the Japanese art of Aka-e onto a porcelain dial as seen in the Slim d’hermѐs Koma Kurabe. For Hermès, it is also the opportunit­y to present our creativity and singularit­y.

What’s the story and craftsmans­hip behind the Cape Cod Martelée?

Henri d’origny was originally asked by Hermès to design a square watch, but the free spirit saw things differentl­y and preferred to respond in an almost irreverent manner with a watch representi­ng a ‘square inside a rectangle”. For almost 30 years, the Cape Cod has been an icon, with the anchor chain motif cut in two to insert the square case. Its design reflects rigorous discipline combined with a boldly impertinen­t attitude. Its success was further amplified by Martin Margiela’s novel idea for his very

first Hermès runway show in 1998 – adding a double-wrap strap that would later be known simply as the Double Tour.

The new Cape Cod Martelée highlights its anchor chain shape in a subtle play of forged and patinated surfaces. Cape Cod is perpetuall­y transforme­d and lays itself open to all kinds of whimsical interpreta­tions. Today, this classic lends its finely balanced shapes to the excellent jeweller’s skill known as hammering. This complex and sophistica­ted technique enhances the steel case with a unique patina-type effect. The hammered dial is coated with a thin layer of translucen­t lacquer, in graded shades ranging from anthracite to black. The raw yet crafted material, with all its depth and roughness, results in an object with an entirely unexpected look.

What new technical feats have you attained with the new ultra Slim d’hermès GMT?

The Slim d’hermès was launched in 2015, and it is an elegant Hermès object that appeals to customers looking for a singular timepiece with a strong Hermès DNA and high quality in terms of movement and finishing. The first GMT version with a palladium case was presented in 2018 as a limited edition. This traditiona­l complicati­on was interprete­d in a different way playing with the distinctiv­e numerals on the GMT dial, losing one’s bearings. It was a great success. This year, we’ve come up with a rose gold version in blue tones highlighti­ng elegance and classicism but also contempora­neity that speaks to the essentials of the brand. The new Slim d’hermès GMT beats to the rhythm of the ultra-thin Manufactur­e Hermès H1950 movement measuring just 2.6mm thick, combined with the 1.4mm of the ultra-thin GMT module exclusivel­y developed by Agenhor for Hermès.

This year we see more collection­s geared towards men. How are you developing this new segment?

Last year, for example, we introduced the new Galop d’hermès line and the Arceau L’heure De La Lune. Two years ago, we presented the Carré H and the new Cape Cod. We want to increase the attractive­ness of our watches both in the men’s and women’s sectors. Our product strategy is to continue developing our feminine pillars – Cape Cod, Arceau, Galop d’hermès, H Hour – by bringing out new creative and surprising models quite regularly, and to definitely set Hermès as a masculine watchmaker. Hermès has always had two legs: feminine and masculine.

What can we expect from the maison with regards to haute horology going forward?

In recent years, we have seen growing interest from Hermès customers and watch collectors, thanks to launches featuring singular designs and unconventi­onal interpreta­tions of traditiona­l watchmakin­g. For example, the Slim d’hermès in 2015, born from a stylistic exercise around the purity of design and expressing a move towards essentials with a minimalist style; the Carré H in 2018, a square-shaped watch designed by Marc Berthier featuring a contempora­ry aesthetic; in 2011 with Arceau, which suspended time through a unique complicati­on; and in 2019, when we began playing with moon phases in the L’heure De La Lune complicati­on. The main trends today are all about being singular and bold, and to offer the client authentici­ty and perfection. These daring and singular models enable us to stand out from the rest of the industry and to affirm the values of the house of Hermès.

Tell us about your favourite Hermès timepiece.

I really like wearing the Arceau L’heure De La Lune with the new dials featuring very rare extra-terrestria­l stones. It’s a traditiona­l complicati­on interprete­d in an offbeat way, designed to offer a singular approach to mechanical watchmakin­g, along with a playful display mode based on two moons built into the dial and playing hide-and-seek with satellite-type gravitatin­g subdials. This model embodies the authentic identity of Hermès men’s watches. It features a horologica­l complicati­on with a singular interpreta­tion of the moon phases and a more daring graphic design.

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 ??  ?? Right: CEO of Hermès Horloger, Laurent Dordet Below: The 24-piece limited-edition 41mm Hermès Arceau Cheval Cosmique with an aventurine dial featuring white gold engraving Opposite page: One of three Hermès L’heure De La Lune variants launched is this numbered model with a Martian meteorite dial (only two pieces are available)
Right: CEO of Hermès Horloger, Laurent Dordet Below: The 24-piece limited-edition 41mm Hermès Arceau Cheval Cosmique with an aventurine dial featuring white gold engraving Opposite page: One of three Hermès L’heure De La Lune variants launched is this numbered model with a Martian meteorite dial (only two pieces are available)
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 ??  ?? From top: The 38mm Hermès Arceau Cheval Cosmique for ladies (limited edition of 24 pieces) has a motherof-pearl dial with engraved gold applique; the dashing 39.5mm Slim d’hermès GMT Opposite page: The 23mm by 23mm Cape Cod Martelée
From top: The 38mm Hermès Arceau Cheval Cosmique for ladies (limited edition of 24 pieces) has a motherof-pearl dial with engraved gold applique; the dashing 39.5mm Slim d’hermès GMT Opposite page: The 23mm by 23mm Cape Cod Martelée

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