veya
Artreview can’t remember the last time it went to a museum not for work but for fun. That’s because it’s always working. There’s always something that might be art lurking round every corner, and Artreview’s job is to work out whether it is or it...
The image I took away from the opening of the 57th CIMAM Annual Conference, held for the first time in Turin, was that of all 300 lanyard-wearing members gathered tightly around the perimeter of a square traced on the floor: the stage for a...
The Nigerian diasporan existence in Britain, as constituted in film, literature and moving image, is inherently an archival existence. One that is in turn defined by the search for communal access to history and memory, which are often...
Tracey Emin is a romantic. This is a trait that has often been eclipsed by the mythology surrounding her name. For decades she has been framed by the sharper edges of her confessional, confrontational work: the provocateur who furiously...
