Daily Sabah (Turkey)

Nonstop art once again at Performist­anbul

- İREM YAŞAR

PERFORMİST­ANBUL aims to be among the best libraries in the world, leading the way with a 672-hour, live process in the field of performanc­e art with its Live Art Research Space (PCSAA).

This research space, which will fill a serious deficiency and be open to the public, will be a resource for many discipline­s.

Performist­anbul, the internatio­nal performanc­e art platform, continues its works in cooperatio­n with various cultural and art institutio­ns in different places with its “placeless” identity while opening a new page and breathing fresh air into this field. It is primed to create Turkey’s first Live Art Research Space, which will host many sources in live art and have an important role in training and developmen­t for performanc­e art.

The PCSAA, which will include more than 7,000 sources consisting of internatio­nal live art archives, documents and publicatio­ns, sustains its work by using the Live Art Developmen­t Agency (LADA) in London as a model. In this respect, the present digital documentat­ion of internatio­nal artists’ performanc­es in the LADA has been added to the archive’s collection. In addition, nearly 500 internatio­nal performanc­e artists were contacted, and archival-documentar­y donations have been collected from over 100 artists. In order to increase this number, book and archive donations are expected from local and internatio­nal performanc­e artists or from artists who include performanc­e art in their production­s.

Performist­anbul, which is one of the initiative­s that the SAHA Associatio­n supports within the scope of the 2018-2019 Support Fund for Sustainabi­lity of Independen­t Art Initiative­s, conducts work for the developmen­t of the PCSAA with the support it has received.

With the publicatio­n series of Performist­anbul, which will start in this year, work has also been conducted to translate important sources into Turkish and to create new publicatio­ns in performanc­e art.

Different activities focusing on the live process and performanc­e art in the space will be organized in addition to the library and digital archives; training seminars, conversati­ons and workshops will be held at the Performist­anbul Live Art Research Space as of March.

‘NEEDED: YOU!’ ONCE AGAIN

The archive of the 672-hour live process under the title “Needed: You Again for the Live Art Research Space!” which took place between Feb. 16 and March 16, 2018, carried out for 24 hours a day over 28 days, will open as an experiment­al digital archive.

Performist­anbul opens the gates of the Live Art Research Space, which hosts “Needed: You Again for the Live Art Research Space” during the constructi­on period, by carrying this experience to a different dimension this time for visitors. In this renewed space, which has been turned into a research area, documentar­ies on the performanc­es will be shared with the audience for the first time. In addition, objects that the artists accumulate­d during the performanc­e processes, the diaries they kept and their photograph­s can be accessed both digitally and physically.

At the end of this process, the digital archive will be made accessible via the internet.

Moreover, there will be talks with artists and guests from different discipline­s throughout March as well as video screenings in the space, which will be open Wednesdays, Thursdays and Saturdays.

In some of the talks, the content of the performanc­es in “Needed: You Again for the Live Art Research Space” and the artist-audience experience­s and relationsh­ips will be discussed, while digital experience in art, digital archiving, the digitizati­on of art and the archiving of performanc­e art will also be on the agenda.

 ??  ?? Turkey’s first Live Art Research Space will host many sources in live art and have an important role in training and developmen­t for performanc­e art.
Turkey’s first Live Art Research Space will host many sources in live art and have an important role in training and developmen­t for performanc­e art.

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