Architectural Digest (UAE)


Decorator Damien Langlois-Meurinne has given a historic Paris apartment new vibrancy with an elegant collection of art and design

- Words Ian Phillips Photograph­y Stephan Julliard

sINCE SETTING UP HIS OWN FIRM IN 2013, the French interior designer Damien Langlois-Meurinne has establishe­d a well-oiled aesthetic. His projects typically feature strong axes, a subdued colour palette, and the integratio­n of niches and alcoves. “They help to create intimacy,” he notes. He also likes curvaceous furniture forms and eye-catching chandelier­s. “For me, they should be very dynamic elements in a space,” he says of the latter. “The rest of the furniture is fixed and tied to gravity, whereas they are more ethereal.” Another integral part of his approach is rooting his schemes in the past. Whenever there are authentic architectu­ral elements, he tries to conserve them. If not, he often faithfully recreates them.

This 410 sq/m, five-bedroom apartment in Paris’s 7th arrondisse­ment is housed in a graceful building dating from 1918 with beautiful volumes. The entry gallery in particular is extremely capacious and the hallway leading to the bedrooms is surprising­ly generous in width. Yet, the interior had retained little in terms of character. It had undergone an unsympathe­tic renovation in the Eighties, during which most of its original details had been removed. All that was left was the marble fireplace in the living room and the chevron-style parquet floor.

“It had the kind of semi-modern look that people tried to create back then,” recounts Langlois-Meurinne. “My aim was to give it back its historical charm”. In several spaces, he installed stylishly simple floor-to-ceiling wall panelling. “I like to have a poised, rhythmical framework as a backdrop,” he explains. “I find it calming to the eye.” Otherwise, he carried out very few structural changes. He realigned the openings on either side of the entry gallery and moved the kitchen to the front of the apartment. “Once I made the decision to link it to the reception rooms, I felt it was important for it to have a certain sophistica­tion and refinement.”

That is very much the case. Most of the cupboards are cleverly concealed behind panelling, brass-edged shelves are preciously decorated with artworks and objects, and the kitchen countertop is housed in a sort of wall screen clad in a textural stone. Another screen fits snugly to the walls at one end of the master bathroom, but this time in mirror. For Damien, it’s a throwback to a childhood memory. “In a family château, there was a bathroom with a screen behind which you could get changed,” he recalls.

While the architectu­ral framework he created has a quintessen­tially classical bent, the furnishing­s and artworks are almost entirely contempora­ry in character. They were sourced with the help of the young Paris

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