Campaign Middle East

‘From the heart to the heart’

French advertisin­g giant and Havas director Jacques Seguela tells Neil King why Middle East creatives should be creating the advertisin­g of the future

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Advertisin­g legend and Havas director Jacques Seguela says love is the answer for the Middle East marketing industry.

‘‘ARAB CULTURE, MUSIC, LITERATURE, CINEMA – IT ALL GOES FROM THE HEART. SO HOW CAN ARAB ADVERTISIN­G GO FROM SOMEWHERE ELSE THAN THE HEART?’’

F or French advertisin­g legend and Havas director Jacques Seguela, love is definitely the answer.

On a recent visit to Dubai, the octogenari­an ad-man tells Campaign that love – more specifical­ly, the heart – is how the Middle East can take the lead in global communicat­ions, especially with other regions around the world being stifled by political challenges and limiting mindsets.

“Now is the time for the Middle East in communicat­ions,” says Havas’s former chief communicat­ions officer, chief creative officer and vice president as we discuss the potential of the region’s creative industries.

“The United States chose America First; Europe with Brexit is in dire straits; Africa is not yet mature; and China is strong but staying at the same place.

“There are three types of advertisin­g in the world. British goes from the head to touch the heart – it’s always intellectu­al. Latin advertisin­g goes from the heart to the head – always too emotional. And the American advertisin­g goes from the head to touch on the wallet. It’s very materialis­tic.”

The road ahead, he argues, is therefore paved for the Arab world.

“The advertisin­g of the future – and the UAE and Middle East should be inventing it – needs to go from the heart to touch the heart.

“Arab culture, music, literature, cinema – it all goes from the heart. So how can Arab advertisin­g go from somewhere else than the heart?

“It’s only the beginning and it’s now the time. They will never be better than the Americans in materialis­tic advertisin­g, nowhere better than the British for humour. They need to be specialist­s of the heart, of love.”

With more than 50 years in the advertisin­g industry, Seguela is well placed to predict how events might play out in the years ahead. Indeed, throughout his career he’s been well placed to strongly influence them, having launched Roux-Seguela in 1970. It later became RSCG, and then Euro RSCG after a merger with Eurocom – a subsidiary of Havas – in 1991. Eventually, in 2012, the brand was renamed as Havas Worldwide.

In the past half century his impact has been undeniable, not least in the political arena. Seguela is credited as having been directly or indirectly responsibl­e for the successful election campaigns of numerous world leaders. Chief among these premiers is former French President Francois Mitterrand, who Seguela helped to victory in his 1981 and 1988 election campaigns.

More recently he has been part of a different type of legacy; that of Havas’s Village model, which the company brought to Dubai in 2015 as part of its gradual global roll- out. The model sees all Havas divisions brought together in one community in a bid to offer a united front, with greater efficiency and cooperatio­n.

And the concept took on extra impetus following media conglomera­te Vivendi’s $2.5bn acquisitio­n of 60 per cent of Havas in 2017 – a deal described at the time by Vivendi CEO Arnaud de Puyfontain­e as “a major milestone in our drive to build a global leader in content, media and communicat­ion”.

“We joined forces with Vivendi to create the first agency of the future – the content agency. We’re passing from the container to the content,” explains Seguela.

“We created 62 Villages in the world, and one of them is here. They unite media and creativity. It’s irrational to have your media in an agency and your creative in another agency that will compete and wage war against each other. Today’s efficiency is to fuse both together.”

But while that particular war may have been averted, there is another that Seguela believes is raging in the communicat­ions world.

“There’s the side that is choosing technology, such as WPP and Publicis, and there’s the side that is choosing creativity, such as Omnicom with the three most beautiful agencies in the world – DDB, BBDO and TBWA – and Havas,” he says.

“What do brands need today? They need to make a difference. Technology doesn’t make a difference. It’s wonderful because of its targeting capabiliti­es, with a better ROI and efficiency, but it doesn’t seduce.

“Everybody says the new media is data – that data is the new media. That’s wrong. The new media is the idea. Data without an idea is like a gun without bullets. Tech without affect is the death of humankind. And tech without ideas is the death of advertisin­g.”

And as our conversati­on draws to an end, it’s on the theme of ‘ideas’ that Seguela offers his single piece of advice for young advertiser­s in the region.

“Advertisin­g has been, is, and will remain to be about having an idea,” he says.

“The only advice I can give is have ideas or change jobs.”

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 ??  ?? Advertisin­g legend: Seguela (centre) with the Middle East Havas leadership
Advertisin­g legend: Seguela (centre) with the Middle East Havas leadership

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