City Times

The Grand Ole Opry plays on in an empty theater

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THE GRAND OLE OPRY, the longest running radio show in history, is playing on through the coronaviru­s outbreak by returning to its roots.

The country music institutio­n, which has been airing Saturday nights for 94 years, is set to broadcast live on television this week in front of an empty venue. The show was originally aired without a live audience in its early days in 1925 on WSM, the AM station in Nashville, Tennessee, that still airs the radio broadcast every Saturday.

Normally the show is performed live in front of an audience of about 4,400 people at its current home, the Opry House, but the coronaviru­s forced the Opry to close its doors to the public last Saturday while the radio broadcast continued. Country artists Brad Paisley, Vince Gill and Marty Stuart were scheduled to perform yesterday acoustical­ly to an empty theater, but the show was to air live on television.

The performanc­e was to air on the Circle, a network that is a joint venture between the Opry Entertainm­ent Group and Gray Television. Fans can also watch the performanc­e on the Opry’s Youtube page.

Stuart, a Grand Ole Opry member, was to play by himself on stage with just his guitar and mandolin, without the Opry’s normal backing band.

“We are at a point in the nation (when) people need hope,” Stuart told The Associated Press. “They need something to take their minds off what the news is telling us every time we turn on the news. That’s what country music does. It was made for Saturday night.”

Dan Rogers, vice president and executive producer of the Opry, said it is following safe distance recommenda­tions among the crew and artists to prevent the spread of the virus and cleaning the venue and equipment as recommende­d by health officials.

The Opry is believed to only have canceled one Saturday night performanc­e in its history — in 1968 when the assassinat­ion of the Rev. Martin Luther King Jr. in Memphis caused the city of Nashville to impose a curfew. The Opry continued broadcasti­ng even after the Opry House was flooded in 2010.

“Country music has been thought to be universal,” Rogers said, ahead of the performanc­e. “And these days, this problem that we’re all in the middle of now is universal as well. So hopefully we can touch a lot of a people. Maybe someone will laugh Saturday night. Maybe somebody will hear a lyric that really connects with them.”

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