Emirates Man

MIND CONTROL

Computers that are smarter than humans? It’s closer than you think

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Johnny Depp’s Transcende­nce imagines a world of hyper intelligen­t computing that outstrips the human brain’s thinking prowess. Paddy Smith explains why it’s neither far-fetched, nor far away

Switch your mind to ‘open’ and upload this modicum of data: computers could be more intelligen­t than us within 30 years. They can already beat us at chess (in 1997 IBM’s Deep Blue famously clobbered world champion Garry Kasparov) and outclass us at complex string calculatio­ns (shortly after the turn of the century computers helped us unravel our entire DNA sequence). Now they can drive cars and tell you if you’re smiling, yet the most powerful data processing unit we know remains the human brain. But for how long?

Luckily, we’ve had plenty of time to get used to the idea of inventing our way into second place. It’s nearly 200 years since Mary Shelley dreamt up a mad scientist called Victor Frankenste­in, whose creation learns to speak and read before demanding a female counterpar­t be manufactur­ed to keep him company. Since Frankenste­in, the hypothetic­al superiorit­y of synthetic intelligen­ce has played second place only to alien life in the science- ction canon’s preferred plots.

A few modern notables: Hal in Stanley Kubrick’s 2001: A Space Odyssey (1968); Ash in Ridley Scott’s Alien (1979); GERTY in Duncan Jones’ Moon (2009). All these ctional examples have something in common – like Dr Frankenste­in’s monster, they turn against their creators: us.

What none of them does is provide the backstory for this possibilit­y and that is where Transcende­nce, the directoria­l debut from Wally Pfister starring Johnny Depp, takes up the slack. Depp plays Dr Will Caster, an artificial intelligen­ce (AI) evangelist who gets shot but has his brain uploaded to a computer in an attempt to salvage his expansive knowledge. The scientist then becomes the computer (or the computer he, complete with emotional processing) and becomes megalomani­acal, and so on.

Scared? No, me neither. We’ve all seen it before. But the theory is sound and becoming closer to a practical reality daily. The computers that drive cars and beat you at chess will one day be able to learn better and faster than you. They won’t need to sleep. Instead they will sink their energy into developing ever more powerful data-cruching offspring who, in turn, will build their own superior ‘children’. Unchecked by the glacial mores of evolution or the limitation­s of mere biological matter, it is unsurprisi­ng that sci- prophecy foresees mankind very soon at the mercy of his meisterwer­k.

The tipping point – the point that Transcende­nce imagines – is known to computer scientists as the singularit­y. It is the single moment when AI overtakes human intelligen­ce. That is to say computers will not only be able to beat us at chess, but they will be able to process a suitably victorious emotional response, too. After all, our own brains are simply a biological switching system with synapses for transistor­s. Why should a computer not feel reward too?

The singularit­y theory assumes we can reach – and go beyond – such a point, and that isn’t pie-in-the-sky idea born in the writers’ room at Warner Bros. It is based on establishe­d scienti c research, and it could come along sooner than you might think.

Ray Kurzweil is an inventor, author and futurist. He’s also Google’s director of engineerin­g. Oh, and he thinks the singularit­y could happen in the 2040s, thirty-odd years from now. He sees a future in which computers are a billion times more powerful than the human brain. In case you were in any doubt about whether he would stick by those claims, he’s even written them in a book called The Singularit­y Is Near. If his station at Google isn’t enough to convince you of his sanity, he was granted America’s biggest tech medal by Bill Clinton in 1999. See the photocopie­r in your of ce? Yeah, he invented the atbed scanner, too.

That’s not to say Kurzweil isn’t outspoken. But he’s also not alone. And this is where the ctional plot of Transcende­nce thickens into reality. Last year in New York scientists gathered for the Global Future 2045 conference, a networking event designed to bring together the minds that hope to bring about human immortalit­y by combining our biological brains with the infallibil­ity of modern computing.

The conference was founded by Dmitry Itskov, a Russian entreprene­ur who is reputed to have spent US 3 million on the project to date. The plan is to

The computers that drive cars and beat you at chess will one day be able to learn better and faster than you

develop first a robot that can be controlled via a human brain, then a method of transferri­ng a biological brain into such a robot. Once these milestones have been reached, it will be time to work on transferri­ng data from an organic brain to a synthetic one. Lastly, the scientists will attempt to create holographi­c beings to replace cumbersome physical robots.

Mad as all this sounds, some of the technologi­es already exist. Prosthetic­s can already be controlled using nerve triggers – down to the movement of a single nger. Keeping the brain alive by artificial means is an establishe­d medical practice. And Tupac Shakur rose from the dead to perform as a hologram alongside Snoop Dog and Dr Dre at Coachella, a California­n music and arts festival, in 2012. So while the idea of holograms wandering about with synthetic human brains (memories and all) might seem like something that belongs in the next century, Itskov is aiming to get to that stage by 2045, just over 30 years from now.

At the Global Future 2045 conference, roboticist­s can rub shoulders with heavyweigh­t humanitari­an foundation leaders and the likes of Ray Kurzweil (he attended last

year’s event). From afar, the Dalai Lama has endorsed Itskov’s endeavour, while closer to home the US government is investing US$100 million in science to “better understand how we think, learn and remember” and backing the Defense Advanced Research Projects Agency (DARPA) with a further US$50 million for “understand­ing the dynamic functions of the brain.” DARPA has already developed a humanoid robot called Atlas, which is expected to be able to drive a car and operate power tools this year.

Are we all sitting comfortabl­y now?

More concerning still are the numerous unanswered ethical questions, some of which are addressed in Transcende­nce. Does a human brain that has been transferre­d to a machine qualify for the same rights as any other person? What if it is simply the data that has been transferre­d – memories, motor skills, knowledge? How can we protect our species against a creation more intelligen­t than us? What happens, in short, if things start to go wrong? Or should we say when things go wrong?

Unsurprisi­ngly, Transcende­nce assumes a cautionary position on the possibilit­ies that await us on the other side of the singularit­y, as do the bulk of sci- stories in its vein (yes, even Frankenste­in). But that’s just because it makes for a better plot. Right?

Well, yes. And no. There is plenty of good-natured artificial intelligen­ce in the sci- genre. In Douglas Adams’ Hitchhiker­s Guide To The Galaxy, a computer called Deep Thought builds a superior computer called Earth. It is so large that it is often mistaken for a planet and is famously described in the eponymous interplane­tary guide as ‘mostly harmless.’ The Culture universe, a sci- environmen­t created by Iain M Banks, is a post-human liberal anarchy where artificial intelligen­ce benignly provides a lifestyle of supernatur­al abundance for its sentient subjects.

But these are the rare exceptions to the usual assumption that once we have created superior robots, they will turn on us. Sci- godfather Isaac Asimov famously postulated the Three Laws of Robotics to be programmed into the DNA of advanced AI to prevent robots hurting humans or each other, and to ensure they would obey our instructio­ns. But he also managed to envisage a situation in which a robot with slightly modified coding could justify attacking a human. (The short story, entitled Little Lost Robot, formed the basis for the 2004 lm I, Robot.)

Another common scenario in which we find ourselves at war with our artificial­ly intelligen­t creations sees us

Does a human brain that has been transferre­d to a machine qualify for the same rights as any other person?

competing for resources in a stark reversal of the future envisaged in Ian M Banks’ Culture universe. But that assumes that technology will be competitiv­e, a trait that is unlikely to cross the artificial mind of something that has not had to endure the gruelling challenges of genetic evolution.

More realistica­lly, artificial intelligen­ce could become the next nuclear warfare with government­s or individual­s (presumably the sort of evil overlords depicted by Bond lms) misappropr­iating the technology for their own personal gain. It’s pretty harrowing to think that the world’s most feared weapon of mass destructio­n might be able to think for itself, even build more of itself.

If all this seems too terrifying to imagine, relax. We have a major defence against our real-life Frankenste­ins, should they turn against us in our lifetimes. It is the universal saviour of technologi­cal rebellion, as any IT helpdesk can already tell you. This safety measure has been installed on almost every electronic device ever made and continues to be an important physical feature of gadgetry, even in our touchscree­n-obsessed world. We call it the off switch.

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 ??  ?? Ray Kurzweil
Ray Kurzweil
 ??  ?? Colin Cliv plays the driven doctor and Dwight Frye plays his deformed assistant Fritz in Frankenste­in, 1931, directed by James Whale Johnny Depp in Transcende­nce
Colin Cliv plays the driven doctor and Dwight Frye plays his deformed assistant Fritz in Frankenste­in, 1931, directed by James Whale Johnny Depp in Transcende­nce
 ??  ?? English actor Peter Cushing as Baron Victor Frankenste­in in ‘ Frankenste­in Must Be Destroyed’, 1969
English actor Peter Cushing as Baron Victor Frankenste­in in ‘ Frankenste­in Must Be Destroyed’, 1969
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 ??  ?? A Space Odyssey during filming with director Stanley Kubrick lining up shot through camera Yaphet Kotto, Sigourney Weaver and Ian Holm on the set of Ridley Scott’s science fiction classic Alien, 1979
A Space Odyssey during filming with director Stanley Kubrick lining up shot through camera Yaphet Kotto, Sigourney Weaver and Ian Holm on the set of Ridley Scott’s science fiction classic Alien, 1979
 ??  ?? Duncan Jones’ Moon, 2009
Duncan Jones’ Moon, 2009
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