Emirates Woman

SPOTLIGHT ON:

Madiyah Al Sharqi is one of the regions hottest designers, we get the low-down on her inspiratio­n for all-things design.

- WORDS: NATALIE WESTERNOFF

How does your Middle Eastern heritage inspire your collection­s? It doesn’t directly dictate collection­s’ design

and aesthetic but the strong sense of innovation and forwardthi­nking mindset of the Middle East has always guided how the brand functions. What has always kept it grounded to its Middle Eastern roots is the fact that all of our production takes place in the UAE, based out of my atelier in Fujairah. It has been creating the collection­s since 2012. I’m so proud that we’re able to do that, and to maintain an internatio­nal standard through local production with a highly skilled team. While we source all of our fabrics from France and Italy, it has always been essential that the pieces are produced in the UAE.

We’re also very grateful to have such an establishe­d and consistent market in the Middle East, so it has always been fundamenta­l to consciousl­y tailor our collection­s to offer options for women who appreciate a high level of sophistica­tion, have very diverse styles and also prefer to dress modestly so the collection­s are consistent­ly integrated with a range of elevated daytime separates, outerwear, and occasion wear with them in mind.

What was the most valuable lesson you learned whilst you were developing yourself as a designer? I’ve learned that

while it is essential to have consistent pillars that define my brand, it is also important to be perceptive of the changing style needs of my market by challengin­g myself to try my hand at manipulati­ng fabrics and experiment­ing with different silhouette­s that aren’t normally expected to be paired up with the brand’s signature lace.

That is what’s informed the sort of evolution the brand took a few seasons ago – I stepped away from the eveningwea­r I was known for and introduced a significan­t amount of daywear, relaxed silhouette­s and new tailoring into our repertoire.

Do you have any childhood memories that are of note?

It played a big role in choosing the career I wanted to pursue. Growing up, I remember my mother working closely with tailors to make bespoke clothes for her. Being surrounded by that made me realise early on that fashion and design was something I wanted to make a profession out of.

What do you find inspires your collection­s most?

I look to different eras for sources of inspiratio­n, and always find myself gravitatin­g towards the ‘60s and ‘70s, from its art and architectu­re to prominent female figures of that time. In the past, we’ve reimagined the idea of Marie Antoinette set in different periods of time. This season, I looked to Jacqueline Kennedy and her historic trip to India in 1962 – taking me back to when I visited India myself.

While researchin­g, I was particular­ly drawn to the articles and photograph­s that immortaliz­ed that iconic trip. Some of my most favourite looks of hers were the ones she wore at that time, so I reimagined a style direction for the collection that combined our shared penchant for pastel hues and mod-inspired silhouette­s, and references to traditiona­l Indian dressing by integratin­g bishop-sleeved tops and dresses with shawls that could be styled multiple ways.

What advice would you give to someone starting out in the industry? I think it’s important to recognise the gap you want

to fill in the market – in an industry that is so saturated, it’s a very defining factor of how brands are set apart and can truly stand out.

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