Friday

JOINING THE DOTS

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Growing up in war-torn Beirut, Fadi Sarieddine witnessed a harrowing period of destructio­n that made him want to play a role in rebuilding his country. He studied architectu­re at the American University of Beirut and later in the Bartlett School in London and spent time working in Lebanon and the UK before he moved to Dubai. The Fadi Sarieddine Design Studio in Dubai’s D3 creates futuristic designs and deals with both architectu­ral projects as well as interior and furniture designs for offices, retail and restaurant­s.

“When I came to Dubai in 2004, the emirate was trying to forge an identity for itself. And I was also trying to find my space through my designs that wanted to retell the story in a different way.”

Through his projects in Dubai, Fadi has challenged set ideas. “The Emaar Boulevard originally had a total disregard for pedestrian­s. But as we worked on reactivati­ng it, we felt that it had a lot of potential for restaurant­s and cafes that would engage pedestrian­s. Initially the weather prevented urban planners to activate the public domain. But then we realised that Dubai has a good seven months of walkable weather that cannot be disregarde­d.” Fadi acknowledg­es the old traditiona­l forms but breaks the mould of convention­al thinking. “I believe in forward thinking designs. It is important to marry the old school with new ideas. If you understand traditiona­l architectu­re, but start on with a clean slate, you can forge a new identity,” he explains. Whether it is working on the extension of the existing Vida Hotel in the MBR Boulevard, reactivati­ng the boulevard or creating a vertical village in a 25-storey tower in Barsha Heights or maybe even a cluster of 12 villas sitting in an enclave surrounded by the desert, Fadi has kept in mind the setting, the local materials, the need for privacy and regional roots.

For Fadi, the identity of the city is not its aerial view but its urban life at ground level. Friendly pedestrian feel is important, he says

“Take Villa Ria, the 12 villas in an enclave, for example. The project combines contempora­ry architectu­re with warm materials and uses landscapin­g effectivel­y to create the feel of a small village. We have used stone and wood. Similarly in many residentia­l homes, it’s important to keep in mind factors of privacy and segregatio­n of guests. Traditiona­lly the private parts of the house should not be exposed to guests and the house as a whole should not be exposed to neighbours. There is a veil to the house and it’s important to keep such factors in mind.”

For Fadi, the identity of a city is not its aerial view but its urban life at ground level. It’s important to create that friendly pedestrian feel in more areas of Dubai. “As a city Dubai has not really grown from the centre, but has spread its footprints afar and is now trying to fill the gaps. The speed of this country is remarkable and while Dubai tries to join the dots, it is also looking at a 100 years from now. The leadership of Dubai is already looking at 2071, when the UAE turns 100 years and the futuristic vision of this country will create a new identity for it in the years to come.”

 ??  ?? ABOVE: A contempora­ry treatment of an old electrical substation on Shaikh Mohammad Bin Rashid Boulevard. BELOW: Villa Ria, Al Barsha.
ABOVE: A contempora­ry treatment of an old electrical substation on Shaikh Mohammad Bin Rashid Boulevard. BELOW: Villa Ria, Al Barsha.
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 ??  ?? ABOVE: The extension of the Vida Hotel that connects to the street level. BELOW: A semi-traditiona­l villa in Emirates Hills that uses stone and wood.
ABOVE: The extension of the Vida Hotel that connects to the street level. BELOW: A semi-traditiona­l villa in Emirates Hills that uses stone and wood.

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