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Breaking MILAN FASHION WEEK

New Gucci designer debuts as Milan celebrates youth

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Fashion is always about renewal, but in this round of Milan Fashion Week it’s not just the collection­s that are getting a fresher-upper but, it seems, much of the Italian fashion system.

Gucci’s new designer Alessandro Michele, a brand insider little known until now in the wider fashion world, made his runway debut on the first day of womenswear previews on Wednesday, giving the historic brand a clean break from the past.

Michele’s launch is a fitting banner over a push to embed new talent in Milan, where the density of the firmly establishe­d Italian system, with brands from Armani and Prada to Versace creating a de facto Italian colony along New York’s Fifth Avenue, has made it difficult for young designers to make inroads.

In a bid to help foster new talent, the Italian Fashion Chamber sponsored a live runway competitio­n this round among five young designers. At the same time, recently discovered young designers, such as Stella Jean and Fausto Puglisi, have quickly establishe­d themselves as an integral part of the fashion calendar.

“I am hoping this is the beginning of a new phase, accelerati­ng the growth of the new designers,” Italian Fashion Chamber CEO Jane Reeve said in a recent interview. Reeve says her mission is to bring the young establishe­d designers and the even younger promising designers into the Italian system, and secure their loyalty. — AP GUCCI DISCONTINU­ITY Alessandro Michele strove for discontinu­ity in his Gucci debut, relaunchin­g the brand with romantic flourishes against a hardened, urban background.

His debut collection displayed a confident break with the past, reassertin­g the double-G brand logo with prominent belt-buckle placings in the opening and closing looks and introducin­g a new motif: birds in flight.

The collection snatched elements from the hastily assembled menswear collection, a team effort, shown last month after his predecesso­r Frida Giannini’s earlier-thanexpect­ed departure. There were the same elaborate poet bows on silken shirts and loosefitti­ng suits with contrast piping, nods to androgyny for both men and women. Michele put his signature on the new collection with a pleated floral dress with a built-in cape, a crinkled leather dress in peacock blue and military-style coats with fur trim that had an antique feel. A red dress with pleated tiers was paired with flats for the perfect day-into-evening look.

Footwear included whimsical furry slip-ons, fitting for either a Hobbit or Dr Seuss character, depending on your sphere of reference, or laced-up sandals with trailing pompons. Glasses complement­ed the looks.

Running in just as the lights went down was Selma Hayak Pinault, who is married to the CEO of the French conglomera­te Kering that owns Gucci.

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