Gulf News

Boushahri’s shot at

The winner of 2015’s IWC Award talks about epic milestones

- By Marwa Hamad, Staff Reporter The Water. Silence and Cruel Sea

“This is historical­ly unpreceden­ted. The Ministry of Informatio­n have not produced a movie this big, ever, in the history of Kuwait,” says Abdullah Boushahri.

Last year, the Kuwaiti director won the $100,000 (Dh367,190) IWC Filmmaker Award for his film in developmen­t,

The prize is given annually by Swiss watch manufactur­er IWC Schaffhaus­en to a script that shows promise, as part of the Dubai Internatio­nal Film Festival.

Boushahri went home with the first half of the money and will have access to the second half this year, when he plans to begin production on the film. He thinks Veteran Kuwaiti Hayat actress Al

Fahad.

Marc Boushahri Forster, and Abdullah Emily

Blunt. his final budget will fall somewhere around $3 million.

He calls the ambitious story a period “epic”, centred around a drought that swept Kuwait in the early 1900s, a topic that he considers sensitive.

“Not just in Kuwait, but the whole world. We talk about the lack of resources. When the oil dries, let’s say, the next war is on water. The next war is on resources,” he added.

Veteran Kuwaiti actress Hayat Al Fahad, who has acted in more than 80 television shows, will play the lead role in The Water. Actors Mohammad Al Mansour and Khaled Ameen will also star in it.

“I handed [Al Fahad] the script ... she said she would have the pleasure to read it and she did. She loved her character — the blind old lady, Mazza,” said Boushahri.

This will be Al Fahad’s first film role outside of TV movies in nearly four decades — she last acted in

1970s.

THE SCRIPT

in the

Aside from casting, Boushahri spent the past year reworking the script, scouting a location to rebuild old Kuwait, finding a solid team and brushing up on his 20th-century history.

This ‘developmen­t phase’, as he calls it, typically involves “reworking, revising or rewriting the script into version one, two and three, until it becomes the final script — the shooting script.”

His latest milestone, secured at the end of 2015, was getting that script cleared by censors.

“It’s been a process, mind you, a long backand-forth, because whenever you make any adjustment in the script, it has to go back to the committee. They have to read it, they have to give you notes,” he said.

“For a country like Kuwait that was a pioneer in cinema in the ’60s, there have been issues recently with censorship, so it’s a big step for us to have the seal, the stamp of the officials in Kuwait, that this movie is approved by them.”

The next box on Boushahri’s checklist was nailing historical accuracy.

Upon a recommenda­tion from the Ministry of Informatio­n, which oversees audiovisua­l projects in Kuwait, Boushahri had to go through the Centre of Research and Studies for another stamp of approval. “The language and the recreation of that time and those elements in culture ...” said Boushahri.

“We have to rebuild old Kuwait [and] the mud houses. This doesn’t exist anymore. We’re recreating something that doesn’t exist anymore in Kuwait.”

The process was helped along by Dr Abdul Muttalib Al Balam, the head of the Department of Architectu­re at Kuwait University.

“We worked massively with him and fifteen of his master’s [programme] students. This is very difficult — it took a long time to come up with the visual, how it’s going to look,” said Boushahri.

Salah Jamali will be in charge of the art direction and production design, and the main village will be built on a rare public beach in Kuwait, once again with approval from the government.

THE TEAM

Boushahri called his behind-the-scene crew his A-Team, a group of “superstars that will deliver excellent visual quality”.

“We have an Oscarnomin­ated and Emmyaward nominated team that worked on Game of Thrones [GOT], [which] is going to be our visual effects team,” he said.

Ahmad Shehata will head the team as the CGI supervisor.

As well as working on six episodes of GOT, Shehata, originally Egyptian, has worked on films such as Twilight: Breaking Dawn Part 2 and 22 Jump Street.

Boushahri predicts his film will go into production sometime around March or April.

 ?? Photos courtesy of DIff ??
Photos courtesy of DIff

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