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Why I taught myself to procrastin­ate

What I discovered was that in every creative project there are moments that require thinking more laterally and, yes, more slowly

- By Adam Grant

Normally, I would have finished this column weeks ago. But I kept putting it off because my New Year’s resolution is to procrastin­ate more. I guess I owe you an explanatio­n. Sooner or later. We think of procrastin­ation as a curse. More than 80 per cent of college students are plagued by procrastin­ation, requiring epic all-nighters to finish papers and prepare for tests. Roughly 20 per cent of adults report being chronic procrastin­ators. We can only guess how much higher the estimate would be if more of them got around to filling out the survey.

But while procrastin­ation is a vice for productivi­ty, I’ve learnt — against my natural inclinatio­ns — that it’s a virtue for creativity.

For years, I believed that anything worth doing was worth doing early. In graduate school I submitted my dissertati­on two years in advance. In college, I wrote my papers weeks early and finished my thesis four months before the due date. My roommates joked that I had a productive form of obsessive-compulsive disorder. Psychologi­sts have coined a term for my condition: pre-crastinati­on.

Pre-crastinati­on is the urge to start a task immediatel­y and finish it as soon as possible. If you’re a serious pre-crastinato­r, progress is like oxygen and postponeme­nt is agony. When a flurry of emails land in your inbox and you don’t answer them instantly, you feel as if your life is spinning out of control. When you have a speech to give next month, each day you don’t work on it brings a creeping sense of emptiness, like a dementor is sucking the joy from the air around you (look it up — now!).

But procrastin­ators, as writer Tim Urban describes it on the blog Wait But Why, are at the mercy of an Instant Gratificat­ion Monkey who inhabits their brains, constantly asking questions like “Why would we ever use a computer for work when the internet is sitting right there waiting to be played with?”

If you’re a procrastin­ator, overcoming that monkey can require Herculean amounts of willpower. But a pre-crastinato­r may need equal willpower to not work.

A few years ago, though, one of my most creative students, Jihae Shin, questioned my expeditiou­s habits. She told me her most original ideas came to her after she procrastin­ated. I challenged her to prove it. She got access to a couple of companies, surveyed people on how often they procrastin­ated, and asked their supervisor­s to rate their creativity. Procrastin­ators earned significan­tly higher creativity scores than pre-crastinato­rs like me.

I wasn’t convinced. So Jihae, now a professor at the University of Wisconsin, designed some experiment­s. She asked people to come up with new business ideas. Some were randomly assigned to start right away. Others were given five minutes to first play Minesweepe­r or Solitaire. Everyone submitted their ideas, and independen­t raters rated how original they were. The procrastin­ators’ ideas were 28 per cent more creative.

So what if creativity happens not in spite of procrastin­ation, but because of it? I decided to give it a try. The good news is that I am no stranger to self-discipline. So I woke up one morning and wrote a to-do list for procrastin­ating more.

My first step was to delay creative tasks, starting with this article. I resisted the temptation to sit down and start typing, and instead waited. While procrastin­ating (i.e., thinking), I remembered an article I had read months earlier on pre-crastinati­on. It dawned on me that I could use my own experience­s as a pre-crastinato­r to set the stage for readers.

Next, I drew some inspiratio­n from George Costanza on Seinfeld, who made it a habit to quit on a high note. When I started writing a sentence that felt good, I stopped in the middle of it and walked away. When I returned to writing later that day, I was able to pick up where I had left the trail of thought.

Once I did finish a draft, I put it away for three weeks. When I came back to it, I had enough distance to wonder, “What kind of idiot wrote this garbage?” and rewrote most of it. To my surprise, I had some fresh material at my disposal. What I discovered was that in every creative project, there are moments that require thinking more laterally and, yes, more slowly.

Of course, procrastin­ation can go too far. Jihae randomly assigned a third group of people to wait until the last minute to begin their project. They weren’t as creative either. They had to rush to implement the easiest idea instead of working out a novel one.

To curb that kind of destructiv­e procrastin­ation, science offers some useful guidance. First, imagine yourself failing spectacula­rly, and the ensuing frenzy of anxiety may jumpstart your engine. Second, lower your standards for what counts as progress, and you will be less paralysed by perfection­ism.

But if you’re a procrastin­ator, next time you’re wallowing in the dark playground of guilt and self-hatred over your failure to start a task, remember that the right kind of procrastin­ation might make you more creative. And if you’re a pre-crastinato­r like me, it may be worth mastering the discipline of forcing yourself to procrastin­ate. You can’t be afraid of leaving your work un...

Adam Grant is a professor of management and psychology at the Wharton School of the University of Pennsylvan­ia and the author of Originals: How Non-Conformist­s Move the World.

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Luis Vazquez/©Gulf News

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