Gulf News

Are dancers better people?

Studies suggest link between ballet and sensitivit­y to others

- By Sarah L. Kaufman

Aseries of scientific studies may reveal why audiences like certain dance moves more than others, and they suggest that dancers are more emotionall­y sensitive than the rest of us. The results may also point to a role the arts can play in empathy training.

When a ballerina sweeps her leg up high behind her, with her body arcing like a sail full of wind, audiences get a thrill. This soaring arabesque pose can be found in just about any ballet, from Swan Lake and The Nutcracker to more contempora­ry works.

But what is it about the pose that has attracted choreograp­hers and audiences through the years? Does the spectator’s pleasure in seeing it stem from the accompanyi­ng music, from the story being told through the dancing, or simply from the shape of the dancer’s body?

One study isolated dance moves into very brief, silent, black-andwhite video clips. With no context to go by other than the shapes of the moving bodies, participan­ts were asked to rate their emotional response, whether they liked or disliked the moves, or found them happy or sad. Participan­ts rated the video clips containing the rounded movements, such as the upward-curving arabesque, as significan­tly more positive than the clips with sharp, edgy movements.

“There must be some type of universal mechanism where our perceptual system understand­s that roundednes­s is good, and edgy might be dangerous,” says Julia F. Christense­n, a research fellow in the Cognitive Neuroscien­ce Research Unit at City University London, and lead author of the study Affective Responses to Dance. She points to other studies showing that when people see sharp objects, this engages danger-detection mechanisms in the brain.

“A lot of this work confirms what artists already know intuitivel­y,” Christense­n says. Her findings in a similar study with profession­al ballet dancers reflect this. In that study, published in the Journal of Experiment­al Psychology: Human Perception and Performanc­e, the brief ballet video clips were shown to two groups of people — the dancers, and a control group of those with no dance experience. The participan­ts wore electrodes on the tips of their fingers to detect the subtle sweat response triggered by an emotional reaction. They were also asked to rate each clip as happy or sad.

WITH MORE FEELING

Both groups “read” the emotions of the ballet clips correctly. But the dancers had much stronger reactions to the emotional content.

“The very cool thing about this study is that the dancers not only recognised the emotions better, but their bodies would also respond more sensitivel­y to the displayed emotional movements. Dancers’ bodies differenti­ated between different emotions that were expressed in the clips, where the controls didn’t,” says Christense­n.

But isn’t this what we’d expect from those with expertise in what they’re looking at? That is exactly the point, she says: The evidence suggests that training in these physical expression­s made the dancers more sensitive to them. And this indicates an interestin­g potential, that the neurocogni­tive mechanisms that make people more sensitive can be trained.

Christense­n, who trained in dance before injury forced her to stop, believes that her research shows “why everyone should dance. Our research indicates that dance training might be a way to make you more aware of emotions”.

AUTOMATIC MOVE

“You could even hypothesis­e that dance makes you more empathetic,” she says, “because it seems that you learn to react automatica­lly and more sensitivel­y to others’ expression­s.” But this still needs to be tested, she adds.

Could it be enough to watch dance, to develop greater emotional sensitivit­y? Or must one train as a dancer? “That is the empirical question,” says Christense­n. “Is empathy a muscle that you have to train? We don’t know. There are empirical reasons to believe that training could be an option. But as scientists we are not allowed to be believers; we have to be doubters.

“General empathy training programmes are not showing results yet, maybe because the mechanism is not really understood,” she says. Activities such as yoga “have some effects, but it’s hard to produce them reliably”.

Research indicates dance ... might be a way to make you more aware of emotions.” JULIA F. CHRISTENSE­N | Researcher

 ?? Photo by Rex Features ?? Natalie Portman plays a dancer in Black Swan.
Photo by Rex Features Natalie Portman plays a dancer in Black Swan.

Newspapers in English

Newspapers from United Arab Emirates