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Nobel laureate V S Naipaul passes away

NOBEL LAUREATE WAS COMPARED IN HIS LIFETIME TO CONRAD, DICKENS AND TOLSTOY, HE WAS ALSO A LIGHTNING ROD FOR CRITICISM

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V.S. Naipaul, the Nobel laureate who documented the migrations of peoples and the unravellin­g of the British Empire in more than a dozen unsparing novels and as many works of nonfiction, died on Saturday at his home in London. He was 85.

In many ways embodying the contradict­ions of the postcoloni­al world, Naipaul was born in a family of Indian ancestry in Trinidad, went to Oxford University on a scholarshi­p and lived the rest of his life in England, where he forged one of the most illustriou­s literary careers of the last half century. He was knighted in 1990.

Compared in his lifetime to Conrad, Dickens and Tolstoy, he was also a lightning rod for criticism, particular­ly by those who read his portrayals of Third World disarray as apologies for colonialis­m.

Yet, Naipaul exempted neither coloniser nor colonised from his scrutiny. He wrote of the arrogance and self-aggrandise­ment of the colonisers, yet exposed the self-deception and ethical ambiguitie­s of the liberation movements that swept across Africa and the Caribbean in their wake. Naipaul personifie­d a sense of displaceme­nt. Awarding him the Nobel Prize for Literature in 2001, the Swedish Academy described him as “a literary circumnavi­gator, only ever really at home in himself, in his inimitable voice.”

Although he spent his literary career mining his origins, Naipaul fiercely resisted the idea of being tethered to a particular ethnic or religious identity. A Hindu, though not observant, Naipaul was a staunch defender of Western civilisati­on. His guiding philosophy was universali­sm. “What do they call it? Multi-culti? It’s all absurd, you know,” he said in 2004. “I think if a man picks himself up and comes to another country he must meet it halfway.”

An often difficult man with a fierce temper and a face of hawklike severity who dressed sedately in tweed jackets, Naipaul would sometimes walk out on public appearance­s and hang up on journalist­s.

He continued to write novels even after declaring the form a 19th-century relic, no longer able to capture the complexiti­es of the contempora­ry world.

Prolific life and career

Vidiadhar Surajprasa­d Naipaul was born on August 17, 1932, in Chaguanas, Trinidad, where his paternal grandfathe­r had emigrated from India in the 1880s as an indentured servant to work on the sugar plantation­s.

Educated in English schools in Trinidad, Naipaul said he owed his writing ambitions to his father, who read to him, among other things, from Booker T. Washington’s Up From Slavery. His first years in England in the 1950s were full of panic and anxiety. In 1952, while at University College, Oxford, he had a mental breakdown.

It was in 1954, while toiling in the old EdwardianV­ictorian hotel that housed the BBC freelancer’s office, that Naipaul began writing fiction. His first novel The Mystic Masseur (1957) about a failed schoolteac­her who becomes a masseur and later guru and politician in Trinidad, was well received. Ferociousl­y prolific, Naipaul published a book every year or two for much of his career.

In 1955 Naipaul married Patricia Hale, an Englishwom­an he had met at Oxford. The two were extremely close — she read all his work in progress. In 1996, two months after the death of his first wife, Naipaul married Nadira Khannum Alvi, a divorced Pakistani journalist more than 20 years his junior. She survives him. In 2003, Naipaul adopted Nadira’s daughter, Maleeha, then 25.

Awarding him the Nobel Prize for Literature in 2001, the Swedish Academy described him as “a literary circumnavi­gator, only ever really at home in himself, in his inimitable voice”.

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 ?? Washington Post ?? In the second half of the 20th century, few writers were as praised - or scorned - as V.S. Naipaul.
Washington Post In the second half of the 20th century, few writers were as praised - or scorned - as V.S. Naipaul.
 ??  ?? Naipaul personifie­d a sense of displaceme­nt
Naipaul personifie­d a sense of displaceme­nt

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