‘Magnum PI’ is a worthy reboot
Review The show does a good job of suggesting its predecessor’s loose charm and upstanding morals
Beyond the fact that it doesn’t star Tom Selleck and that these are not the 1980s, there is nothing wrong with the reborn, lightly rebooted Magnum PI, which joins Hawaii Five-0, Swat and MacGyver in the CBS House of Reborn, Reboot-ed Mysteries.
Whether it will blossom into the sort of living, breathing TV entity that the original became is something impossible to judge from the single pilot episode made available to review, but it does a good job of suggesting its predecessor’s loose charm and upstanding morals. And, of course, there is Hawaii.
As in the original, Thomas Sullivan Magnum (Jay Hernandez) is a veteran working as a private eye on the island of Oahu. He lives in a guesthouse on the estate of an absent figure named Robin Masters, and he has the use of his Ferrari. He narrates the action, wryly, with a modicum of self-deprecation.
Also as before, Magnum has best friends who share his history in military special ops. Theodore “TC” Calvin (Stephen Hill) runs a charter-tour helicopter service called Island Hoppers; Or-ville Wilbur Wright (Zach-ary Knighton), called Rick Wright, like the keyboard player in Pink Floyd, runs a hot beach club and “knows people.”
The more important question, perhaps, is how does this Magnum distinguish itself from the series that is the entire reason this show exists?
Literally to start, the opening titles, which could run a minute in the original, and which recently inspired a shot-for-shot Archer parody, have been compressed to about two seconds — four increasingly close shots of the Ferrari, working in a little scenery. The theme music, composed by Mike Post and Pete Carpenter, has been reduced to its first four notes. You can’t get any more 21st century than that. Most significantly, Higgins, originally played by John Hillerman, the dry, droll person who oversees the Masters estate, is now a woman, first name Juliet, played by Perdita Weeks, who now comes with action-hero skills of her own. Although Higgins still regards Magnum with scepticism leavened with affection, the possibility of romantic tension is now potentially in the mix — there is the slightest hint of it in the opening episode. And, yes, she still has Doberman pinschers named Zeus and Apollo, who get along with everyone but Magnum.
Apart from being played by a Latino actor — a heritage acknowledged only in a joking line about how sharks “eat the white meat first” — 2018 Magnum has been made physically not in his original’s image. Where Selleck was towering, Hernandez is compact. The iconic bushy moustache has been whittled back into part of a light goatee; the chest hair is gone completely. He does not wear Hawaiian shirts or a ball cap, though the Cross of Lorraine signet ring and Rolex watch abide.
It is no knock against Hernandez to say that he is not Tom Selleck, because there is only one Tom Selleck, and he is a TV icon, in a show that itself stands for a particular time in the national memory. The odds of Hernandez, who has been acting on television for more than 20 years already, achieving that colossal status are about as good as those of any other leads in a network television show.
Indeed, Hernandez is quite charming and appealingly human and time being what it is, there will be viewers for whom he is the primary Magnum. And Magnum PI is, after all, a milieu as well as a character, an atmosphere, a setting, a take on life, where likeable, laid-back characters are sometimes roused from hanging out to solve a crime or help a person in need. Tim Kang plays the police detective whose head Magnum will sometimes butt.
The plot is serviceable, which is all it needs to be, but there are car chases and helicopter stunts and banter all the while. That is exactly the sort of thing many people will require of a Monday night.