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REGGAE MUSIC JOINS UNESCO’S TREASURES LIST

Genre emerged in the late 1960s out of Jamaica’s ska and rocksteady styles

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Jamaican reggae, the music of the oppressed which Bob Marley catapulted onto the global stage, won a coveted spot on the United Nations’ list of global cultural treasures on Thursday.

Unesco, the world body’s cultural and scientific agency, added reggae to its collection of “intangible cultural heritage” deemed worthy of protection and promotion, along with two dozen other traditions from around the world.

“This is a historic day. We are very, very happy,” enthused Jamaica’s Culture Minister Olivia Grange, speaking by phone from the island of Mauritius where the listings were announced.

“Anywhere you go and say you’re from Jamaica, they answer ‘Bob Marley,’” said Grange, adding that the distinctio­n “underscore­s the importance of our culture and our music, whose theme and message is ‘one love, togetherne­ss and peace.’”

Unesco noted that while reggae started out as “the voice of the marginalis­ed” it was “now played and embraced by a wide cross-section of society, including various genders, ethnic and religious groups.”

Its “contributi­on to internatio­nal discourse on issues of injustice, resistance, love and humanity underscore­s the dynamics of the element as being at once cerebral, socio-political, sensual and spiritual,” Parisbased Unesco added in a statement.

Unesco is best known for its prestigiou­s World Heritage List of outstandin­g cultural and natural sites, which include the Grand Canyon and the Great Wall of China.

Its Intangible Cultural Heritage List runs to hundreds of traditions from around the world — some of which are barely known beyond the borders of the country bidding to have it recognised.

While largely symbolic, inclusion on the list can serve to raise the profile of the country and the practice.

Among the other additions on Thursday were the ancient Irish sport of hurling, the spring rituals of Kazakh horse breeders, including drinking fermented mare’s milk, and the Polish tradition of creating glittering Christmas creches.

“This is a special moment for anyone whose heart is set on caring for Polish heritage,” Culture Minister Piotr Glinski tweeted.

Ireland’s Gaelic Athletic Associatio­n (GAA) welcomed the honour bestowed on hurling — a fast-paced ball game played with carved wooden sticks which enjoys a mass following across the country.

“It reaffirms the fact that hurling is more than just a sport. It a national treasure; an ancient tradition

that connects us to our Celtic past and a part of our DNA,” GAA president John Horan said.

GIVING HOPE

Reggae emerged in the late 1960s out of Jamaica’s ska and rocksteady styles, also drawing influence from American jazz and blues.

It quickly became popular in the United States as well as in Britain, where many Jamaican immigrants had moved in the post-Second World War years. The style is often championed as a music of the oppressed, with lyrics addressing sociopolit­ical issues, imprisonme­nt and inequality.

Reggae also became associated with Rastafaria­nism, which deified the former Ethiopian emperor Haile Selassie and promoted the sacramenta­l use of ganja, or marijuana.

Jerome Levasseur, the director of the Bagnols Reggae Festival in southern France, said he expected the award would help “normalise” a music form that has always been a little marginalis­ed because of its “whiff of cannabis and libertaria­n revolt.” The 1968 single Do

the Reggay by Toots and the Maytals was the first popular song to use the term reggae.

Marley and his group the Wailers then soared to fame on classic hits such as No Woman, No

Cry and Stir It Up.

Peter Tosh, a core member of the Wailers, establishe­d a successful solo career, while Desmond Dekker also enjoyed internatio­nal success.

Toots and the Maytals rose to prominence with

Pressure Drop and Jimmy Cliff became an internatio­nal sensation with The

Harder They Come, also the title of a 1972 movie he starred in.

The reggae sound, with its heavy bass lines and drums, has influenced countless artists and inspired many genres including reggaeton, dub and dancehall.

The steady beats and smooth grooves have also proven key to hip-hop: Sister Nancy’s anthem

Bam Bam, for example, has been heavily sampled by superstars like Kanye West, Lauryn Hill, Chris Brown and Jay Z.

 ?? Photos by Reuters and AFP ?? Marcia Griffiths, a former member of the trio of backing singers I Threes who sang with late reggae legend Bob Marley and The Wailers, performs during a concert in celebratio­n of the 70th anniversar­y of Marley’s birth, in Kingston in 2015.
Photos by Reuters and AFP Marcia Griffiths, a former member of the trio of backing singers I Threes who sang with late reggae legend Bob Marley and The Wailers, performs during a concert in celebratio­n of the 70th anniversar­y of Marley’s birth, in Kingston in 2015.
 ??  ?? Bob Marley in 1976.
Bob Marley in 1976.

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