Gulf News

A look at Tinder’s new ‘series’

The choose-your-own-adventure show, called ‘SwipeNight’, consists of four episodes

- By Jonah Engel Bromwich

For all of their success, swipe-y dating apps like Tinder or Bumble face a problem once their users have matched: It’s hard to find things to discuss with total strangers. What exactly are you supposed to say in response to hand-waving emoji?

In an effort to solve this, Tinder has created a scripted choose-your-own adventure series that it hopes will supply its young users with raw material for conversati­ons on its platform. The goal is to counteract that chronic dating-app issue: conversati­ons that die almost as soon as they begin.

The project, called SwipeNight, consists of four episodes. One will air each week on the Tinder app. In each episode, users who participat­e will be ushered through an apocalypti­c scenario and prompted to make a series of choices, from the unimportan­t (how to best DJ a party) to the critical (whose life to save). The show features a cast of diverse actors and gives the user a firstperso­n perspectiv­e on the action.

Participan­ts will then show up in each other’s lists of potential matches. Some of the choices they made during the show will be visible on their profiles. That is when, the company hopes, a number of those people will swipe right on each other and talk about what they experience­d.

Last year Tinder set up a team to survey hundreds of young people. This research helped the company see members of Generation Z as fundamenta­lly different from older generation­s (and that includes millennial­s, the oldest of whom are nearly 40). Defining characteri­stics included Gen Z’s immense comfort on social platforms and immense discomfort with defining relationsh­ips, or even using words like “dating” and “flirting.”

SwipeNight also looks to take advantage of their facility with the raw material of pop culture. “They speak in gifs, they react in emojis, they talk in stories,” said Elie Seidman, the chief executive of Tinder, of 18-to-25-year-olds, who already make up more than 50 per cent of the app’s user base. Tinder allows users little space to provide informatio­n about themselves on their profiles. That can lead to a particular shortage of subjects to discuss. On Tinder, Seidman said, approachin­g strangers is much easier than it is offline. “But you get to the next thing, and there’s no context,” he said. “What’s the context? ‘Oh, you’re also on Tinder.’ ‘Like, yeah, obviously.’”

Tinder has traditiona­lly been viewed as a predate experience. SwipeNight looks to collapse some elements of a first date into its platform.

Episodes of SwipeNight will be available on Tinder on Sundays in October from 6pm to midnight in a user’s time zone. For now, the show will be available only to Americans.

The choice of day is no accident. Tinder has long seen a surge of user activity on Sundays. But Seidman said that SwipeNight was not an effort to compete with the traditiona­l entertainm­ent that dominates that night, like Sunday Night Football or HBO’s flagship shows.

A rough cut of the first episode of SwipeNight was reminiscen­t of JJ Abrams’s 2008 movie, Cloverfiel­d.

The show was directed by Karena Evans, 23, best known for directing the Drake music videos Nice for

What and In My Feelings.

Her experience with music videos, which fuse art and marketing, as well as her age, made her a natural choice for the SwipeNight project.

“She came in with a very specific idea of what it looked like, how these characters should talk, what the experience should feel like, what the narrative is,” said Paul Boukadakis, the vice president of special initiative­s at Tinder.

SwipeNight represents a significan­t gamble for Seidman, who has run Tinder for two years. He said that he did not feel his head would be on the chopping block if SwipeNight failed but that there was of course some tension in waiting to see how it turned out. “We want it to be great, of course, but we are kind of buoyed by the fact that at the end of it, you get to meet people and talk about what you did,” he said. “Hopefully what you’re talking about is not, ‘Oh, this was terrible.’”

“[Director Karen Evans] came in with a very specific idea of what it looked like, how these characters should talk, what the experience should feel like, what the narrative is.” PAUL BOUKADAKIS | Tinder special initiative­s VP “We want it to be great, of course, but we are kind of buoyed by the fact that at the end of it, you get to meet people and talk about what you did.” — Elie Seidman, CEO of Tinder

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