Khaleej Times

Copenhagen’s ambitious plans to be a carbon-neutral city

- Jennifer Parker

It’s a howling winter’s day in Denmark here atop one of the tallest buildings in Copenhagen. Bjarke Ingels’s $660 million Amager Bakke building, or “Copenhill,” as locals call it, stands out for many reasons — not least, the fact that it will claim the city’s first ski slope when it opens this fall. But Copenhill is more than a ski slope. It has a 278-foot-high artificial climbing wall, a full-service restaurant, and an apres-ski bar surrounded by tree-lined hiking trails. And there’s more: The hulking, geometric wedge of silvery aluminum-and-glass panelling does double duty, oddly, as one of the most technologi­cally advanced waste-toenergy plants in the world. Just as it’s altered Copenhagen’s skyline, it may well redefine urban sustainabi­lity on a global level.

For Danes, it’s the crowning jewel in their capital’s push to become the world’s first carbon-neutral city by 2025.

It’s a “very ambitious goal — but one well underway,” Lord Mayor Frank Jensen tells Bloomberg. “Our CO2 emissions are down by 33 per cent since 2005.” When active, the new plant will be able to burn a whopping 35 tons of waste per hour — all while cutting emissions by 99.5 per cent.

It’s just one of Copenhagen’s many greening projects. The city’s largest utility company, Hofor, is decarbonis­ing its Amagervaer­ket power station, which supplies 98 per cent of the capital’s heat. A thriving cycling programme sees 41 per cent of Copenhagen­ers opting for two-wheeled transporta­tion, up from 36 per cent in 2015. A city-wide ban on diesel cars might come next.

In one sense, though, the city is already too green for its own good. Thanks to modern recycling programmes, there isn’t enough garbage in all of Denmark to fill its 28 plants, Copenhill included. “We have an overcapaci­ty for incinerati­on, and EU regulation­s make it difficult to import more waste from other cities,” says Jensen. Which raises the question: Why bother building Copenhill at all?

According to Jorgen Abildgaard, Copenhagen’s executive climate-project director, achieving the necessary gains in efficiency required an oversized structure. (To reach its 2025 target, Copenhagen must remove 928,000 tonnes of carbon dioxide from the atmosphere; Amager Bakke expects the plant to remove 33,000 tonnes.) Here, thanks to state-of-the-art catalytic filtration that’s never been used before in Denmark, the incinerati­on is nearly pollution-free. At other plants, the smoke from the same amount of garbage would be toxic. But all that technology takes space, and that space came with an equally oversized price tag: $660 million.

So the city is turning to tourism — which brings in upward of $6.5 billion per year — to make the plant economical­ly viable. That’s one reason for its central location, within the city limits. If your fishing line were strong enough, you could sling it across the harbour from Copenhill and hit the national Opera House. It’s also just 13 minutes from the airport, making it unmissable, even for first-time visitors. Vienna pulled off a similar feat with its Spittelau plant, fashioned in 1992 by “eco-architect” Friedensre­ich Hundertwas­ser into a colourfull­y bizarre, artful landmark. It draws more than 100,000 visitors each year to its educationa­l “world of energy” centre.

Copenhill aims for more. Standing atop the slope, with its sweeping views of city and sea, the usually sleepy practice of environmen­tal consciousn­ess takes on a subtle thrill, which is perhaps a reflection of starchitec­t Bjarke Ingels himself —he’s as passionate about sustainabi­lity as he is about snowboardi­ng. Here, the air is clean and crisp as a massive labyrinth of shiny silver metal pipes, compressor­s, fans, and valves do what they do, converting billows of white steam into clean energy below.

Most visitors will never see the guts of the complex. They’ll be welcomed at a clean, minimalist lobby, where a climbing wall and two outdoor ski lifts will be installed to whisk visitors up to the piste — for around $20 per hour — where they can shred, hike, or run down its 590-foot slope before refuelling at the indoor bar with a cold drink and “Danish tapas.” (Think pickled herring on fermented bread.)

Christian Ingels, Bjarke’s cousin, will run Copenhill with a similar ethos. He’s aiming to attract 300,000 visitors per year to the site, including roughly 65,000 skiers wooed by the novelty of a mountain in an otherwisef­lat country. And while his exact lineup is still in the works, he envisions a wide roster of events, including pop and rock concerts in the parking lot. He compares the project to Legoland — a recreation­al playground with wide appeal for families — which feels like a night-and-day comparison to Tivoli, the grand, sophistica­ted amusement park in Copenhagen’s city centre.

Regardless, Copenhill will prove a notable test-case for the future of urban greening. “I want my colleagues in other cities to know that waste incinerati­on works; the technology is there,” declares Jensen. “And i t’s very good for the economy.”

 ??  ?? THE LITTLE MERMAID: Edvard Eriksen’s bronze statue has been a big tourist draw since its unveiling in 1913. The sculpture is displayed on a rock by the waterside at the Langelinie promenade in Copenhagen
THE LITTLE MERMAID: Edvard Eriksen’s bronze statue has been a big tourist draw since its unveiling in 1913. The sculpture is displayed on a rock by the waterside at the Langelinie promenade in Copenhagen

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