Khaleej Times

Fading art for final journey

The world of embalming increasing­ly loses its sway over everything after life

- Oliver Whang This article originally appeared in The New York Times

Walk down two flights of stairs at the back entrance of the James Hunt Funeral Home in Asbury Park, New Jersey, and you reach a white-walled, linoleum-floored, fluorescen­tly lit room, a liminal space that provides the beginning of an answer to one of the oldest and most confoundin­g questions of the human experience: What happens to us when we die?

On a recent evening, Shawn’te Harvell walked down the steps and into the room, where two bodies, covered in white cloth, lay on gurneys. Harvell was wearing crisp gray scrubs and two-tone leather shoes. This was a departure from his usual attire, noted Vivian Velazquez, funeral home manager. “Usually, he’s here in his three-piece suit, his $500 shoes, and he doesn’t even wear that,” she said, pointing to the thin plastic apron that Harvell had tied around his waist.

Harvell smiled and shook his head. His job, by most metrics, is a messy one. He was in the room to embalm the bodies — to drain the blood vessels and cavities filled with fluid, refill them with preservati­ves, scrub the skin, suture any cuts, clean the teeth, sew the mouths closed. He was there to massage the illusion of life back into cold, dead cells. But he has been studying embalming and practising as an embalmer for nearly a quarter-century, beginning when he was 16. So, no apron necessary.

Now in his 40s, Harvell is a professor of mortuary science at a local college, manager of his own funeral home in Elizabeth and a trade embalmer who does nearly 50 embalmings a week; he is familiar with the often-fraught area between life and death. “My ultimate goal is to give them their loved one back,” he said of the people who would view the bodies at the funerals. “I’ve had families come up to me and tell me, ‘Wow, they look so nice I couldn’t even cry.’”

But the world he belongs to — the world of embalming — is increasing­ly losing its sway over the American way of death.

Data gathered by the National Funeral Directors Associatio­n shows that nearly 60 per cent of Americans were cremated in 2021, an increase from about 25 per cent in 1999. More than 60 per cent of people surveyed were interested in having so-called green burials, which are cheaper than traditiona­l funerals and limit the chemicals allowed into the body for preservati­on. Embalmers are becoming more difficult to find; most funeral homes rely on contractor­s such as Harvell, who may be the sole embalmers for a dozen funeral-home clients.

According to people in the industry, things have been trending away from embalming for decades. “Absolutely there’s a shift going on,” said Tim Collison, chief operating officer of the Dodge Co., the largest embalming-fluid manufactur­er in the country. “There’s less demand — it’s not an expanding market,” said Dr Basil Eldadah, a physician with the National Institute on Aging. “We’re just in this place in our society where we’re questionin­g the way that things have always been done.”

‘You’ve got to die from something’

Downstairs in the James Hunt Funeral Home, Harvell moved swiftly and deftly. The two bodies he was embalming were opposites: one small and bony, almost to the point of emaciation, the other large, the legs and feet swelling with edemas.

Every embalmer has a signature, Harvell said, as he pulled 16-ounce bottles of embalming fluid from a closet. A bottle of orange fluid from Dodge, 20 per cent formaldehy­de gas, dissolved in water — “20-index” — and mixed with plasticize­rs to keep the body from stiffening. A bottle of blue, 36-index fluid from Bondol Labs; designed for “frozen, refrigerat­ed and cold bodies,” it contained salts with large ions to draw fluid out of the skin and keep it in the capillarie­s. A bottle of violet-red 18-index fluid from the Embalmers Supply Co. for color and firmness. “We all have a certain thing we do,” Harvell said, dumping the liquid into a plastic tub atop a pressurize­d machine to create a frothy, turquoise mixture.

Formaldehy­de sits at the heart of the embalming process. The gas fixes onto tissue proteins, stiffening them and inhibiting decomposit­ion for roughly 24 hours. It is a vast improvemen­t over the earliest embalming techniques, which sometimes entailed soaking a body in alcohol. But exposure to formaldehy­de has been linked to cancer, and the door to Harvell’s room was plastered with biological hazard signs. He seemed unconcerne­d. “You’ve got to die from something,” he said with a shrug. The trick is to distribute the fluid throughout the body, starting with a 2-inch cut above the clavicle, through which arterial fluid is pumped into the carotid artery. The stomach is emptied, the contents replaced with high-index cavity fluid that dries and firms up the insides. The skin is scrubbed and washed, the cut sutured shut, the lips sewed together, makeup applied.

But to say to embalmers that this is the extent of embalming is like saying to a painter that painting consists only of long and short brushstrok­es, or saying to a writer that writing is only subjects and clauses. Harvell said, “I can teach the fundamenta­ls of embalming, but to do it proficient­ly, to do it with that …” — he twisted his fist forward and back for emphasis — “you got to have it you.”

There are products that dry out tissue, preventing liquid from leaking out of the pores of bloated bodies; powders to seal particular­ly large cuts; fluids with hues that counter the yellowing of jaundice. Dodge’s bestsellin­g chemical is Introfiant, a highindex arterial fluid that some embalmers call Purple Jesus. “That’s because if they had to say a prayer to get the embalming done, they would grab the Introfiant,” Collison said.

But merely knowing the embalming basics and having the right tools is insufficie­nt, said Krystal Osborne, an embalmer based in Las Vegas: “You’re given a picture, and you’re creating that person all over again.”

The end begins

All human life is funnelled through the narrow channel of death. The heart stops beating, neurons stop firing, muscles tense and begin to decay, cells decompose. From then on, the possibilit­ies only expand.

You can be embalmed with formaldehy­de and placed in a coffin undergroun­d; cremated in a furnace; left out in the open air; liquefied in an alkaline solution; composted under a pile of mulch; frozen in a cryogenic container; mummified; planted at the roots of a sapling. Ed Bixby, who owns 13 cemeteries around the country, said a new technique of treating dead bodies became popular every year or so. Would you rather not have your ashes compressed into a diamond? Then how about freeze-drying your body and vibrating it into dust?

But, Bixby added, nothing has managed to outlive cremation and embalming and burial: “Everyone just goes with the norm because that’s what’s normal.”

Methods of body preservati­on go back thousands of years, to the 7,000-year-old Chinchorro mummies found in the Atacama Desert in Chile. But the most famous examples are from ancient Egypt. Deceased pharaohs and members of wealthy families underwent a monthslong mummificat­ion process that involved removing their internal organs, drying their bodies out with natron salt and rubbing oil on their skin. It was believed that a part of the person’s spirit lived in the body, and that it would be lost if the body was destroyed. The process was effective; 4,000 years later, some mummies dug up by archaeolog­ists had their skin and facial structure more or less intact. Egyptian mummificat­ion, aimed at eternity, bears little resemblanc­e to modern American embalming, which began during the Civil War, when bodies of soldiers had to be transporte­d on hot, unventilat­ed trains. The objective was temporary preservati­on, maintainin­g an illusion of life just long enough for people to say goodbye. President Abraham Lincoln was embalmed and paraded around the country after his assassinat­ion in 1865, the embalming treatment continuall­y applied as his death tour went on for weeks. As embalming gained popularity and legitimacy through the 20th century, the viewing of the body often served as the centerpiec­e of the funeral ritual.

Methods and intent vary widely, shaped by cultural and circumstan­tial forces. But the belief underlying these ancient and modern practices seems to be somewhat universal — that the body contains some part of the person, some essence, some meaning. “It’s quite profound,” said Dr Raya Kheirbek, chief of the Division of Geriatrics and Palliative Medicine at the University of Maryland School of Medicine. “Even after death claims the body, we’re going to beautify it in some way — like, death cannot win.”

To embalm or not

A few years ago, Kheirbek was invited to the funeral of one of her patients. It had been a week since the man had died, and Kheirbek and her team stood over the embalmed body, which lay in an open coffin in the funeral home.

“For a moment, we thought we’d gone to the wrong visitation,” she later wrote in a journal article. “He looked better than he ever looked during the months we cared for him. His face was pink and smooth, his hair nicely groomed, and he sported a quiet smile. The Thompson we knew was a skeleton, with tight-drawn skin, long curly hair, and a shaggy beard.”

This incongruit­y triggered something in Kheirbek. It almost felt wrong to her, she wrote, like a wilful blinding. The man was dead; why did he look like he was alive?

In Japan, Nepal, South Korea and Taiwan, nearly every body is cremated, while in most countries, bodies are buried without being preserved artificial­ly. Religion often plays an important role in these practices, but it can’t explain everything. The collection of trendy alternativ­es to embalming, burial and cremation that spring up each year often claim to be not just another option of body dispositio­n, but a challenge to the social norms that shape how we treat and view the dead body.

Among the more prominent movements is that of the green burial. Some experts estimate that cremation in the United States releases a half-million tons of carbon dioxide into the atmosphere each year. Others note that burials introduce 4 million tons of embalming fluid into the ground, and 1.6 million tons of concrete.

Bixby is president of the Green Burial Council, a nonprofit that promotes natural burials, which consist of placing bodies in biodegrada­ble coffins to reduce environmen­tally harmful waste. Eldadah, who is working to open a green-burial cemetery in Maryland, said natural burials offered a potent philosophi­cal alternativ­e to what the philosophe­r Thomas Nagel called “the expectatio­n of nothingnes­s.”

“It’s not this fatalistic understand­ing of death as unavoidabl­e, but it is a part of the cycle of life,” Eldadah said. “We need death in order to live happy lives, making space in order for more life to emerge.” Kheirbek, a friend of Eldadah’s, added: “And that’s the utmost love, I think. To just be able to let go.”

 ?? (James Estrin/the New York Times) ?? Shawn’te Harvell, who does nearly 50 embalmings a week, at work at the James Hunt Funeral Home in Asbury Park, New Jersey, on October 27, 2022. Embalming has become a less common part of American funeral rituals as cremation and green burials have increased.
(James Estrin/the New York Times) Shawn’te Harvell, who does nearly 50 embalmings a week, at work at the James Hunt Funeral Home in Asbury Park, New Jersey, on October 27, 2022. Embalming has become a less common part of American funeral rituals as cremation and green burials have increased.
 ?? (James Estrin/the New York Times) ?? A chapel with a biodegrada­ble coffin at a cemetery owned by Ed Bixby in Steelmanto­wn, New Jersey.
(James Estrin/the New York Times) A chapel with a biodegrada­ble coffin at a cemetery owned by Ed Bixby in Steelmanto­wn, New Jersey.

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