The National - News

WHEN THE SUN GOES DOWN, POETRY LIGHTS UP AL DHAFRA

▶ Contestant­s compete for Dh85,000 in prizes and the title of poet laureate

- ANNA ZACHARIAS

At the Al Dhafra Festival, poetry is everywhere.

It is recited by boys in the grandstand­s at camel beauty competitio­ns, blasted from speakers as motorcades escort celebrity camels, and it is the soundtrack for scores of Instagram slow-motion montages of beauty camels in full stride.

This year, a new competitio­n is looking for the poet laureate of Al Dhafra.

The winner of the Dhafra Poetry Competitio­n will take home Dh30,000 and become the talk of the state-sponsored festival.

Thirty would-be laureates are competing for five prizes totalling Dh85,000. Most are young men. Many are teenagers.

Special attention at this competitio­n is paid to the shellah, melodic bedouin poetry that dominates fireside majlises and grandstand­s at Al Dhafra.

“Shellah makes people relax and makes them feel comfortabl­e,” said Hamdan Al Mazrouei, 23, a student at California State University, San Bernardino. “It’s all about poetry.”

To the uninitiate­d, the long, fluttering notes of shellah sound like singing. But many are loath to identify it as such, because many of its biggest fans believe music is sinful.

“Music is not for Bedouin people,” said Salem Al Mazrouei, a spectator whose relatives breed camels and compete in the festival.

“It’s for families living in the capital. But shellah is for the Bedouin.”

Nowhere is this more evident than Al Dhafra. Poetry can make or break a camel, raising its renown and, by extension, its value.

For generation­s, shellah has told of battles and love, legends and the news of the day. This is still true today, except social media has become the poet’s 21st-century platform.

It was anticipate­d that camel superstars at Al Dhafra would be the most popular muse for the Dhafra Poetry Competitio­n.

To level the playing field, contestant­s are given a different theme each night.

“If it has a theme of camels or falcons, there are some poets who don’t know about those subjects, but anybody can write about themes like the nation,” said one of the competitio­n’s three judges, the profession­al Emirati poet Obaid Al Mazrouei.

Sessions are held each night in the market area outside the grandstand­s,with a short fence dividing seating for men and women.

Every night, the women’s section fills with visitors from the nearby town of Madinat Zayed.

“For women or men, poetry is something in the soul of the poet,” said Yousra Al Uthali, 17, a pupil from Madinat Zayed.

Hers is a generation raised with the names of poet superstars from the reality television show Million’s Poet, which was launched in 2008 and attracted up to 15 million viewers at the height of its popularity.

Widespread respect for its format of classical nabati poetry allowed poets to address sensitive topics, such as sectariani­sm and radicalism.

In Al Dhafra this week, women spoke of the show’s 2010 finalist, Saudi poet Hissa Hilal, who stirred controvers­y on

Million’s Poet in 2010 for her poem, The Chaos of Fatwas.

On Monday night the theme was Al Dhafra Festival.

More than one poet evoked the power of the falcon’s flight and the beauty of saluki hounds. Another recited verses about the virtues of patience.

For Sunday night’s theme, the nation, Palestinia­n Ahmed Rashidiya stood before a small

To level the playing field, each night features a different theme, although beauty camels remain the most popular muse

audience and recited praise for Sheikh Mohammed bin Zayed, Crown Prince of Abu Dhabi and Deputy Supreme Commander of the Armed Forces.

The three judges asked his nationalit­y.

“I am not Emirati but I have lived in the Emirates for, like, 40 years,” he told the panel. They told him this strengthen­ed his words.

Speaking after his performanc­e, Mr Rashidiya discussed his inspiratio­n.

“It’s about the UAE and what happened inside it, Sheikh Mohammed bin Zayed and how he can defend our country from the enemies. I talked about the Houthis in Yemen because it’s the talk of the town.

“All people talk about it. As we are living here and love this country it becomes our dialogue. We are in the same destiny, even if the soldiers are in the war and we are here.”

Six contestant­s compete every night, four performing poetry and two performing shellah. Half advance to the next round.

Three judges give each poetry contestant a score out of 50 points for creativity, content and presentati­on. Each shellah is scored out of 20 for melody, voice and presentati­on.

The final takes place tomorrow. Judge Saif Al Mansoori, winner of Million’s Poet in 2015, said competitio­ns like this are critical in developing talent.

“When you get challenged by others, you respect yourself.”

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 ?? Satish Kumar for the National ?? At night, visitors to the Al Dhafra Festival listen to poetry inspired by a range of themes, including the beauty of camels such as Batoola, left, who on Sunday was crowned the most beautiful three-year-old Emirati camel
Satish Kumar for the National At night, visitors to the Al Dhafra Festival listen to poetry inspired by a range of themes, including the beauty of camels such as Batoola, left, who on Sunday was crowned the most beautiful three-year-old Emirati camel

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