The National - News

Public broadcaste­rs like the BBC are under threat

- GAVIN ESLER Gavin Esler is an author, journalist and presenter

Last week a senior editorial figure at the BBC spoke to me about the impact Brexit has had on news staff in British broadcasti­ng organisati­ons, including ITV, Sky and others. According to the rumour mill, one TV executive was accused of bias by putting his supposedly Brexit-supporting friends on TV programmes and pretending they are just members of the public. This story was given the oxygen of Twitter but was totally false. Another TV executive was accused, again on social media, of being the father of two young women who are well-known Brexit propagandi­sts. I know this person and have met his children. Whoever the young propagandi­sts are, they are not part of his family.

In a peculiar way, these social media lies and conspiracy theories are a compliment to the profoundly important place the BBC and other public service broadcaste­rs, or PSBs, still have in British public life. Neverthele­ss, there is a serious problem for the BBC and all PSBs. Why do they still exist? The BBC is funded by the licence fee, a tax of £154.50 (Dh727) on every household that has a TV set. So – as the age-old argument goes – what do British people get from the licence fee that private broadcaste­rs do not supply?

At times of political crisis, the BBC in particular is the target of political partisans. In its near 100-year history, it has been written off so many times that its survival seems the institutio­nal equivalent of the celebrated escapologi­st Harry Houdini. BBC journalist­s and managers fell foul of the British government over the Suez crisis in 1956. There were numerous rows with then prime minister Margaret Thatcher over interviews with IRA terrorists in the 1970s and 1980s. During the Iraq war of 2003, Tony Blair’s government became so incensed with elements of the BBC coverage that the corporatio­n’s bosses, director general Greg Dyke and chairman Gavyn Davies, were forced to quit.

These very public and quite vicious rows between the world’s most famous broadcaste­r and British politician­s always struck me as ultimately a good thing – for the BBC and for democracy. They showed that the BBC was committed to standing up to political interferen­ce.

But now the BBC and other PSBs face something much more dangerous than the anger of a here today, gone tomorrow prime minister or government.

The danger is apathy from audiences and appearing irrelevant to significan­t groups of potential viewers and listeners.

That sense of irrelevanc­e was put starkly last week in a new report from the British House of Lords’ communicat­ions and digital committee. The report pointed out that the BBC fails to appeal to significan­t groups of British people, particular­ly 16 to 34 year olds. Younger viewers are growing up in a world of greater choice. They show no loyalty to a particular broadcaste­r or TV channel. Children who love The Simpsons cartoons really don’t care which channel they tune into to see their favourite programmes.

Moreover, one of the BBC’s strongest selling points has always been that it is free to air and free from advertisem­ents for those in the UK, but Netflix and other subscripti­on video-on-demand services also offer ad-free options and have bigger resources than the BBC can possibly hope to obtain through the licence fee.

That has led yet again to this damaging argument: why should everyone in Britain pay a tax for a service that not everyone wants or needs? The House of Lords committee believes the BBC’s long-term future might be in danger. Its report is titled Public Service Broadcasti­ng: As Vital As Ever. It warns that public service broadcaste­rs need to be better supported so they can continue to produce high-quality drama and documentar­ies. But that means broadcaste­rs need to ensure they serve and reflect all audiences, especially younger and racially diverse groups. At stake, the committee says, is the heart of British democracy and culture, as well as one of Britain’s most successful creative arts – TV production.

None of this will be easy. Government­s have used the BBC as a political football. Most recently, they have demanded

Free-to-air channels are facing the challenge of staying relevant, particular­ly to young people

that the BBC pay for people over the age of 75 to have free TV licences – something that represents a massive cut to the money available to make programmes. Then when it comes to sport, specialist subscripti­on on-demand channels can charge huge sums for access to top-class football or boxing events.

One proposed answer is to increase the number of sporting events which by law must be shown on free TV. But there’s a catch. The executive of a cricket club pointed out that insisting sporting events go on free-to-air TV might be good for viewers and broadcaste­rs but it can prove catastroph­ic for sporting organisati­ons, who might lose a lot of money as a result.

The chairman of the House of Lords committee, Lord Stephen Gilbert, summed up the dangers. He said that at a time of deep political divisions, “public service broadcaste­rs play a role in unifying the country through shared experience­s. Audiences would miss them when they’re gone”.

As someone who worked for years within the BBC, I believe PSBs play an important role too. But spoiled for choice and deluged by other TV content, are we really sure audiences would miss them?

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