The National - News

FRAMEWORK OF THE FUTURE

Dining pods, monoliths, pathways less taken and socially distanced seating make for cultural food for thought at this year’s Dubai Design Week, writes Gemma White

- Fata Morgana by Hozan Zangana

Like all communitie­s across the UAE, the creative enclave has been forced to adapt and change in conjunctio­n with the continuall­y shifting “new normal” as dictated by the global pandemic. For some designers, embracing this fluidity meant a chance to source materials locally; for others, it has fuelled a desire to observe and comment on the effects social distancing is having on society.

With Dubai Design Week starting today, visitors will have the chance to experience a number of installati­ons throughout Dubai Design District (d3). The various works invite visitors to ponder on family, interactio­n, modern emotion, mystery and a gentler way to socially distance. Here, we look at the highlights.

Awarded this year’s Abwab Pavilion commission, an initiative that highlights works from the Middle East, North Africa and South Asia, Iraqi designer Hozan Zangana’s Fata Morgana redefines and reimagines the way we live in an urban environmen­t. Presenting a conceptual framework for a modern-day city through an openplan arrangemen­t of seating components around a central origin point, the installati­on has pillars symbolic for each of the seven emirates.

The piece uses historical constructi­on methods of the Middle East, in the form of a rammed earth technique to build the various elements.

Serres Separees by Mediamatic

In French, the private dining area in restaurant­s and bars is called a chambre separee. And in this concept, developed by the Mediamatic art centre in Amsterdam developed in conjunctio­n with the Consulate-General of the Kingdom of the Netherland­s, guests dine in the Serres Separees – small, private greenhouse­s fit for two to four people. Lunch and dinner will be served within throughout until Saturday, allowing friends and families to come together in a safe and unique setting. A conceptual vegan menu consisting of mostly Dutch produce is provided by Molecule Bistro Royal Dubai. To make a reservatio­n, call 052 949 2202.

Points In Common by Studio Iregular

A collection of interactiv­e experience­s, the Points In Common project uses a technology called Cursor, which brings together artificial intelligen­ce, computer vision, optics and plenty of coding. Aimed at creating experience­s in spaces that react to the slightest movement of a finger or the blink of an eye, Cursor allows people to engage with digital public works and explore how these interactio­ns can create meaningful connection­s between them.

Please Sit Here by American Hardwood Export Council

Emirati designers Aljoud Lootah, Khalid Shafar and Hamad Khoory joined forces with the American Hardwood Export Council to design and develop a hardwood bench for outdoor use in a public space. Please Sit Here was conceived in response to restrictio­ns brought about by the pandemic and the need for behavioura­l change. The hardwood bench naturally allows for the social-distancing requiremen­t of two metres, without the need for warning notices or self-policing.

Pardis by Cosentino x Meshary Al Nassar

Multidisci­plinary Studio Meshary Al Nassar from Kuwait partnered with global surfaces brand Cosentino to create an outdoor public installati­on made from an ultra-compact engineered surface called Dekton. Derived from the word paradise, Pardis is an idyllic conceptual garden that serves as a sanctuary and physical manifestat­ion of our yearning for a sense of community. With seating, a water feature and a lighting design that transforms in the evening, it is an escape from enclosed spaces and encourages quiet contemplat­ion.

Desert Ribbons by Bishoy Girgis and Tania Ursomarzo

This urban public seating and spatial design concept explores the different seated positions of the body, along with the varied social situations that sitting creates. The design references regional nature, with elements such as dunes, camels and the ghaf tree, while inviting participan­ts to consider how the way they sit might create different acts of social engagement.

With camel leather moulded to capture fluid impression­s of the body in different positions, the work also

showcases the uses of this natural and biodegrada­ble material.

Determinis­tic Path by Iman Ibrahim and Mahmoud Diaa

With a focus on encouragin­g social interventi­on with safe distancing, the installati­on consists of a modular design grid for a concept that represents several paths. Each allows for one person at a time, with panels covered by reflected mirror sheets creating several exits while avoiding crowded and open spaces. Designed to reflect people’s lives, and for them to see themselves and others, the installati­on encourages visitors to contemplat­e the fact that although we all have different characters and face different challenges, we all follow the same path to overcome a crisis.

Shadow Box by Agata Kurzela Studio

This installati­on, in collaborat­ion with Milad Marble Dubai, wants visitors to rediscover stone as a dynamic material. Showing the wealth of surfaces that can be created from stone, Shadow Box encourages viewers to consider texture and materialit­y to understand the potential of matter as ancient as the Earth itself.

Dubai Design Week runs from today until Saturday. The event is open Monday to Friday, 10am-10pm; and Saturday, 10am-5pm; www. dubaidesig­nweek.ae

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 ?? Photos Dubai Design Week ?? Installati­ons at Dubai Design District include, clockwise from below, ‘Points In Common’ by Studio Iregular; ‘Serres Separees’ by Mediamatic; ‘Please Sit Here’ by Aljoud Lootah, Khalid Shafar and Hamad Khoory; ‘Determinis­tic Path’ by Iman Ibrahim and Mahmoud Diaa; ‘Pardis’ by Cosentino x Meshary Al Nassar; and ‘Fata Morgana’ by Hozan Zangana
Photos Dubai Design Week Installati­ons at Dubai Design District include, clockwise from below, ‘Points In Common’ by Studio Iregular; ‘Serres Separees’ by Mediamatic; ‘Please Sit Here’ by Aljoud Lootah, Khalid Shafar and Hamad Khoory; ‘Determinis­tic Path’ by Iman Ibrahim and Mahmoud Diaa; ‘Pardis’ by Cosentino x Meshary Al Nassar; and ‘Fata Morgana’ by Hozan Zangana

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