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FILM ON BEIRUT’S DICHOTOMY BETWEEN HOPE AND DESPAIR ON SHOW IN CANNES

▶ Samia Badih speaks to Short Film Palme d’Or winner Ely Dagher ahead of his debut feature ‘ The Sea Ahead’

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Ely Dagher, a filmmaker from Lebanon, was at home in Beirut sifting through footage from his 28-day shoot when last year’s blast at the port, on August 4, destroyed his apartment.

Dagher stopped working on his feature film for two months after the explosion. “There was a part of me that felt like the film was too harsh to deal with,” he tells The National. Fast forward to this year and that film – The Sea Ahead, his debut feature – is set to have its world premiere at the Cannes Film Festival today.

It stands out as only one of two films by Arab filmmakers being screened at Cannes this year. The other is Moroccan filmmaker Nabil Ayouch’s feature, Casablanca Beats, which is the first Moroccan film to run in competitio­n at the festival. Dagher’s The Sea Ahead, meanwhile, will run as part of the festival’s Directors’ Fortnight section, taking Dagher once again to where he was six years ago.

In 2015, he won the Short Film Palme D’Or for his animated film Waves ‘98. Set in 1990s Beirut, it tells the story a young man disillusio­ned with the city in which he lives.

This theme carries over to The Sea Ahead, which stars Manal Issa (Memory Box) as Jana, 26, who returns to Lebanon unannounce­d when things don’t work out for her during a four-year stint living in Paris. “It chronicles the first 10 days of her return back to her family, her life in Beirut, and it’s really about facing and coming to terms with the desires that she had left behind,” Dagher says.

The film puts into focus the relationsh­ip between despair and hope and the question that many Lebanese youth ponder today: do I stay here or leave? “A very big part of the film is actually about this fear of the looming disaster, which renders us kind of all numb,” he says.

Dagher started writing the script for The Sea Ahead in 2015, the year Lebanon’s waste crisis made internatio­nal headlines and ignited demonstrat­ions across the capital.

Since then, the country has witnessed a revolution, a political and economic crisis, a pandemic and one of the biggest non-nuclear explosions in history. Dagher says these events all had an effect on the process of making the film.

“The last couple of years, with everything that’s been happening, it only made it even more, I don’t want to even say relevant, but just more real.”

When he is not filming, Dagher is politicall­y engaged, taking part in anti-government protests. “There’s this one day we’re shooting a scene and I think the call was at 12 and there was a protest that day at Martyrs’ Square. I actually went to the protest and I was driving Downtown and I saw the lighting van driving in the opposite direction, going to set. I went to the protest and Manal was there.”

The film is also Dagher’s own form of protest, he says. “I realised that I might be a bit more effective if I focus on films, at least, that have a certain sociopolit­ical element without necessaril­y talking about politics or talking about society, but talking more about today. And how it feels to be alive here today in this situation.”

A few days after the team wrapped production, restrictio­ns on movement in Lebanon were announced.

How was Dagher able to get through to finishing the film considerin­g the difficult circumstan­ces in Lebanon over the past few years? “Shooting the film within the climate that we were going through helped us also bond and bring a more real or authentic feeling to the film,” he says.

Had it been a different subject matter, the filmmaker says he would have found it more troubling to continue working on it.

“I think the intention behind the film is really what drives it forward from the beginning to the end. And I think that’s the thing that I held on to from when I first started writing to now.”

A very big part of the film is actually about this fear of the looming disaster, which renders us kind of all numb

The Sea Ahead has its world premiere at the Cannes Film Festival today. The event runs until Saturday

 ?? Photos Ely Dagher ?? Set in Beirut, Ely Dagher’s ‘The Sea Ahead’ tells the story of a young woman who comes back to Lebanon after a failed stint trying to live in Paris
Photos Ely Dagher Set in Beirut, Ely Dagher’s ‘The Sea Ahead’ tells the story of a young woman who comes back to Lebanon after a failed stint trying to live in Paris

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