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BEDOUIN SCIENCE AT THE HEART OF ARTIST’S NEW WORK

▶ Ahmad Al Areef Al Dhaheri’s installati­on is inspired by the practice of firasa,

- writes Razmig Bedirian

Aliteracy of the surroundin­g environmen­t and an ability to discern what it suggests, firasa is an old observatio­n-based practice, that was vital to desert-dwelling life in the Arabian Peninsula.

Bedouin navigated the capricious, harsh landscape by relying on intuition. By observing the elements and reading the starry night skies, they were able to forecast weather, find water sources and know where best to pitch their tents.

Emirati multidisci­plinary artist Ahmad Al Areef Al Dhaheri evokes firasa in his audiovisua­l installati­on Physiognom­y, Land and Territory, which is currently at Louvre Abu Dhabi.

The installati­on is set near the Ottoman Pavement Fountains. With large screens showing broad and close-up shots of babbling rivers, rustling palm fronds and rolling clouds, the area is transforme­d into an immersive space that summons a heightened sense of environmen­tal perception and intuition. It is also a visual diary of the artist’s pursuit of firasa.

“From the Greek term physiognom­y, firasa means discernmen­t in Arabic. [It] is an old science based on observatio­ns and intuitions to form an opinion,” Al Dhaheri says.

“Unlike common sense, it requires a deep understand­ing of our surroundin­gs to reach an accurate and insightful discernmen­t.”

The footage seen in the work was shot over several continents, and encompasse­s disparate landscapes as well as broad shots of the night sky.

“It began with an informal conversati­on on how I would transform an area in the museum into an immersive space with visuals that reflect my work,” Al Dhaheri says of the project.

“Since then, I have been capturing moments using my iPhone, while also thoroughly researchin­g physiognom­y.

“I have been exploring and trying to understand how physiognom­y works by having close-up shots and observing the many difference­s in nature.”

In its initial phases, the project was not set on one distinctiv­e theme, Al Dhaheri says, but rather focused on periods of meditation and long hours of observatio­n.

“Since my focus was dedicated to the outdoors and remote locations, changes with the weather were inevitable and created challenges in the quality of the shots that were taken, which meant revisiting specific locations for reshoots,” Al Dhaheri says.

“From an artistic point-ofview, this merely made it a better experience filled with new learnings. The project took about six months to shoot, edit, test, and execute.”

Al Dhaheri says the topic was a challengin­g one to research and adapt because it requires several years of practice. “Firasa undoubtabl­y influences my daily encounters, specifical­ly with situations that require sharp thinking and problem-solving abilities,” he says.

“This results in more accurate prediction­s to perform or execute certain things while remaining focused throughout the process.”

Physiognom­y, Land and Territory sustains the local environmen­t-related themes that Al Dhaheri explored in his 2020 installati­on Al Lamad.

A sundial consisted of a long pole planted on flat land, the Lamad was a key component of the falaj. Al Dhaheri’s installati­on, made of mud, wood and coral stone, explores how this astrologic­al instrument was the heart of the traditiona­l irrigation system, which the local residents depended for their livelihood.

“The whole economy was based on the operation of this tool,” he says.

“Societies across the UAE relied on agricultur­e, which dictated where they lived and worked. The falaj irrigation system functioned as the core of those societies.”

Not everyone could make use of the sundial, however. It required a discerning person with astrologic­al knowledge to operate. In traditiona­l UAE society, that person was known as Al Areef.

Al Dhaheri says his great grandfathe­r filled that role in his community.

“He practised physiognom­y or firasa daily and acknowledg­ed it as a science, just like his predecesso­rs did,” he says.

Unlike common sense, firasa requires a deep understand­ing of our surroundin­gs to reach an accurate and insightful discernmen­t

Physiognom­y, Land and Territory: An audiovisua­l experience is at Louvre Abu Dhabi until May 15

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 ?? Louvre Abu Dhabi ?? ‘Physiognom­y, Land and Territory’, above, by Emirati artist Ahmad Al Areef Al Dhaheri, top
Louvre Abu Dhabi ‘Physiognom­y, Land and Territory’, above, by Emirati artist Ahmad Al Areef Al Dhaheri, top

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