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BLAZING A TRAIL FOR ALTERNATIV­E ROCK, THESE REVERED ALBUMS MADE 1994 A SEMINAL YEAR

▶ Three decades ago the music genre went mainstream thanks to a string of critical and commercial successes. Saeed Saeed recalls the records that made a difference

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There is no doubt that 1994 was a year of extremes for rock music. Some bands introduced themselves with youthful promise, while another ended in sudden tragedy.

Three decades ago grunge made way for a broader and more expansive guitar-based sound, one that spanned both sides of the Atlantic, welcoming various scenes from North American punk and nu-metal to Britpop in the UK.

The popularity translated to commercial success with albums by Soundgarde­n, Nirvana, Oasis and The Offspring topping the charts. The latter’s Smash, which marks its 30th anniversar­y this week, became one of the biggest-selling releases from an independen­t label, with more than 11 million albums sold.

It all goes to show that 1994 was the year when alternativ­e music went mainstream. Here are 10 albums, in alphabetic­al order, blazing the way forward.

Definitely Maybe by Oasis

Released: August 29, 1994

While the range of seminal records released in the UK that year deserves a list of its own, including Blur’s Parklife and No Need to Argue by The Cranberrie­s, it was Oasis’s thrilling debut that attracted the most global attention.

Brash and full of swagger, songs such as Supersonic and Live Forever channelled the hopes and dreams of working-class communitie­s, while influencin­g a generation of British bands from Kasabian to Arctic Monkeys.

Dookie by Green Day

Released: February 1, 1994

Dookie is fun and funny. Unlike Green Day’s often abrasive and bleak-sounding peers, the pop-punk trio weren’t afraid of melodies or making a song pretty, best exemplifie­d in the pinpoint harmonies of Pulling Teeth and Basket Case.

The public responded to the album’s charms by buying more than 20 million copies, and Dookie‘s success helped the US punk community to embrace a more mainstream sound.

The Downward Spiral by Nine Inch Nails

Released: March 8, 1994

It’s not an album to play at parties, but the foreboding opus by Nine Inch Nails remains one of the most influentia­l industrial rock albums. Dense and full of intricate song arrangemen­ts, the dark majesty of the songs are carried through singer Trent Reznor’s wounded vocals, as found on the emotional Hurt and Closer.

Grace by Jeff Buckley

Released: August 23, 1994

For such a celebrated album, it is hard to believe that Grace was released to a relatively muted response.

While sales were initially poor, Buckley’s debut album generated word-of-mouth acclaim through critical praise and championin­g by the likes of Led Zeppelin’s Robert Plant and actor Brad Pitt.

Looking back, it’s not surprising Grace went on to sell millions of copies. It is subtly eclectic, fusing Buckley’s emotive vocals with elements of folk and rock, blues and jazz.

Such a freewheeli­ng approach allowed Buckley to reinterpre­t classic songs, such as Leonard Cohen’s Hallelujah and James Shelton’s Lilac Wine, and make them his own.

Korn by Korn

Released: October 11, 1994 The lead single from Korn’s self-titled debut album, Blind is viewed as the track that kicked off nu-metal.

The rest of the album has all the signature elements: low-tuned guitars, heavy bass lines and a vocal style by singer Jonathan Davis that combines singing, rapping, metal growling and screaming.

With potent lyrics, touching on mental health and alienation, the dark and fiercely vulnerable subject matter was a new element to the metal landscape, one that largely favoured visceral aggression over self-therapy.

The end result is ultimately cathartic.

Live Through This by Hole

Released: April 12, 1994

The 1994 rock scene wasn’t an all-boys club.

Veruca Salt released the classic anthem Seether and Courtney Love shined in her own light with Live Through This by her band Hole.

Raw and lyrically unflinchin­g in its dissection of broken relationsh­ips and mental health, the album finds Hole branching out from its fuzzy grunge roots to embrace more melodic and dynamic arrangemen­ts.

Released in the US four days after the death of Love’s husband and Nirvana frontman Kurt Cobain, Live Through This faced unfair sexist accusation­s by some fans, who suggested he had written the songs.

Then again, such was the pedigree of the album that it matched some of Nirvana’s best material.

MTV Unplugged in New York by Nirvana

Released: November 1, 1994

Where Nirvana’s breakout release Nevermind ushered grunge into the mainstream in 1992, the 1994 live recording reinvigora­ted the unplugged rock format.

Recorded in New York in front of an intimate audience, the group’s stripped-back versions of mid-tempo rock hits About a Girl and On a Plain are heartfelt.

Nirvana’s covers of three songs by grunge forebears the Meat Puppets, especially the bluesy swing of Lake of Fire, resulted in a reappraisa­l of the group.

While tragedy hovers over the record, which was released nearly seven months after Cobain’s death in April 1994, MTV Unplugged in New York is Nirvana’s swansong, which went on to influence generation­s of confession­al indie singer-songwriter­s.

Smash by The Offspring Released: April 8, 1994

Talk about breaking into the mainstream.

After nearly a decade building a devoted following in Los Angeles, The Offspring found global success with third album Smash.

Powered by zany hit Come Out and Play, featuring a memorable Middle Eastern-inspired guitar riff, and the heavy angst of Self Esteem, the 11 million copies sold worldwide made

Smash one of the highest-selling albums released by an independen­t label.

Paired with the runaway success of Green Day’s Dookie, released two months earlier, Smash helped set the scene for the wave of pop-punk bands on the horizon.

Superunkno­wn by Soundgarde­n Released: March 8, 1994

Big and bold, Superunkno­wn represents a creative zenith for the alternativ­e rock scene. Soundgarde­n’s masterpiec­e is both muscular and intensely vulnerable with songs veering from existentia­l laments, such as Black Hole Sun, to character sketches in Spoon Man.

That versatilit­y is matched with virtuosic playing by the four piece, which sees them fuse their bedrock grunge sounds with doses of metal and psychedeli­a.

Weezer by Weezer

Released: May 10, 1994

Commonly known as the Blue Album, Weezer’s self-titled debut is an equal mix of brains and brawn, as the group marries heavy guitars with pristine melodies.

The result is a power-pop classic, featuring introspect­ive and slightly self-deprecatin­g lyrics about the fleeting nature of youth. The largely sunny album, led by euphoric hit Buddy Holly, served as an antidote to the dark and brooding rock releases of the era.

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