25 Beautiful Homes

return to splendour

This architect relished the challenge of restoring a historic home in east London

- FEATURE ANTHEA GERRIE | PHOTOGRAPH­Y RICHARD CLATWORTHY & ALEX JAMES

When Chris and Sarah Dyson first set eyes on what was once the grand home of an 18th-century, east London physician, it was a derelict wreck. But as an architect well versed in the history of Samuel Worrall, the builder responsibl­e for many of Spitalfiel­ds’ houses, Chris relished the challenge of returning the property to its former glory.

The couple moved into the five-storey house with their now grown-up children, Oliver and Isabella, in 1996, and then spent the next 17 years turning it into a family home.

‘The house has a chequered history,’ says Chris. ‘It had lost its original features in the 1930s, when it was turned into a warren of sweatshops, and it was one of a pair in the street that suffered bomb damage in World War II. By the time we moved in, the façade brickwork had been rendered over and the wooden sashes replaced by steel-framed windows. It was structural­ly sound but needed a new roof, plumbing and rewiring.’

Creating a liveable layout was made easier by the property’s postwar rebuilding. ‘The house was never listed, so we had no constraint­s, and steel joists had been put in, giving it strength and flexibilit­y,’ says Chris.

Another plus was that the ground floor had high ceilings to accommodat­e the original shop, a feature that was common in

houses of the period. ‘It’s now the sitting room where we entertain, while the drawing room above is for relaxing,’ says Chris.

The couple turned the basement into a kitchen, and fitted out bedrooms for the children and a family bathroom on the second floor. The open-plan master suite, with zinc tub and dressing room, is on the top floor. ‘There’s no loo,’ says Chris, ‘ but there are three WCS on other floors.’

Throughout the house, the floorboard­s were stripped back to reveal their natural beauty and the walls painted white, with some blue and grey details that emphasise the original features. The house gradually acquired its period trimmings with Chris’s savvy job-lot purchases in a salvage yard. ‘I got a recessed display niche for the sitting room, columns for the first-floor fireplace and an ornamental column for the front door surround, all in one fell swoop,’ he says.

In 2011, Chris tackled rebuilding the frontage. ‘The render was stripped off, along with the first skin of brick,’ he explains. ‘And we replaced rotting timber.’ Next came the timber detailing to recreate the effect of the original shop front, including a magnificen­t 8ft-high door. ‘These final touches really reveal the quality, character and craftsmans­hip we put back into the property,’ says Chris. ‘Restoring this house has been a fantastic learning experience.’

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2& 3 DRAWING ROOM Hidden behind panelling in the chimney breast is a cupboard full of books. This keeps the space devoid of clutter so the artworks, furniture and original features can be better appreciate­d Wingback chairs by Matthew Hilton,...
1 2 2& 3 DRAWING ROOM Hidden behind panelling in the chimney breast is a cupboard full of books. This keeps the space devoid of clutter so the artworks, furniture and original features can be better appreciate­d Wingback chairs by Matthew Hilton,...
 ??  ?? 1 SITTING ROOM Dark painted woodwork and furniture in rich tones lend an appropriat­e sense of gravitas to this atmospheri­c scheme. Leather Chesterfie­ld sofa, £900, Lots Road Antiques Market. Writing bureau, £900, Lassco
1 SITTING ROOM Dark painted woodwork and furniture in rich tones lend an appropriat­e sense of gravitas to this atmospheri­c scheme. Leather Chesterfie­ld sofa, £900, Lots Road Antiques Market. Writing bureau, £900, Lassco
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 ??  ?? DINING ROOM An oversized urn, originally intended for the garden, makes a powerful statement in here. Red resin Spring lamp, £250, Marianna Kennedy
DINING ROOM An oversized urn, originally intended for the garden, makes a powerful statement in here. Red resin Spring lamp, £250, Marianna Kennedy
 ??  ?? 2& 4 BATHING AREA A deep zinc tub is an indulgent touch in the master bedroom. Bath, £5,000; basin, £350, both William Holland. Wall cabinet, £300, Beedell coram. for a similar dressing table mirror, try french spire, £595, exclusive Mirrors 2
2& 4 BATHING AREA A deep zinc tub is an indulgent touch in the master bedroom. Bath, £5,000; basin, £350, both William Holland. Wall cabinet, £300, Beedell coram. for a similar dressing table mirror, try french spire, £595, exclusive Mirrors 2
 ??  ?? 1 master BEDROOM A vintage bedspread softens the look of a modern four-poster. for a similar bed, try the Goa, £ 430, Maisons du Monde. Wayfair has a similar bench, £196 1
1 master BEDROOM A vintage bedspread softens the look of a modern four-poster. for a similar bed, try the Goa, £ 430, Maisons du Monde. Wayfair has a similar bench, £196 1
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3 LANDING Access to the master suite is via a bespoke mahogany staircase. selling antiques has similar clocks, from £500. light fitting, £225, old spitalfiel­ds antique Market
3 3 LANDING Access to the master suite is via a bespoke mahogany staircase. selling antiques has similar clocks, from £500. light fitting, £225, old spitalfiel­ds antique Market
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